Der einzige Weg, die Erde vor der Katastrophe zu retten, besteht darin, bis zum Kern vorzudringen und ihn wieder zum Drehen zu bringen.Der einzige Weg, die Erde vor der Katastrophe zu retten, besteht darin, bis zum Kern vorzudringen und ihn wieder zum Drehen zu bringen.Der einzige Weg, die Erde vor der Katastrophe zu retten, besteht darin, bis zum Kern vorzudringen und ihn wieder zum Drehen zu bringen.
- Danni
- (as Rékha Sharma)
- Serge
- (as Tcheky Karyo)
Empfohlene Bewertungen
Okay, we all know the centre of the Earth doesn't look as Hollywood as that. And the pressure suits, and the coincidences, and the split-second-timing giant nuclear bombs, and the blah blah blah blah ...
For God's sake, what did you expect ... a documentary? The Core is escapism, just like a cartoon, just like your comic books. Movies can be highly implausible and still be fun. James Bond has made a career out if it.
For what it's worth, I'm glad the Ugly Attractive Kid with the weird nose finally justified his salary at the end. Aaron Eckhart's chin must surely win Best Jawline in a Leading Role some time soon. I was disappointed Hilary Swank didn't get to struggle for half an hour in a sweaty, clingy t-shirt. And, for once, my private predictions as to the Exact Order of Death among the leading characters turned out to be 100% correct. I'm bad at that, so imagine how easy it is in The Core to forecast who's going to die next - it's eeeeeasy.
And the earthworm-like ship varies in scale between awesomely big to comically small. And there was no real sense of claustrophobia. And the heroes didn't seem to mind, before launch, that they all had a "I knew this was a one way ticket", Ed Harris style, staring them in the face. I mean, two thousand miles, straight down ... better squeeze your nose and blow, because I know MY ears would pop.
It was a laugh, I'll buy the DVD because it looked and sounded great, and the special FX were perfectly fine thankyou. Not awesome, but entertaining.
The Core is the "low-budget" answer to Armageddon, meaning it was made on less than half the cost but desires to be its equal in delivering thrills and big buckets of popcorn fun. Now, whether or not you liked Armageddon is a good determinant of whether or not you should even bother watching The Core in the first place. I myself haven't seen that Michael Bay/Jerry Bruckheimer production in a while, and memory serves that it was an unbelievably preposterous, but enjoyable thrill ride that had a great sense of humor. How does The Core compare?
Well, if I hadn't seen Armageddon, I might have liked this film more, which is not to say that it's a weaker movie, just that the disaster formula plays out in much the same way so there's a sense of deja vu hanging over the proceedings. There are a lot of people out there who hated Armageddon, perhaps for its absurd science or for its quick-cut action sequences, so for those who didn't like the latter, The Core would be more up their alley, though the science here is even sillier.
The premise is the anti-Deep Impact/Armageddon. A group of expert individuals have to go to the center of the Earth to jumpstart the core, which has stopped spinning for some unknown reason. Heading this mission is professor Josh Keys (Aaron Eckhart), who's leading a six-man team, with a woman playing a key role, of course, as the pilot, played by Hilary Swank. Recognizable faces Delroy Lindo, Tcheky Karyo, Stanely Tucci, and Bruce Greenwood round out the rest of this very expendable team.
Already, we realize the plot is fundamentally impossible. The only people who wouldn't recognize this are those still in grade school, so they'll probably get a kick out of the movie while thinking they're getting some kind of education out of this because of all the scientific mumbo-jumbo and technobabble. More discriminatory viewers will scoff at all the sudden new inventions that aid our intrepid group of heroes, particularly the hull Delroy Lindo devises that's actually strengthened by heat. For me, scientific flaws are acceptable so long as it's not so blatantly obvious, but this movie's stretching my suspension of disbelief.
But those who don't care for any scientific inaccuracies will wonder, is the action any good? The answer's a mixed bag. Almost all the action is entirely CGI-related, so the question of whether or not you find it exciting to see an "earthcraft" (named Virgil) get banged around quite a few times is crucial to your enjoyment. The action aboveground is all given away in the trailers, and none of it's particularly exciting, thanks to the weak special effects. The space shuttle crash, the destruction of the Roman Colosseum and the Golden Gate bridge are not examples of CGI-work at its best, to put it kindly. A 60 million dollar budget isn't quite enough to pull a movie of this sort off, and it sometimes shows.
Surprisingly enough, the scenes set below ground do somewhat make up for the slack. A crisis is introduced every five to ten minutes to keep the characters working, so what we get is a briskly paced and often enjoyable second half. The effects work is still spotty, but I found the characters relatively engaging, the situations fairly compelling, and the Mcgyverish-solutions amusing. Still marring this outing on a consistent basis, however, are the film's predictability, the occasionally really bad dialogue, the lack of solid intentional humor, and the stilted finale. The Core is not an unenjoyable timewaster, but it's not exactly a great night at the movies, either.
Yes, it's stupid, yes, it makes no sense, yes, the science is flawed, and yes, it's impossible. Nevertheless, I have to say I enjoyed watching this movie. It's one of those 'get a beer and some popcorn, turn your brain off and enjoy the afternoon' type of pictures. If you are not pretentious and take this film for what it is, you are more likely than not to enjoy it as I did.
All in all, this is a classic disaster flick, and for a disaster flick, this is above average.
The Core is certainly one of those movies for which one must suspend disbelief. It's a science-fiction movie that emphasizes fiction over all; that is, the physics of the film don't hold up to snuff. If you're an engineer or physicist, you should be smart enough not to watch it - you'll just spend most of your time second-guessing the inane psuedoscience.
It seems the inner core of the Earth has stopped spinning, for some reason, and this has caused the electromagnetic field that surrounds and protects the planet to begin to decompose. This is evidenced by, among other things, pigeons in Tralfagar Square in London suddenly veering at plate-glass windows and sundry people who wish they were extras in a less-violent movie, like Daddy Daycare or maybe Finding Nemo. At any rate, the world's leading scientists, commissioned by the military (it wouldn't be a Save the Planet from Imminent Destruction without our pals in the movie military), figure out that the core's stopped rotating, and that Something Must Be Done to get it going again.
Ah, but what? We've only drilled down about 8 miles, and according to my calculations the distance from the surface to the core is .... a bit further. We must drill down, sayeth the sage scientists, and lo and behold, through the magic of movies, there's this guy in the desert who's been working on a laser rocket thingy that'll help them blast all the way down. This handy little thing is just the cure, so a crew is hastily assembled: Commander Iverson (Bruce Greenwood), Major Beck Childs (Hilary Swank), Dr. Josh Keyes (Aaron Eckhart), Dr. Serge Leveque (Tcheky Karyo), Dr. Conrad Zimsky (Stanley Tucci), and Dr. Ed Brazzelton.
Like such doomsday movies as Armageddon, what The Core has going for it are likeable characters and a lot of nifty FX. It also has the unknown working for it; we don't know what lies beneath the thin crust of the Earth, because we haven't drilled beyond it. That allows filmmakers a lot of free reign to depict whatever the heck they want in terms of What's Down There.
What The Core has going against it, however, is a predictable plot and some howlingly awful dialog. Now, it's not giving anything away to mention that at least one person doesn't make it back from this mission. It's also not giving anything away to note that there's at least one knockdown, drag-out hissy fit of a scene in which Keyes admonishes Childs for something she didn't do. It's hysterical to watch, although I suspect the emotion the director was attempting to convey was more like empathy, not euphoria. Or ennui, which is unfortunately how some of the movie felt.
The Core is cheesy. No, not the actual inner core - although, come to think of it, maybe it is, since we don't know for sure what it's made of. And wouldn't that be fitting? A cheesy core for a cheesy film made by cheesy people in a cheesy society? Who's up for some Muenster?
Wusstest du schon
- Wissenswertes(at around 9 mins) Near the end of the "birds" scene, a trout is seen smashing into a window instead of a pigeon. This was a joke left in by the team that did the CG pigeons.
- Patzer(at around 1h 30 mins) During the bridge scene the microwave energy can melt through several feet of galvanized carbon steel wire (main cable) and the bridge beams themselves but not through less than 2mm of metal on the car's body shell.
- Zitate
Taz 'Rat' Finch: How many languages do you speak?
Dr. Conrad Zimsky: Five, actually.
Taz 'Rat' Finch: Well, I speak one... One Zero One Zero Zero. With that I could steal your money, your secrets, your sexual fantasies, your whole life. Any country, any place, any time I want. We multitask like you breathe. I couldn't think as slow as you if I tried.
- Crazy CreditsAt the beginning when the Paramount pictures logo is shown there is a transition between the Paramount pictures logo and the film - the camera zooms in on the mountain then starts to move down through the mountain to the core of the earth.
- VerbindungenFeatured in Troldspejlet: Folge #28.14 (2003)
- SoundtracksWeren't You the One
by Roger Kellaway & K. Lawrence Dunham
Performed by Sherry Williams
Courtesy of WilliamSound West
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Sprache
- Auch bekannt als
- El núcleo - Misión al centro de la tierra
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 60.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 31.186.896 $
- Eröffnungswochenende in den USA und in Kanada
- 12.053.131 $
- 30. März 2003
- Weltweiter Bruttoertrag
- 73.498.611 $
- Laufzeit2 Stunden 15 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1