Century Hotel

This movie was an intriguing concept- I'd read a bit about it. One room in one hotel, different years, different people. However, I found it highly disappointing for three main reasons. The first is that many of the vignettes are rather disjointed and uneven, which makes the plot really confusing and hard to follow at times. The vignettes continually weave in and out of each other, which only confused this viewer. The second is the inordinate amount of sex and foul language used in the film, often with no context. While I'm no prude, I felt that there was just too much of both in this movie, and it was overused. Did every vignette need to have some sort of sex scene? Often, no context is given. The third reason is that the particular hotel where the room is located could have been better explained. What type of hotel is it? Where is it?

Once in a while, one rents a potentially interesting movie that turns out to be a big disappointment. This was one of those for me.

These multiple vignettes all taking place in the same hotel room during the course of the last century are brief and engaging enough to keep you interested, but generally don't come together in any meaningful way. They all make a point, but ultimately only one works in bringing the overall framework of the picture to a satisfactory close. Amateurish writing nicely filmed.

A young woman (Lindy Booth) lodges in the room 720 of the Century Hotel and the old bellboy tells that that room has several stories. Along the years, an old man marries a young virgin; a whore and her client fall in love with each other; a man is left by his wife and seeks her out in the hotel; a musician and the chambermaid has a weird relationship; two friends from navy have a gay relationship; a Chinese woman comes to America to get married with a powerful Chinese. Some of the relationships have good ending, others have tragic conclusion.

"Century Hotel" is a movie with a good storyline of romances along many decades in a hotel room. However, the screenplay is boring with too long and fragmented with entwined segments. The most attractive plot is certainly the love story of a prostitute performed by the gorgeous Mia Kirshner and her client. Unfortunately the movie does not work well. My vote is five.

Title (Brazil): Not Available

I got this film on the strength of one actress that I like... Lindy Booth. Her performance in Century Hotel seems a little below par, but it was adequate.

The film doesn't seem to go anyway in the first hour, but then it unfolds nicely after that. Which is unfortunate since the film is only about 90 minutes long.

The Cantonese pronunciations were absolutely crap. I didn't they just stick to using imitation bad English (Canadian) accents instead of getting the actors to speak very poor Cantonese? Or perhaps they should have rewritten that part of the script. Sorry, it's a nitpick, but I believe films are an art form and, as such, should be given more TLC than Century Hotel was given.

I did like the little "twist" regarding the soldier guy who was soon to be married to his sweetheart who he hadn't seen for a long time. Watch the film and you'll find out!

All in all, this wasn't a bad film. But they could've done so much more with it. 6/10 is a fair indication of its entertainment value.

The winding stories of each of the characters make for interesting plot lines. Alone they could each stand as a separate movie, making the film even more interesting. I find that the cinematography is quite fluent: always finding the right angles and points that are most interesting for the viewer.

Yes. It is a little slow going, but completely and totally worth the sit through. Especially if you like plain old GOOD film.

The acting in it is superb from every angle, making each of the characters unbelievably believable. You care or hate for each of them, and are constantly wishing to see "What happens next". My friends and I all sort of latched on to a certain story line and were all anxious to get back to different pieces throughout the movie, which made for a great time.

But over all, terrific casting, clean cut scripting, and just a damn good movie. Props to David Weaver and the cast.