Küss mich, wenn du willst

this is not typically french as i've read in some other comments. the film is based on a british book ....

it's a very acid and cynic satire of how some people's lives are laced with lies ...

it has this kind of witty bitter humour that will make it a very enjoyable movie, and i'm going to buy the book to see if there are any notable differences..

thank you for your attention !

This is one of those superficial little French comedies that finesses its way through numerous sexual liaisons and adulteries with the tolerance only the French seem to have for such things. It's actually quite amusing in an if-I-didn't-have-to-break-a-leg-to-see-it kind of way and going to see an inoffensive film with subtitles makes you look sophisticated (though this may be reduced if you see it in a popcorn munching multiplex).

It was Francois Ozon's 'Swimming Pool' that really made me sit up and take note of Charlotte Rampling's suitability to french cinema. Her stern facade yet the notion she is longing for sexual freedom suits it to a 't'.

After 'Swimming Pool' I made a conscious search for Rampling's other forays into french cinema, and this is one of the surprisingly many i came up with.

'Summer Things' seemed to me a bit like a multiple brief encounter. It follows a family riddled with dissatisfaction and their friends over the course of a summer. The daughter off for a 'naughty summer'in Chicago with the boyfriend her parents don't know about, the mother off with her friends all of whom have terrible family problems themselves, and the father who spends the summer liberated from the wife he is confused by, in the arms of his transsexual lover.

The characters are all linked in such deliciously complex ways - one of the biggest links being how much they need this change, this summer to not make them change their lives as what is expected of films of this nature, but in fact to learn how to enjoy the lives they already have - this idea was so refreshing, and like 'brief encounter' what made it so real. there weren't any epiphanies, just character developments, life lessons and realisations of the fact that the grass is never as green as we hope it might be.

Watch it! :)

A moving, sometimes hilarious film about a group of characters who go on vacation together just to be confronted with each other and their own lies toward the others and themselves. A family that has lost both their baby daughter and all their money keep pretending towards their rich friends that they still live well; a middle-aged couple separate for the first time for vacation and both make new and surprising emotional experiences; a notoriously jealous husband turns his pretty wife's life into hell; a young mother searches desperately for a new man in her life and finds a dashingly handsome, but very suspicious guy; a young employee goes to America with his boss' daughter whom he loves, only to see himself ruthlessly let down by her.

The week on vacation changes the lives of the characters in one way or the other: friendships and love blossom; other relationships end; everyone makes important personal experiences.

No-one of the characters is entirely dislikeable (maybe the bitchy, sex-crazed daughter is the most), but they keep hurting each other in spite that many of the characters care a lot about the others, notably Charlotte Rampling's Elizabeth.

A film about the complicated and intriguing ways of love, friendship and caring that makes one think a lot. Wonderfully played by an excellent cast, sensitively written by also-director and star Michel Blanc (he plays the most grotesque character, the jealous husband).

Let's face it: the people in this film of vacationing Frenchmen are often unpleasant, sometimes downright loathsome. And yet, I had a good time watching, owing to Michel Blanc's skill at keeping all the balls in the air. I don't know how many speaking parts there are, maybe 20, but the energy never flags because of the marvelous actors. Karin Viard is my favorite actress for comedy; here she is wonderful as the frustrated wife of Podalydès trying to scrimp through a holiday that their finances really don't allow. The scene of Podalydès standing on the cliff, with Rampling quietly trying to buck him up, Ulliel crouched below, his tryst with Mélanie Laurent interrupted, and Viard gabbing away unwittingly with her friends until her husband jumps is a comic masterpiece.

Carole Bouquet is another favorite of mine, since she stole Bunuel's last picture Cet obscur objet du désir over 30 years ago. She too is great in comedy--here she is saddled with the most jealous husband in recent film memory (go back to François Cluzet's harassing of Emmanuelle Béart in L'enfer). Blanc keeps yelling at her, accusing her of infidelities, and she grimly makes the best of it, helped by her new-found friends Rampling and Viard. As I said at the outset, sometimes the characters do unpleasant things, but you don't get the feeling that the deck is stacked against them.