Hulk

Hulk is a very surprising film. When I first saw it when I was like nine or ten I was confused, shocked and somewhat disappointed. My expectations at the time had not been met. What I had been expecting and hoping was just endless scenes of the hulk smashing sh#t up. What I got was an art film. At the time I didn't understand or care about any of the split screens, dream sequences, etc, I was just waiting for the hulk to show up and destroy stuff.(The hulk dosen't show up till about 40 minutes into the movie, by the way.) I eventually began to get restless because it is a very slow movie and when it was over I felt very disappointed.

A few years later I bought the DVD to give it another try, and I was very surprised with how good it actually was, now that I had gotten older and could appreciate the style, acting and pretty much everything else. The acting is quite good in the film, especially Nick Nolte, who almost steals the show as Bruce Banner's father, David Banner. Eric Bana is decent as the hulk, but I prefer Mark Ruffalo as the hulk in the avengers. Unlike other movies based on comic books, Hulk actually looks like a comic book, due to the split screens. This works most of the time,as it gives the film a unique look thats different from other comic book movies.

Now to the much criticised CGI, which for me is a mixed bag. The close ups of the hulk work, because his facial expressions are well done and you can actually feel sympathy for him. However the long shots of him, especially in the desert scenes, look a bit cheesy but definitely not as bad as some critics have been saying. Apart from that the visual effects are top notch.

Overall, Hulk is a refreshing change from standard and bland superhero movies. It takes its time setting up the plot and characters, which works because you have almost fully fleshed out characters and not cardboard cut outs. The repressed memories and psychology of the hulk is much more interesting than the standard heroics of superman or captain America. So to sum it up, I wouldn't recommend this movie to young kids because there are a number of intense scenes and it is a fairly long and slow movie, so those with short attention spans won't be well rewarded. But for those who are prepared to accept that it is more an art film than an action film then you will be well rewarded.

The film isn't perfect, but every time I watch it on DVD it grows on me and I find myself wishing sometimes that more action blockbusters were like this, but then if they were I doubt they would be blockbusters.

I had rather low expectations before seeing Hulk, since the early criticism was pretty harsh and basically the whole mojo around this movie didn't sound very good. However, I was very pleasantly surprised. As many previous reviewers pointed out, Ang Lee has created a marvelous movie/comic book amalgam, which may be too cerebral to most of the viewers, but Hulk has always been pretty complicated character anyway. If the movie had been made as a "Hulk Smash!" bruhaha it would most certainly...well, suck! This way we got excellent Sam Elliot and Jennifer Connely, and very good Nick Nolte and Eric Bana, all capped with absolutely brilliant directing by Ang Lee. If only all the other comic book movies were directed in this way...

If you're looking for mindless action, complete with an explosion every 5 minutes like in a Michael Bay movie, this is not for you. The humor is sparse and dry, it's not for comic relief to make you feel better. This is his origin story. It's slower paced so you can understand where he comes from and what drives him.

This Bruce is emotionally-psychologically complex and introspective. This Hulk is the personification of his subconscious; of all his repressed trauma. It's catharsis and acting agent for all of Bruce's pain, anguish, isolation, his hatred in being dominated by Talbot and Ross, and his frustration over a wasted (then thwarted) relationship with Betty. And his agitation over an estranged, obsessive Father, and repeat unwelcome attempts to kindle a Father-Son relationship. His Mother is the ghost of his subconscious mind, and he's haunted by her loss. This loss defines him. He's a dark character, and is given an appropriately dark tone, with a slower pace to match. In the few quiet moments he has to himself, you're given his humanity. He'll try to calm himself down, if he's allowed to. There's glimpses of heroism in him, as when he saves Betty (and a nondescript pilot), but he's no hero. People are only afraid of him here. He's vulnerable and tentative with the one person he cares about, which is rather wholesome lol.

Cinematography wise, it's gorgeous and original. 10/10. Haven't seen anything like it before or since. Many people think the way it's shot is jarring and obnoxious; it flows like a comic book. The CGI was before it's time, it looks better than Mark Ruffalo's. He's a vivid shade of green that will play with some people's depth perception. Some complain this Hulk is "baby faced"...as it's personification of Bruce's 4-year old traumatized mind (and is 15ft tall with more intense sound production than any Hulk after), I don't see that as a con. The dialogue can be quite profound, which some will think cringeworthy for a 'Superhero' (he's not here) movie, but that's your prerogative.

I'm happy this is getting a renaissance of sorts, it deserves it.

In a time where superhero movies seem to come from the assembly line and standards are (sadly) set already it is hard to find gems that really transcend these paradigms.

Ang Lee made a different approach to the superhero genre - and the people didn't like it! Why? After Daredevil, Blade, Elektra, Aeon Flux, League of extraordinary gentlemen, Spiderman (yes, i mean it), Spawn, etc etc there are many parallels you can draw between superhero films. And Hulk is the only thing that the others aren't: un-American! In a very rare exception we have a film here that doesn't have the arrogance and straight-forward story that we seem to have gotten used to too easily.

Spiderman (in particular) follows the EXACT steps you can read in a tutorial for film making - that may be neat to watch but leaves no space for surprises or artistic inputs. Ang Lee seems to have taken especially this thought very seriously and created a piece of art that the average pop-corn-formula-film-liking movie-goer may find hard to digest. No doubt, this movie is not made for assembly-line-film-lovers - it is constructed very thoughtfully and goes beyond the interpretation of a superhero. It plays with the chaos that erupts out of the events rather than glorifying another world saviour.

There is no real good and evil, there only is an overcharge from both sides that don't know how to master the situation. The American movie-goer averagely wants black and white sides, a proud US-flag waving and a hero that saves the day (+nation and eventually the world, maybe even the universe). Nope, not in this one. While most of the other films establish superheroes as something that fits perfectly into our society, Hulk plays with the idea of what would happen if unknown uncontrolled untameable power surfaces - and that both sides act incredibly humane. At this point 80% of movie-consumers are out and 90% of movie-lovers come in (that number is small as we know).

I appreciated the rather unconventional storytelling, I admire the cast, I treasure the artistic hybrid of comic and reality and I enjoyed the portrayal of energy. Now, anyone who has seen Asian action films will find many parallels - the question is, are YOU ready to adapt to some of those standards when they are being poured over a western story? I was... And I was overwhelmed!

Anyone calling this movie the worst film they've ever seen (and there are quite few stating this) should stay with Spiderman, Transformers and Blade and get the same product over and over again (because they keep buying it). For my part I was grateful to see that there are people out there who get the chance to put a very distinctive stamp on their work making it unique and deep.

Five years later the audience won and an assembly line version was released, not as bad as some others but definitely not as creative and visionary as this one. Great job Ang!!!!!

I finally caught up with the film on DVD, after missing its cinema release and just not having the urge to see it until now. It has had some rather bad press, so I wasn't actually expecting very much.

One of the reasons I have waited so long was to let my son, (who is now eight) grow up a bit before seeing it. He was interested in the tie-in products filling the shelves in all the stores on release. A blanket-marketing ploy that is becoming more and more hysterical, I fear.

Another was that I was wary of renting it as the Hulk character has been rather mal-treated in live-action form.

Until Ang Lee's film.

Firstly, this isn't by any stretch of the imagination, a kids' film. Though my younger children watched it, it gave them serious food for thought about what scientists do to animals and people in the name of science. My oldest was enthralled. She appreciated Lee's magnificent use of the film medium.

This is a very dark movie. The origin-story has been manipulated and updated linking the two lead characters (Bana and Connelly) in a sorrowful, fearful event that happened to them both in their childhood. Nice touch.

"Banner's" (Eric Bana's) father (played by Nick Nolte) shuffles back into his life after 30 years incarceration for causing the events that had traumatized the young Banner. Banner later finds that his father had "experimented" on him when they were still a whole family. This creepy device effectively modernizes the story and it's ultimate revelation is a clever way of releasing the pent-up rage that Banner jr has locked within his mind. This rage feeds the Hulk. Banner finally becomes the Hulk after some incredible bravery in the lab.

The film's effects are superb. I am a very happy viewer. This is great cinema. A wonderful adaptation of a tortured, misunderstood human being.

Highly recommended, by me, for true Hulk fans.