IMDb-BEWERTUNG
5,8/10
2983
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuThe story of a young garage band in Sydney, Australia trying to make it big.The story of a young garage band in Sydney, Australia trying to make it big.The story of a young garage band in Sydney, Australia trying to make it big.
- Auszeichnungen
- 4 Nominierungen insgesamt
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"Garage Days" seems like an attempt to capitalize on a bunch of different genres by re-hashing them into a confused mess of film failure. Offering nothing new or fresh to the table, the film is un-entertaining and plods along at a predictable, ultra-flashy pace. The jubilent, carefree tone of the film is compromised here by weighty subject matter such as abortion and drug use. These "dramatic" elements of the film keep it from having a distinctive tone that engages the viewer when contrasted with the hyper active camera work, pointless interludes and predictable comedy. When all is said and done this is nothing more than a vanity piece trying to showcase cool clothing and little else. All of these combine to deliver an un-entertaining film experience. Pass on this one.
Being engaged to an Aussie may jade my opinion of this movie, since I have been exposed to some of the little inside jokes and such over the past few years. However, any movie that keeps you talking about it and wanting your friends to see it so that you can chat about your favorite scenes is a movie worth watching.
Yes, it is an old plot, but aren't they ALL?!?! Boy meets girl...boy can't have girl (Groundhog Day fell into this one in one aspect). The underdog(s) fighting all hope to live the dream (a la 8 Mile). We've learned to accept that there are a few plots that work, yet it is the nuances that happen to make them unique. This little movie has some great nuances, so forget the similarities and enjoy the uniquities. Grab a bag of chips and enjoy the ride.
By the way, without spoiling anything, anyone out there who loved seeing the Stanford Tree mascot and the Cal Bear mascot throwing punches during a basketball game will howl out loud at one small scene. I know that I did.
Yes, it is an old plot, but aren't they ALL?!?! Boy meets girl...boy can't have girl (Groundhog Day fell into this one in one aspect). The underdog(s) fighting all hope to live the dream (a la 8 Mile). We've learned to accept that there are a few plots that work, yet it is the nuances that happen to make them unique. This little movie has some great nuances, so forget the similarities and enjoy the uniquities. Grab a bag of chips and enjoy the ride.
By the way, without spoiling anything, anyone out there who loved seeing the Stanford Tree mascot and the Cal Bear mascot throwing punches during a basketball game will howl out loud at one small scene. I know that I did.
I had to check the DVD box three times to be sure that it was the name ALEX
PROYAS as director, because this is just such an unbelievably bad and
amateurish film. It would be more believable with its odd tone, jokiness and
musical/fantasy elements if it were a hitherto undiscovered, very, very very early Baz Luhrman project.
"Garage Days" is a whimsical look at a contemporary Sydney, Australia rock
band. For an American viewer, the first obstacle is the slangy, heavily accented Australian dialect. I do understand that is the setting, but for anybody in another English speaking country to understand even half of the plot, they needed to
tone down the accent and the words that are incomprehensible to the (much
larger potential) US audience. Like "pokies"...I guess they are slot machines but it certainly was not clear.
The story is so aimlessly told that although it's about a rock band -- I did get that -- I have no idea after watching the whole film what the band's NAME was. They don't play a whole song until the very end, and then we are told that they really suck -- although actually they are not that terrible. So all the sturm and drang is for absolutely nothing, because they are talentless and as the tie-ups at the end tell us, all the members went on to other careers or get married.
The overall tone of the film is very like an old episode of the Monkees or The Partridge Family -- very jokey and cartoon-like, with lots of stylized action. Of course, because this is the 2000's, we have to get the requisite CGI effects: bullet time, slo mo, CGI monsters and drug trips and other comical moments.
None of this really pans out or seems to work. The emotional tone is so sixties and caricaturing, and yet the story is supposed to be very "now" and the
characters wouldn't have even been born in the 60s.
Some of the lamest moments involve "drug trips", portrayed like something out of Reefer Madness.
I can only scratch my head wondering why Alex Proyas, who made two of the
most stylish, influential and original sci fi fantasy movies of the 90s would have stooped to this embarrassing garbage. It can't have been money, because this is a pretty low budget affair and it can't be fame, because it seems to be aimed mostly at the Aussie film market. Perhaps Mr. Proyas was himself once in a
Garage Band and wanted to relive it a bit, although he would have to be at least 20 years older than the characters in the film.
"Garage Days" suffers quite badly also when compared to rock band films like
"Almost Famous" or "The Committments". Although the idea of a bad, untalented band is quite funny -- think "Spinal Tap" -- there is an inherent problem that no one wants to listen to really bad music for 2 hours. Also, "Garage Days" is just plain unfunny, with tired sitcom-like jokes.
The sound track has a mixture of oldies and contemporary music, played loudly and over every scene, apparently to compensate for a lack of any original music or even covers played by the band in the film. While some of this music is
enjoyable, the loud overwhelming presence of other, more talented rockers
music only draws attention to the lack of any interesting qualities to the
characters or the plot, and doesn't allow the action to slow down enough for us to develop any intimacy with the characters or the romance between the two
leads.
If shown on MTV as the senior project of an wannabe film director, this would still be lacking in quality, but more understandable and maybe forgivable. As the work of one of most respected sci fi fantasy film directors of the last decade, it is actually disturbing. Since "Dark City", Mr. Proyas has only made two films, this and the dull, derivative "I Robot". WHAT HAPPENED???? I'd give ten dollars to know...but the answer would probably make me very very sad.
PROYAS as director, because this is just such an unbelievably bad and
amateurish film. It would be more believable with its odd tone, jokiness and
musical/fantasy elements if it were a hitherto undiscovered, very, very very early Baz Luhrman project.
"Garage Days" is a whimsical look at a contemporary Sydney, Australia rock
band. For an American viewer, the first obstacle is the slangy, heavily accented Australian dialect. I do understand that is the setting, but for anybody in another English speaking country to understand even half of the plot, they needed to
tone down the accent and the words that are incomprehensible to the (much
larger potential) US audience. Like "pokies"...I guess they are slot machines but it certainly was not clear.
The story is so aimlessly told that although it's about a rock band -- I did get that -- I have no idea after watching the whole film what the band's NAME was. They don't play a whole song until the very end, and then we are told that they really suck -- although actually they are not that terrible. So all the sturm and drang is for absolutely nothing, because they are talentless and as the tie-ups at the end tell us, all the members went on to other careers or get married.
The overall tone of the film is very like an old episode of the Monkees or The Partridge Family -- very jokey and cartoon-like, with lots of stylized action. Of course, because this is the 2000's, we have to get the requisite CGI effects: bullet time, slo mo, CGI monsters and drug trips and other comical moments.
None of this really pans out or seems to work. The emotional tone is so sixties and caricaturing, and yet the story is supposed to be very "now" and the
characters wouldn't have even been born in the 60s.
Some of the lamest moments involve "drug trips", portrayed like something out of Reefer Madness.
I can only scratch my head wondering why Alex Proyas, who made two of the
most stylish, influential and original sci fi fantasy movies of the 90s would have stooped to this embarrassing garbage. It can't have been money, because this is a pretty low budget affair and it can't be fame, because it seems to be aimed mostly at the Aussie film market. Perhaps Mr. Proyas was himself once in a
Garage Band and wanted to relive it a bit, although he would have to be at least 20 years older than the characters in the film.
"Garage Days" suffers quite badly also when compared to rock band films like
"Almost Famous" or "The Committments". Although the idea of a bad, untalented band is quite funny -- think "Spinal Tap" -- there is an inherent problem that no one wants to listen to really bad music for 2 hours. Also, "Garage Days" is just plain unfunny, with tired sitcom-like jokes.
The sound track has a mixture of oldies and contemporary music, played loudly and over every scene, apparently to compensate for a lack of any original music or even covers played by the band in the film. While some of this music is
enjoyable, the loud overwhelming presence of other, more talented rockers
music only draws attention to the lack of any interesting qualities to the
characters or the plot, and doesn't allow the action to slow down enough for us to develop any intimacy with the characters or the romance between the two
leads.
If shown on MTV as the senior project of an wannabe film director, this would still be lacking in quality, but more understandable and maybe forgivable. As the work of one of most respected sci fi fantasy film directors of the last decade, it is actually disturbing. Since "Dark City", Mr. Proyas has only made two films, this and the dull, derivative "I Robot". WHAT HAPPENED???? I'd give ten dollars to know...but the answer would probably make me very very sad.
I liked this movie. The plot is as old as the hills, only it didn't end the way I guessed (and I like that). Also there is a twist that I didn't see coming. The movie tells the story of a band that starts before their first gig. There are the usual inner-band romances going on and the kooky over weight manager/roadie tossed in for fun (see "Rock Star" or "Still Crazy"). The have to raise $1200 at one point (insert usual odd ways they do that here). There is the usual big concert at the end. Blah Blah Blah. BUT I liked this movie. Why? The ending was real, the sound track is great (I'm 41 what can I say), there were some twists to the plot I didn't see coming and the even though it's a tired old plot, it's a tired old plot for a reason: It's a good one. 7/10
Well, I got mixed feelings about this movie after I saw it. The story is not really bad... and it tries to show what Rock And Roll is about... dreams! But the band image...... I think it happened as many other Rock And Roll movies. The band doesn't look real, it looked as a fake, hand-made band. There's no authenticity in the band. They look like some kinda punk-garage band (specially the bass girl), but the song they're playing at the end sounds as an 80's power ballad or so. The guy doing drums looked more like a techno-whatever D.J. And the other band, the one that it's supposed to be the successful band, is called "Sprimp"... what kinda name is that, for Christ sake?
Wusstest du schon
- WissenswertesPia Miranda admitted in a 2002 interview that she could not blow bubbles from bubble gum. The slow-motion bubble that she blows in the film is computer generated.
- PatzerThe cigarette that Shad hands Freddy in the nightclub is almost fully burnt, yet when Freddy takes it is full.
- Crazy CreditsThe main cast dances around Bruno's apartment to the Tom Jones song "Help Yourself".
- VerbindungenFeatured in Garage Days: Backstage Pass (2002)
- SoundtracksIt's a Long Way to the Top (If You Wanna Rock 'n' Roll)
By AC/DC
Top-Auswahl
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Details
Box Office
- Budget
- 6.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 32.500 $
- Eröffnungswochenende in den USA und in Kanada
- 20.600 $
- 20. Juli 2003
- Weltweiter Bruttoertrag
- 716.888 $
- Laufzeit1 Stunde 45 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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