Daredevil

Not the worst Marvel movie ever, but not really a good movie either. At best it's a fun and entertaining guilty pleasure movie. It has that early 2000's edge and cheesiness. The director's cut really fixes a lot of the movies problems but not all of it. There are a couple dumb scenes that take you out of the movie and the cgi is pretty dated. However most of the cast does a pretty good job with the roles they are given and the movie does a quick and simple job at telling the origin story. Some of the visuals and art designs are also pretty great and the action sequences still hold up. Overall, only watch the director's cut and don't take it to seriously.

Where Spiderman was colorful and almost cartoonish, Daredevil is gritty and merciless. Whatever you thought couldn't happen in Peter Parker's world will more than likely happen in Matt Murdock's neck of the woods. Because people die here. Sometimes they die slowly and painfully. The superheroes go home with scars on their backs, broken teeth, and more than a few gruesome images that need to be repressed. For all of these reasons I liked Daredevil, because it takes chances by offering a hero that is by no means invincible or conventional.

The origin story of the character Daredevil is pretty complicated, but, as the helpful gentleman in the theater so aptly put it, "He's blind, but he can see stuff blind." Let's just leave it at this: As a kid, Matt Murdock was blinded by radioactive material in a freak accident. This caused his other senses to become phenomenally acute, to the point where Matt can track criminals by their scent and use sound waves as a sort of radar. He uses his newfound abilities to protect those who will not be protected by the justice system, all the while hoping that one day he will find the person who killed his father.

If you're a fan of the first two Batman movies, you'll find a lot to love in Daredevil. There are still some comic book elements that require some suspension of disbelief, like the fact that Matt could construct an entire high-tech lair beneath a church while working as a pro-bono lawyer, but the movie is not fantasy-driven. The fight scenes will make you wince at their realism, the love story is not corny or forced (as opposed to a certain flick called Just Married), and the characters are complex, uncertain people who just happen to don masks and fight on rooftops.

Do you remember the parts in the old Christopher Reeve Superman movies where Clark would hear someone crying for help in the distance? He would always be having dinner with Lois Lane at the time, and had to make up some dumb excuse for ditching the scene like, "Oh! I just forgot. I have a book due at the library." Then he would dash off to save the day, leaving Lois high and dry. Well, in today's feature, Matt hears someone crying for help, but when his love interest, Elektra, asks him to stay, he actually does. With out-of-left-field scenes like this, I couldn't help but enjoy Daredevil.

Some might be surprised at how little screen time the villains get in this movie. Kingpin, a Don Giovini mobster type, and Bullseye, an Irish nut with a couple of loose screws, are important parts of our story, but they don't steal the show. Going back to the Batman comparison, many movie buffs think that Jack Nicholson's role as the joker actually become more interesting than the winged knight himself. Not so in this movie, as Daredevil is the guy whom the role shebang revolves around. By deciding to focus on the hero more than the villain, the audience can get into his head and root for him to the last battle. Matt is a cool guy because he's not a wealthy playboy or Kryptonian who can smash through walls. Other than his heightened senses and combat skills, he's just a regular guy who happens to like read leather.

After X-Men and Spiderman became huge hits, it was expected that Hollywood would start churning out more superhero flicks as fast as they could make them. Thankfully, Daredevil doesn't seem recycled or rushed and actually brings something new to the table.

A disturbingly dark and heavy superhero flick that becomes one of the better (if not the very best) films of one of the cinema's newer sub-genres by its finale. "Daredevil" is one of the best surprises of recent memory (I was expecting something similar to "The Shadow" or "The Phantom"). A young boy (Scott Terra) thinks his ex-boxer father (David Keith) is the greatest person on Earth. Terra is shocked though when he discovers that his father is little more than a thug, an enforcer in a rough neighborhood that preys on those who owe money to underworld syndicates. A freak accident soon follows that leaves the youth blind. Keith is grief-stricken and promises his son that he will change his colors. A bond that is stronger than ever then comes together, but evil forces lurk when Keith makes a comeback in the boxing ring and refuses to take a dive for those same criminals he once worked for. Tragedy does strike once again for the youth and he is forced to grow up quicker than most other children. The blindness leads to a strange type of radar sense which causes the character to know all that is going on around him. He then becomes versed in acrobatic martial arts and vows to take revenge on all those wrong-doers in New York City as he grows up to become a lawyer (in the form of Ben Affleck). Only Catholic priest Derrick O'Connor knows the real truth about Affleck and proves to be the father figure that the character desperately needs. Affleck learns that there is a new crime boss in town (a much heavier Michael Clarke Duncan of "The Green Mile" fame) as he falls in love with the ridiculously athletic Jennifer Garner. Garner's shady father though (Erick Avari) becomes Duncan's newest target. Thus more drama begins to take place as Duncan calls in super-villain Bull's Eye (a scene-stealing performance by Colin Farrell) in Ireland to cause more havoc in the city and kill the titled character for good. The thing that separates "Daredevil" from most every other film of its type is the fact that the film is as serious as a heart attack throughout. The "Batman" series became ridiculous because of its over-the-top comedy and most other superhero films lack believability and substance. "Daredevil" is amazingly realistic and its tone makes it a strikingly dramatic experience that has very few equals. All the performances are outstanding and the film's direction lifts an admittedly flawed screenplay (the screenplay does not work as well as it should due to the possibility of more installments). A smashing soundtrack and gloomy cinematography complete the impressive production. A daring film that ends up being an overwhelming success. 4 stars out of 5.

When I heard about a directors cut to this movie I never imagined it would be so much better than the original release. Why must movie studios always feel they know better than the director. This film would have been much more successful had they left it alone, but by insisting on so many cuts and changes they shot themselves in the foot. All because they wanted a family friendly spider-man type film instead of the much more dark and violent world of daredevil. Every scene added to the film makes you wonder why they cut it in the first place. It isn't just about adding scenes though they have taken a couple out too. I can't imagine anyone who would miss the fireside love scene. I urge everyone who saw the theatrical cut to watch the directors cut. It isn't a perfect film but it's a more complete and enjoyable one. Also watch the documentary on the directors cut DVD and see one of the producers trying to defend the original release and then actually saying he thinks it is the better cut. I think he must be more blind than Matt Murdock!!!

First off, this was a more complete version of the DVD which came out earlier. In this edition, about a half-hour of new material was added to the disc (and what was shown at the theaters.) All reviews I read said it elevated this film from "fair at best" to "good." I agree. It made the movie much, much better.

Yeah, it's more far-fetched than the other superhero movies because here, the hero is a blind guy who, because of his blindness, has extraordinary hearing powers along with the rest of the usual Batman/Spiderman-type athletic skills.

As in most of the Batman films, this is a dark film. I think it would have been better had it lightened up a bit with a few jokes and a more wholesome female lead. Jennifer Garner is another one of these latter-day skinny chicks who is made to be tough-looking, tough-talking and tough-fighting. In other words: ridiculous. However, I will say she comes across a little more likable on the extended version. One more negative: the fight scenes go on a tad too long and are outlandish.

On the positive side, this may be the best-sounding DVD I own, at least up to ones I had heard up until this came out in January of 2005. Since the hero (Ben Affleck) has super hearing, this is emphasized in this movie and so you, if you have a 5.1 surround system, hear sounds from all speakers at almost times. It's awesome!

Affleck, meanwhile, is likable as the superhero and I liked the message he gives at the end about shunning revenge. Wow, you don't hear that much in movies. Kudos, too, to villains' Colin Farrell and Michael Clarke Duncan. They are fun to watch, especially Farrell.

So, if this superhero film interests you, make sure you get the "Director's Cut" edition. It's far better than the original, and, I believe, the same price.