Children of Dune

Now this is more like it! While the Sci-Fi version of 'Dune' was much better than the pathetic 1984 David Lynch version, I felt it still suffered from the 'gotta be way out there' syndrome. It was decent, but badly directed and overacted (witness the Guild Reps doing Tai Chi when they talk). Overall it was fair but not really notable.

This version is fantastic however. For me, this is what Sci-Fi should be all about. They took two of Herbert's books (Dune Messiah, Children of Dune) and combined them into a mini-series that actually takes the material seriously and doesn't try to hard to be different. I thought Leto was excellently done, Alia even better, Ghanima a little less than I expected. The effects were good, but I thought the story was actually the driving force for a change.

All in all a great effort. Now let's see if they do 'God-Emporer of Dune'

Satisfying, well-written and superbly acted sequel to the Sci-Fi Channel's DUNE mini-series - which was itself vastly superior to the rampant-phallic-symbolism-held-together-by-stamp-hinges-and-cobwebs David Lynch film version. A science fiction hybrid of sword-wielding Old Testament prophets, LAWRENCE OF ARABIA, Toho giant-monsters-on-the-rampage flicks and the precepts of the 1970s ecological movement, CHILDREN OF DUNE is a storytelling and visual delight. F/X maestro Ernest Farino, who won the Emmy for his sterling work on the first DUNE mini-series, will likely make a repeat stroll to the podium when next year's visual effects award is handed out. He has created worlds and civilisations and creatures that are at once alien and familiar, wildly imaginative yet rooted in reality. Barring a ticket on the next space shuttle flight, this is the closest you will ever get to other worlds: Farino's effects are genuinely that good. In a production where all of the cast and crew clearly went beyond what their paycheques required of them, Farino's contributions are particularly satisfying. All in all, a magnificent undertaking; this is what that irritating salesman guest in FAWLTY TOWERS meant when he was talking about "televisual feasts."

This four hour miniseries actually covers two books, the shorter sequil to <i>Dune</i>, <i>Dune Messiah</i>, and the next (longer) <i>Children of Dune</i>. I was stunned by how well it was able to capture such complex concepts as were introduced in the books in the visual medium. There were very few times I felt the film hadn't stayed true to the book, most of which were minor. I think anyone who hadn't read the books or at least seen the previous movie would be a little lost, so I recomend this as complimentary to the books; but as such it was a wonderful treat. Actors, make-up, set design were all perfect. I think I liked David Lynch's stillsuits better, these ones don't look like they'd do the job very well, but I suppose it was a trade off with seeing some of the wonderfully figured women =)

The part that would be the end of <i>Dune Messiah</i> had me nearly in tears. Wonderful job. For anyone who's read the books, a must see.

Personally I really enjoyed *Children of Dune*. First the major issue about the faithfulness to the books. To quote director Greg Yaitanes; "Try not to get hung up on such details as whether the twins are too old or too young, the eyes are too blue or not blue enough, or that the book says this and we did that. You'll end up robbing yourself of a great experience. The Dune universe is so wonderful because of how human and real its characters are. To not respect that would be the worst offense any of us could make." He's got that straight. This is an adaptation not a re-creation. The screenplay by John Harrison managed to fit in enough of Frank Herbert's vision to remain true to the spirit of the epic Dune saga.

The entire cast, Alec Newman [Paul Muad'Dib], Daniela Amavia [Alia Atreides], Julie Cox [Princess Irulan], Barbaroa Kodetova [Chani], James McAvoy [Leto II], Jessica Brooks [Ghanima], Susan Sarandon [Wensicia Corrino], Alice Krige [Reverend Mother Jessica Atreides], Edward Atterton [Duncan Idaho], Ian McNeice [Baron Harkonnen], Steven Berkoff [Stilgar], P.H. Moriarty [Gurney] and Johathan Bruun [Farad'n Corrino] gave me characters I could relate to as well as care about over the course of the miniseries. I especially enjoyed watching Alice Krige because her ability to convey depth of emotion with facial expressions is a well developed art.

The CGI effects were fantastic. Sharp & crisp. The best I've seen done on television and the use of computer generated 3-D backgrounds added so much stature to the sets. CoD was far superior to *Dune* which used mat backgrounds in terms of it's visuals. The movement of CGI objects like Thopters around CG backgrounds and the use of shadow rendering to add realism were absolutely first rate. As an example the shots of the Thopter landing at the Royal Palace in Arrakeem where the ships shadow moves across buildings then follows it down to the landing pad brought a big smile and a sigh...wow! CoD won an Emmy Award in 2003 (Special Visual Effects for a Miniseries, Movie or Special).

The costumes by Academy Award winner Theodor Pistek and his son Jan were outstanding. A visual feast for the eyes & the heart. The wedding scene at the Royal Palace was as worthy as any major motion picture costume drama and should have earned another Emmy in the costuming category.

The cinematography by Arthur Reinhart was stunning. The use of High Definition digital cameras instead of standard 35mm film and being shot in 16:9 true LBX format also made it look like a feature film rather that a TV miniseries (the DVD looks great as well). The use of lighting during camera pans over actors faces or on shots as characters moved across sets was again vary well used.

The music score by Brian Tyler was at times dark and moody, then majestic, adding to the grandeur of many of the key scenes where the score helped lift one's feelings to the level of emotion being presented by the actors as the story unfolded on the screen. The background soundtrack as the camera followed characters though the zocalo's of Arrakeem or the desert sietche's added a mystical quality where one could almost smell the food cooking or the incense like fragrance of the Spice Melange.

Overall *Children of Dune* has to rate with the best mini-series' that have ever been produced over the years and may even set a new standard for work being done for television with it's quality production. A 9 out of 10.

8.5 out of 10

This review comes for the first part of the Children of Dune miniseries, which is actually the adaptation of Dune Messiah. And after viewing this hour-and-a-half rendition, I must say I'm immensely pleased and impressed. It's every bit as compelling as the Dune miniseries was, and from a technical viewpoint, is actually far superior. The production design, the special effects, the cinematography are all a distinct improvement over both the original miniseries and the David Lynch disaster.

The story picks up twelve years after the conclusion of Dune; war continues to ravage the galaxy, Paul "Muad'Dib" Atreides (Alec Newman) is now seen as something of a curse by the people, as his name is now associated with bloodshed and violence. Conspiracies grow around him, his life is threatened at every turn. At the heart of it is Princess Wensicia (Susan Sarandon), daughter of Emperor Shaddam IV and sister of Irulan (Julie Cox). Her plans include preventing a new heir on the Atreides throne, sending a ghola of Duncan Idaho (Edward Atterton) to kill Paul, and to have a giant sandworm captured to begin a new spice cycle. With so many plots, Paul's main concern still centers around Chani (Barbara Kodetova) and her accelerating pregnancy.

Children of Dune's biggest asset is its talented cast. Alec Newman, who was very good in the original, has matured the past three years, his performance as Paul Atreides is excellent. Those who had doubts about him before will have them silenced with his great performance here. Daniela Amavia makes for a spirited and appealing Alia, Edward Atterton is definitely superior to James Watson in the role of Duncan Idaho, and Julie Cox is terrific and sympathetic as the conflicted Princess Irulan. Steven Berkoff, Barbara Kodetova, Alice Krige, and P.H. Moriarty are solid in their roles, with Kodetova showing improvement over the last miniseries.

Children of Dune's compelling plot is executed with precision by director Greg Yaitanes, who does a bang-up job over his predecessor, John Harrison. As a matter of fact, though Dune Messiah's story is naturally a bit weaker than Dune's, the superb execution here makes it superior to any previous adaptations of Dune (it's at least as good as the terrific miniseries, far better than the horrible Lynch film). The cinematography distinguishes itself with darker colors, while still maintaining the vibrancy the original miniseries had. Brian Tyler's beautiful score is evocative, particularly during a wonderful montage segment of literal birth and death.

The special effects are the best I've ever seen for a made-for-TV sci-fi project. The city and planetscapes are dazzling and the desert bluescreens are convincing, wisely ridding of the painted backgrounds that marred the original. There's an absolutely magnificent, visually breathtaking sequence in which the Space Guild kidnaps a giant worm from the desert, doing so in a rather clever and believable manner. So far, that has been this miniseries' highlight. All this builds to the suspenseful finale, which is a conclusion in its own right and paves the way for the next part of the miniseries. I, for one, cannot wait.