Dil Chahta Hai

Farhan Akhtar's Dil Chahta Hai is a true example of cutting-edge cinema. It is a groundbreaking film in that it realistically portrays the life of Indian upper-class youth and shows the urban and modern India in the most precise way through the story of three close friends and their experiences. The characters are real and very easy to relate to, the dialogues are simple and genuine, the proceedings are dramatic yet realistic, and the film is extremely interesting and entertaining. The film is emotional, but it never goes over-the-top. Farhan Akhtar makes an impressive directorial debut. His excellent direction is aided by extraordinary music, brilliant cinematography, effective editing, fantastic city locations and some very impressive performances by the ensemble cast. The camaraderie between the three friends looks most real and believable. I can't recall any other Indian film I've seen before or after Dil Chahta Hai which portrayed true friendship as well as this one.

Aamir Khan, though initially seems to be miscast in the role of the completely cynical womaniser Akash, demonstrates a very fine versatility in this role and successfully shows the gradual growth in his character with depth and humour. Saif Ali Khan, in his best performance up until that point, is just brilliant as the insecure and very kindhearted Sameer. He displays confusion and fear with great conviction and a fantastic pinch of comedy. Akshaye Khanna is outstanding in this wonderful dramatic role of a serious and sensitive guy who falls for a woman much ahead of his age. Preity Zinta is marvelous as Shalini and skillfully sensitises her character. She plays the part with grace and restraint, and her inner feelings are perfectly understood thanks to her expressive eyes. Dimple Kapadia adds another accomplished performance to her vast repertoire. Sonali Kulkarni's real talent is unfortunately wasted, though she does try to do the best of what she is given.

Overall, Dil Chahta Hai is a remarkable picture about life, and it should provide a great deal of quality entertainment to each and every viewer, whoever and wherever he is. A great film which is according to me the best Hindi film of 2001.

DCH is like a breath of fresh air. It shows how bringing youth into an industry is always a good thing. Just compare this film with Yaadein, from Bollywood veteran Subash Ghai.

Where as Yaadein is probably one of the worst things to come out of a camera, DCH is one the best. It's just one of those films you'll find hard not to like, basically because it's exactly how the medium of Indian films should be used.

Rather than just cut and paste a song into the film, the filmmakers have done very well to make each song feel wanted, visually interesting, and they never drag. The result is a near 3hr film that just flies by. Comedy, Drama, Great Songs, love stories that work, and some truly excellent casting. Everyone carries the film, and the 3 guys, Safi, Akshay and Aamir are too good together!

Hopefully this film is a wake up call to the rest of Bollywood, who seem to be obsessed with unoriginality. Technically DCH can easily stand up against anything from the West. Editing, Directing, Cinematography, lighting, set design -- everything just works so well.

Sometimes Bollywood can produce some truly great films, and this is most definately one of them!! You must watch it.

This movie was released in the year 2001, the time when bollywood seemed to be in doldrums, producing one trash after another, the same year when another masterpiece "Lagaan" was released from bollywood and the year I finished my college and entered my first job and wow what an experience - it was just like a fresh breath of air.

The first movie by an unknown young guy Farhan Akhtar (may be known earlier because of his famous parents Javed Akhtar - lyricist in this movie - and Honey Irani) and what a fantastic job he did both in direction and script writing. For me, he did a great job by experimenting with a novel idea, moving away from the well established norms of the bollywood industry and not presenting yet again melodramatic bollywood plot.

The story revolves around three friends (supposedy born to very rich parents) - their relationship and their personal lifes - the guys with totally different natures and with their different meaning of life. However, the only thing that keeps them ever together is their never ending friendship.

The story is not so great, doesn't convey any specific message but it keeps you glued and is refreshing as many times you watch it. In fact, many of the college going Indian youth (and even from other countries) would be able to relate themselves with the three main movie protagonists.

All the actors have given very good performance. Aamir Khan simply reaffirmed his talent. He plays a prankster, who has knack of turning every thing into funny and the one who doesn't believe in the institution of love, but ultimately falls for it. For Saif Ali Khan this movie may even be called his re-birth. He plays a character who falls for every other girl, but is unable to express it when he really starts loving the one. Akhshay Khanna playing a bit mature and serious character may have seemed slightly weaker than the other two, but he played his character very well. This guy has a very different meaning for love and falls for an older woman. Preity Zinta looks amazing (as always) with an all different hair style. Sonali Kulkarni didn't seem so much at ease with the commercial cinema, but then too gave pretty good performance.

Music by Shankar-Eshaan-Loy combination was also refreshing and different from all that mushy mushy Hindi film music. The great thing about songs that they didn't break the movie rhythm and seemed more to be part of the movie's story.

In all, a must watch movie.

After a string of Bollywood stinkers, this film was a breath of fresh air! Upon first glance, it might seem like the story has been rehashed from the plotlines of several other Indian films. But the presentation blew me away! Yes, I agree that Dil Chahta Hai has been heavily influenced by the Hollywood style of filmmaking. But it still retains the same passion and romanticism that has become a Bollywood staple ever since the beginning, thus making DCH a thousand times better than other "Hollywood-wannabees".

Another thing that you might notice while watching the film is that there is not much of a plot. It just... floats along. But that's what makes it great; you never know where the next scene might lead you. What ties the story together is the bond of friendship shared by the three main leads. All the performances were terrific, especially Aamir Khan, who is probably the most respected actor of his generation.

Ultimately, what's great about the film is that it connects to the youth. The depiction of youth is so dead-on and realistic that you would be disgusted at the way youth is treated in other Bollywood films, where every college student aside from the hero/heroine are party-going idiots or jittery nerds! In DCH, however, the people talk like how they're supposed to talk, and nothing seems unrealistic about their personality. While watching the film, it becomes quite evident that Farhan Akhtar belongs to a breed of young, talented directors. What they lack in experience, they make up with an ambitious vision and raw talent.

If you haven't seen the film yet, go watch it. You'll be surprised at how much hope is still left in Bollywood.

Less is more in Farhan Akhtar's 'Dil Chahta Hai'. Strip away melodramatic plots which always drag on longer than they are supposed to. Get rid of unbelievable protagonists who have all the answers and can fight off a horde of villains. Have no 'villains' to speak of, with the exception of the dude engaged to the girl you fancy, who acts like a bit of a prick.

Build a story about the people you spend most of the time with - your friends, your dawgs, your posse, and ponder how you guys are going to sort out the really important things in your life. Like falling in love. Cracking on your friend who seems to fall for every girl he sees. Or your sensitive friend Sid who is in love with a much older woman - is he crazy? Wince as two of your best friends get into a very heated argument which splits them up and wonder what you will do now that you're caught in the middle. Hope for love and friendship to find a way through to reconciliation.

Make a smart movie, without elaborate dance pieces set to a sweet soundtrack that remains in the top 10 a year after the film's release. In fact have a song that parodies the 'running around trees' segment that every other Hindi film since the 1950s has had and that the guys at school used to kid about. I mean, guys don't express their love for girls that way! Keep out guns, drugs, politics, strife, and family melodrama. Lace up your script with generous doses of humor which brings to light the hereunto underused Saif Ali Khan. Finally make sure the 'heroes' have shown some growth at the end of it. Of course it's been done to death in LA. That it could have been done so well in Mumbai is the astonishing thing.

Finally, make reality cool again. Whatever your heroes wear, however they cut their hair, right down to the way they interact has to be believable. Make short hair and a goatee beard the national craze amongst guys. Put some real thought into color coding and matching outfits and give a laid-back style to the proceedings.

Welcome "Dil Chahta Hai". The film that has had the largest influence of the look and hopefully the story of the biggest Bollywood films to follow it. A film that many people have been able to relate to. It seemed so obvious until Farhan Akhtar did it. Now watch how his ideas permeate through Bollywood.

Here's looking forward to "Don" in 2006.