Ein Reporter interviewt eine Hellseherin, die ihr sagt, dass sie sterben wird und ihr Leben bedeutungslos ist.Ein Reporter interviewt eine Hellseherin, die ihr sagt, dass sie sterben wird und ihr Leben bedeutungslos ist.Ein Reporter interviewt eine Hellseherin, die ihr sagt, dass sie sterben wird und ihr Leben bedeutungslos ist.
- Auszeichnungen
- 1 Nominierung insgesamt
Edward Burns
- Pete
- (as Ed Burns)
Gregory Itzin
- Dennis
- (as Greg Itzin)
Johnny 'Sugarbear' Willis
- Striker #1
- (as Johnny 'Sugar Bear' Willis)
Empfohlene Bewertungen
Life, or Something Like It. Dumb title if you ask me. Angelina Jolie as a blond? I don't think so. Ed Burns as the love interest? Sounds like a chick-flick or something like it.' All this needed was Greg Kinnear and I think we'd have something like Someone Like You', right? Well not exactly. Although this movie was obviously aimed at the female crowd and used just about every chick-flick cliché under the sun, there was more here than I expected. I found this movie very predictable for the most part but the characters are so engaging (especially Jolie's) that you find yourself getting wrapped up in them and the story that surrounds them. The thing that stood out for me where a couple of scenes that had the audience so quite you could have heard a pin drop. One was when Angelina Jolie's character asks her fiancé what it is between them that dictates they should be together. Utter silence. The theater, in anticipation of what lame answer is about to spew forth from her jock boyfriend, was silent. The other was when Angelina's character is interviewing Stockard Channing's. Again total silence from the crowd. Those two moments in the movie made it worth while for me. The rest is just as you would expect. I didn't find any above caliber performances here, just the really good ones you'd expect from this cast. You wont see this one on Oscar night but I thought it was worth the ticket price and it didn't feel like a waste of time. That's my take. What's yours?
LIFE OR SOMETHING LIKE IT has a premise of reporter Lanie Kerrigan being told by a homeless man that she's going to die in a few days from now and right away I was expecting some bitter-sweet angst , a sort of present day morality tale inspired by Frank Capra and I guess very early in production this was the idea but I was left confused . Is it a redemption tale ? If so then why does Lanie start out as a not unlikable person and remain a not unlikable person throughout the movie ? You see there's little in the way of character development and the situations and soul searching never seem to draw the audience into Lanie's fears . None of this is helped Stephen Herek's shallow direction either
In short this is a shallow film but while being confused as to what it's trying to say it's also fairly watchable too . Angelina Jolie is breath takingly beautiful and in many ways she's like a female Leonardo Dicaprio in that her good looks disguise she's a much better actress than critics give her credit for and imagine how worse the movie would be if her role was taken by say Sandra Bulloch while Dave Newman's haunting score also helps the movie greatly
In short this is a shallow film but while being confused as to what it's trying to say it's also fairly watchable too . Angelina Jolie is breath takingly beautiful and in many ways she's like a female Leonardo Dicaprio in that her good looks disguise she's a much better actress than critics give her credit for and imagine how worse the movie would be if her role was taken by say Sandra Bulloch while Dave Newman's haunting score also helps the movie greatly
This film had a little bit of everything all rolled into one story and it was entertaining. Angelina Jolie,(Lanie Kerrigan) was a news reporter and gets involved with a homeless man that she interviews and this man predicts without any hesitation on his part, that Lanie is going to die on a Thursday, a week away. There are other details about the weather conditions and most of his predictions seem to come true. Lanie has lots of trouble getting along with her camera man on the job and they fight like cats and dogs. Lanie is looking for a better position in the TV industry and has her goals set very high, and at the same time wants to meet Mr. Right. There are very cute romantic scenes and Lanie has great conversations with her girl friends. However, Lanie begins to look at herself as a person other people see and she starts looking in other directions. Nice entertaining film.
So the plot is thin, the characters not entirely likable, and some scenes knuckle-bitingly awkward when you know they're trying to be cute. Some of the dialogue is pretty good, and most of the acting if superb.
But what I really want to talk about is Seattle. In a world where my hometown is turned into a shallow replacement for New York, or just stereotyped to DEATH (see - Fraiser, Sleepless In Seattle, The Ring etc) it's nice to see a film that actually gives a crap about the city.
Holy doo-doo pants! Is that KOMO 4 News?! Okay, so they made one of the Os and Q, but those are the faces I watched every Saturday before the morning 'toons.
We see all kinds of places in Seattle that aren't international landmarks - Leschi Elementary School, Alki Beach, the Downtown Transit Station, the Queen Anne Easy Street Records, giving the viewer a realistic representation of the simultaneously snooty and gritty City of the Sound.
There are no slip-ups of speech. No one says anything about Lake "CHELL-un" (Chelan is pronounced "sha-LAN", Fraiser!) nor is the Sound ever accidentally referred to as a bay.
So basically what I'm saying is that if you want a movie that took its time to understand the character of the city it was taking place in, this is it. And avoid The Ring at ALL COSTS!
But what I really want to talk about is Seattle. In a world where my hometown is turned into a shallow replacement for New York, or just stereotyped to DEATH (see - Fraiser, Sleepless In Seattle, The Ring etc) it's nice to see a film that actually gives a crap about the city.
Holy doo-doo pants! Is that KOMO 4 News?! Okay, so they made one of the Os and Q, but those are the faces I watched every Saturday before the morning 'toons.
We see all kinds of places in Seattle that aren't international landmarks - Leschi Elementary School, Alki Beach, the Downtown Transit Station, the Queen Anne Easy Street Records, giving the viewer a realistic representation of the simultaneously snooty and gritty City of the Sound.
There are no slip-ups of speech. No one says anything about Lake "CHELL-un" (Chelan is pronounced "sha-LAN", Fraiser!) nor is the Sound ever accidentally referred to as a bay.
So basically what I'm saying is that if you want a movie that took its time to understand the character of the city it was taking place in, this is it. And avoid The Ring at ALL COSTS!
Nothing like real life! Fancy directorial touches--and Angelina Jolie looking sexy in a Marilyn Monroe platinum 'do--cannot save innocuous, superficial film about a TV news-anchor being told she will die in a week by a street psychic with an impeccable record. Romantic side-plot between Jolie and cameraman Ed Burns never heats up, although Jolie is quite an intriguing presence all on her own (her performance is generally uneven, but her beautiful face is always worth reading). Has a few strong scenes, and an interesting supporting performance from Stockard Channing as a Barbara Walters-type, however the script doesn't dig very deep. **1/2 from ****
Wusstest du schon
- WissenswertesChristian Kane (Cal Cooper) is also the lead singer of outlaw country band Kane. When Cal comes out of the elevator towards the apartment, he's singing one of their songs "Sweet Carolina Rain".
- PatzerWhen Pete and Lanie deliver Tommy at his mother's house, he is supposedly asleep on Lanie's shoulder and Pete has to wake him so he can get out of the car. But the actor playing Tommy visibly blinks as the car pulls to a stop and shuts his previously wide open eyes when the car comes to a stop, pretending to be asleep so Pete can 'wake' him.
- Alternative VersionenAvailable in two different versions. Runtimes are "1h 43m (103 min)" (theatrical cut) and "1h 45m (105 min) (Argentina)".
- VerbindungenFeatured in Siskel & Ebert & the Movies: The Worst Films of 2002 (2003)
- Soundtracks(I Can't Get No) Satisfaction
Written by Mick Jagger and Keith Richards
Performed by The Rolling Stones
Published by Abkco Music, Inc.
By Arrangement with Abkco Records
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- How long is Life or Something Like It?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Una vida en siet días
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 40.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 14.448.589 $
- Eröffnungswochenende in den USA und in Kanada
- 6.219.234 $
- 28. Apr. 2002
- Weltweiter Bruttoertrag
- 16.872.671 $
- Laufzeit1 Stunde 43 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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