Still Game

I found this on Netflix. I've always loved the humor of Ireland and Scotland and figured, eh, I'll watch an episode or two. 13 were available (seasons 4 and 5) and I watched every one and laughed like hell. OK, I admit there were times I wasn't sure just what was being said, but even when I missed a joke (accent or local reference) I still laughed. It's that good.

If you want to have a summary of what this show is about, there are loads of places for that, but this is a review, not a summary so, no summary.

The lead actors are just amazing and can do deadpan so well, it seems like they're really just engaging each other, we're looking in on real people in their normal every day lives and, like every day life can be, we laugh.

There are occasionally poignant moments, but they seem almost like a tease, the humor is right there to push you back and say, "Oh come now, this IS a comedy after all." One side note, in the episode where the boys take the tour of the distillery, I could identify. My son and I took a tour of a brewery and were actually more interested in getting to the tasting room than how it's made. These guys took the idea of 'revisiting' to a whole new, hysterically funny level.

Worth every second, even if some of the dialogue slips by, sometimes if you just take what was said, figure in the goings on, you still get the joke, and it's still funny.

C'mon Netflix, bring on all those earlier seasons and let me enjoy every moment.

I had to amend my review and THANK Netflix for putting the first three season into the mix. I'm dancing through the heather with joy. Plus I have to add something that I neglected to put in the first time around, the supporting cast is as wonderful as the leads (though they have the edge of being the stars) and each one's little quirk and eccentricity makes them all the more fun to watch. Enjoy, ya bastards! hee hee hee.

Still Game is fantastic - taking on board some of the other peoples comments - the humour has been crude at times, and you could see some things coming - but the best thing about it is that a joke comes completely out of the blue (eg. Series 3 Ep1 with the tacky souvenirs and the "Canadian Beaver" t-shirt).

Either way, it's worth a shot. Like many TV programs, it may take a few episodes to get into. In Scotland this series has been highly popular in the ratings, but not shown Nationwide in the UK.

There is some talk about toning down the language - It is a disgrace trying to change it, as this is a representation of part of Scottish culture. If we apply the BBC's attitude to Still Game to other comedies then Only Fools and Horses would have contained no Cockney Rhyming Slang (and no where near as funny as it actually is)

One interesting thing noted is that as a series it appears to be taking a leaf from "The Simpsons" and branching out with many supporting characters who appear from time to time. I think this is keeping the series fresh.

For those brave enough to visit where the series is filmed - you'll no be able to get a pint down the Clansman - as the pub you see from the outside was knocked down sometime between April and May 04.

Like most of the other comments about this show - I would recommend this to anyone.

Jack and Victor from Chewin' the Fat now have a show of their own and if the first episode is anything to go by then success is a certainty. The first episode was about Victors next door neighbour dying and Jacks attempts at getting the house and removal day. A nice little subplot was the grandson trying to be a boxer. As per usual there was lots of originality and typical Scot's humour. One of the best scenes was all Jacks worldly possessions going up in flames in a dodgy removal van. Of the new characters I liked was the Asian shopkeeper and his wife. The wife you never seen her face, that sort of reminded me of the next door neighbour in Home Improvements. Shot on location in Maryhill, Glasgow its good to see old characters played so well. Possibly only Harry Enfield has ever made being an old git so funny.

Back in the days NBC's "Golden Girls" pioneered in discovering a fresh comedic potential according to the premise: Pensioners are also entitled to some post-prime fun before a career-move that involves pushing up the daisies. Especially when they're operating from Miami, Florida, of course. Now picture this as good old Sophia would say: How about we give the whole retiree idea more edge, relocate the girls to Scotland (complete with heavy accent), change their gender and language to something way stronger and offensive (yet in its own way endearing), and replace the picturesque Miami-scenario with fictional "shitehole" Craiglang "somewhere near Glasgow" with prospects being hee-haw as a Scot would say. You'll see: The fun refuses to concede defeat. Quite to the contrary. Welcome to "Still Game"!

Spun off from Ford Kiernan's and Greg Hemphil's sketch show "Chewin' the Fat", "Still Game" features strong 70+ characters ranging from the comedic widower duo Jack and Victor (Kiernan/Hemphil) over curmudgeon Winston, blabbermouth Isa and tight-arsed Tam to Indian-born shop owner Navid, who sports a rare talent for one-liners of the side-splitting kind. Now pleasures may be limited for old duffers, but life goes on and as such revolves around the local waterhole "The Clansman", the bookies, and the grocer's, with Isa's rumor mill working incessantly. Romance is a mere footnote. In that sense "Still Game" is not that far off the mark as real old geezers go. But in Craiglang there's a bright side to the shadow of old age: Death for example is a constant companion, accepted and dealt with in creative fashion (two words: hypothermia sweepstakes), and in the meantime as far as shaping the rest of one's life is concerned: disaster, small or large, is always around the corner. "Still Game", while out-and-out hilarious, occasionally dark-humored and sometimes over-the-top in a memorable way, also has its powerful dramatic moments. Character developments feel palpable and add another layer to the show and depth one wouldn't want to miss. The nine year long pause between season 6 and 7 is hardly noticeable. Following popular demand, "Still Game" is back again, as stand-up comedy and sitcom. So brush up on your Scottish, or turn on the subtitles. You don't want to miss this.

The fourth series of Still Game recently finished on BBC2. This was the first time it had been shown nationwide and, thankfully, the unthinkable didn't happen. The slang. the swearing, the banter and the accents were all present and correct. You've got to hand it to the BBC for choosing not to tone down the dialect, if they'd been allowed to anglicise Still Game it just wouldn't be the same. I recently met the show's creators Ford Kiernon and Greg Hemphill at a book-signing and when they were quizzed over the possibility of Still Game being toned down, Kiernon replied, "Naw, they can get it up them!". Rapturous applause followed.

You wouldn't think this programme was now in its fourth series, it still feels as sharp and fresh as it did back in 2002. While most programmes, like Ford and Greg's own Chewin' The Fat for example, tend to go downhill after a couple of runs, Still Game seems to improve with each series. Admittedly most of the laughs consist of old people swearing at each other but the excellent cast deliver their put-downs with gusto. The two leads, Kiernon in particular, make very convincing pensioners; little touches like shuffling slightly and muttering under their breath work well.

The supporting cast are excellent as well. Jane McCarry, who plays "nosey old cow" Isa, sounds frighteningly like an old woman and her double act with Paul Riley's Winston is uproarious. Gavin Mitchell as Bobby the barman and Mark Cox as tight-fisted Tam are also excellent. But the absolute standout is Sanjeev Kohli as the acid-tongued shopkeeper Navid, Still Game's ultimate scene-stealer. Scottish dialect delivered in an Indian accent is funny in a way you've never heard and his horrific remarks to his wife Mena (whose face is always hidden) are comedy gold.

Along with being consistently hilarious, Still Game is occasionally very touching; Jack memories of his late wife and Victor's strained relationship with his son are bring a real pathos and humanity to the proceedings. These moments are quiet and understated, giving Still Game a maturity that Chewin' The Fat lacked.

Whether or not the folks down south got it or not is still unclear, some dreadful reviews would suggest not, but who gives a toss as Scotland once again has a sitcom it can really be proud of. Easily a match for Rab C Nesbitt, Still Game is a hilarious, bittersweet and thoughtful look at life through the eyes of the elderly - and a real celebration of Scottish, particularly Glasgow, culture. Long live Still Game!