IMDb-BEWERTUNG
6,6/10
2999
IHRE BEWERTUNG
Nach einem Martini-induzierten Amoklauf wird eine phantasieanfällige junge Frau unter Hausarrest gestellt.Nach einem Martini-induzierten Amoklauf wird eine phantasieanfällige junge Frau unter Hausarrest gestellt.Nach einem Martini-induzierten Amoklauf wird eine phantasieanfällige junge Frau unter Hausarrest gestellt.
- Auszeichnungen
- 2 Nominierungen insgesamt
Empfohlene Bewertungen
I like this movie. As far as perfomances go, Tim Blake Nelson's Daly was great! It was worth the watch and worth the listen because the music was great too. Cherish is unrequited love at it's best! Of course I liked Zoe (good performance by Tunney) but it was Daly that I related to most of all. In my world I am Daly, always waiting and hoping for that elusive bliss to be reciprocated! A solid 7 out of 10!
I liked this movie! A lot of problems with new indie films is that they try to be too artsy (with rapid cuts or industrial music) or too dark where you wind up loathing all of the characters. This movie was neither. The soundtrack was ecclectic and quirky. You were able to sympathize with all the characters.
Nelson and Tunney had great chemistry and were fun to watch together. The genres (comedy/drama/thriller) meshed very well together to make a cohesive, entertaining piece.
Good job :-)
Nelson and Tunney had great chemistry and were fun to watch together. The genres (comedy/drama/thriller) meshed very well together to make a cohesive, entertaining piece.
Good job :-)
I thoroughly enjoyed this movie. It's the type of flick that you want to see again, and real soon, because you have the sense you missed a lot the first time around.
The use of music is huge in this movie. Although completely different, I am drawing up memories of High Fidelity. Both movies feature music as its own entity or major theme in the story, not just as a backdrop to help tell the story. As a music lover, I just dig this.
Robin Tunney was phenomenal as Zoe. I think even if I didn't enjoy the other characters and the plot so much, this movie would be worth seeing just for her performance. She did an excellent job of portraying Zoe's journey. Her performance never felt pushed or strained; she just WAS Zoe, from the first scene to the last. Of course, this is what actors are paid for! I just felt she did an extraordinary job of capturing the character.
I love the way this movie was presented. It didn't abuse, or rely on, special effects. Rather, they were used at just the right time to help tell the story.
This movie has just enough of everything you want in a movie to make it suitable for all the types of moods you might be in when you see it!
The use of music is huge in this movie. Although completely different, I am drawing up memories of High Fidelity. Both movies feature music as its own entity or major theme in the story, not just as a backdrop to help tell the story. As a music lover, I just dig this.
Robin Tunney was phenomenal as Zoe. I think even if I didn't enjoy the other characters and the plot so much, this movie would be worth seeing just for her performance. She did an excellent job of portraying Zoe's journey. Her performance never felt pushed or strained; she just WAS Zoe, from the first scene to the last. Of course, this is what actors are paid for! I just felt she did an extraordinary job of capturing the character.
I love the way this movie was presented. It didn't abuse, or rely on, special effects. Rather, they were used at just the right time to help tell the story.
This movie has just enough of everything you want in a movie to make it suitable for all the types of moods you might be in when you see it!
I happened upon this movie and loved it! It's nice to see a movie that's really worth your time. It was so simply done - taking place for the most part in one room. It didn't require big explosions, etc. I think when a movie like this is good, it really says something about what it takes to make a good film. I'm not familiar with the actor who played Daly. But I will look for more of him. In the beginning of the movie, the Daly character is not attractive. But as his character and relationship to Zoe progresses, you just love him. I just wish that he and Zoe could have ended up saying goodbye or something. I wanted something more for him. I loved it!!!!!
A young woman,Zoe,is placed under electronic house arrest for a crime she did not commit. The eccentric and energetic `Cherish, ' written and directed by Finn Taylor (`Dream with the Fishes') has the virtues of romance and thriller with a good dose of odd love. It is by far superior to any other in its multi-genre this year.
Robin Tunney plays Zoe as a cross between Frankie Potente in `Run, Lola, Run' and an updated Audrey Hepburn in `Breakfast at Tiffany's.' She indeed runs for her life, in a sequence clearly influenced by `Lola,' and she hangs out on an apartment terrace wistfully looking at life as Audrey did almost a half a century ago.
Tunney is natural and attractive dealing with the loneliness of exile and a possible romance with the rep for the electronic imprisoning device.
Her antagonist is a male version of Clint Eastwood's nemesis in `Play Misty for Me'-a cunning loner whose affection for music and Zoe is pathological. This insanity allows for an eclectic soundtrack rich with the songs of the 50's and 60's and an emphasis on the eccentric contemporary Noe Venable, perfectly suited to the situation.
And the music is a star-the pop lyrics give meaning and nostalgia in a world where Zoe is confined by four walls but liberated by her imagination to become a passably good roller skater and lovable neighborhood oddity. Association hit "Cherish" is the titular song whose demented lyrics reflect the antagonist's sick obsession with a girl he can never have.
Confinement has released her imagination. Finally, an intelligent movie this summer to share the spotlight with Hugh grant's `About a Boy.'
Robin Tunney plays Zoe as a cross between Frankie Potente in `Run, Lola, Run' and an updated Audrey Hepburn in `Breakfast at Tiffany's.' She indeed runs for her life, in a sequence clearly influenced by `Lola,' and she hangs out on an apartment terrace wistfully looking at life as Audrey did almost a half a century ago.
Tunney is natural and attractive dealing with the loneliness of exile and a possible romance with the rep for the electronic imprisoning device.
Her antagonist is a male version of Clint Eastwood's nemesis in `Play Misty for Me'-a cunning loner whose affection for music and Zoe is pathological. This insanity allows for an eclectic soundtrack rich with the songs of the 50's and 60's and an emphasis on the eccentric contemporary Noe Venable, perfectly suited to the situation.
And the music is a star-the pop lyrics give meaning and nostalgia in a world where Zoe is confined by four walls but liberated by her imagination to become a passably good roller skater and lovable neighborhood oddity. Association hit "Cherish" is the titular song whose demented lyrics reflect the antagonist's sick obsession with a girl he can never have.
Confinement has released her imagination. Finally, an intelligent movie this summer to share the spotlight with Hugh grant's `About a Boy.'
Wusstest du schon
- WissenswertesAs revealed in the DVD commentary, there was originally a scene that would have had her character masturbating out of boredom, 'but Robin Tunney''s father nixed that idea quickly.
- PatzerWhen Zoe is talking to Max from her upper-floor apartment building window, Max is in his wheelchair directly below Zoe's window. Most of the time Zoe is talking to Max, she is looking straight ahead, instead of down were Max is.
- Crazy CreditsBefore the end credits roll, we see "For Gary."
- VerbindungenReferences Sadistico (1971)
- SoundtracksCherish
Written by Terry Kirkman
Performed by The Association
Used by permission of Warner Tamerlane Publishing Corp. (BMI)
Courtesy of Warner Bros. Records Inc.
by arrangement with Warner Special Products
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Чериш
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 1.500.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 179.751 $
- Eröffnungswochenende in den USA und in Kanada
- 36.618 $
- 9. Juni 2002
- Weltweiter Bruttoertrag
- 179.751 $
- Laufzeit1 Stunde 39 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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