Ein geistig behinderter Mann kämpft um das Sorgerecht für seine 7-jährige Tochter und lehrt dabei seinen kaltherzigen Anwalt den Wert von Liebe und Familie.Ein geistig behinderter Mann kämpft um das Sorgerecht für seine 7-jährige Tochter und lehrt dabei seinen kaltherzigen Anwalt den Wert von Liebe und Familie.Ein geistig behinderter Mann kämpft um das Sorgerecht für seine 7-jährige Tochter und lehrt dabei seinen kaltherzigen Anwalt den Wert von Liebe und Familie.
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- Drehbuch
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- Für 1 Oscar nominiert
- 8 Gewinne & 12 Nominierungen insgesamt
- Brad
- (as Brad Allan Silverman)
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IT'S A WONDERFUL LIFE has been the top of my list for all time favorite movies, now I AM SAM has moved in right next to it.
I'm not saying that you have to have kids to understand the true meaning behind this movie, but I must say it certainly helps. I told my wife on the way back home from the movie that she was sooo stuck with me. She knew what I was referring to; our 6 month old little girl and our 5 year old little girl. I guess I'm just a good ole fashion softy. I came home and gave my 5 year old the biggest hug of her life and the tears just started flowing. I felt I had been impatient with her lately and just needed to let her know how much her daddy loves her.
I know this isn't a true rating of a movie. I'm not describing certain scenes that I thought were great or needed improving, I just wanted to express how it made me feel. And though I have a pounding head right now, I feel like I'm the luckiest dad in the world!
Penn is actually very good in this role. He brings a realism to the character of Sam Dawson, and portrays him sensitively and with real emotion. In fact, I thought the only performance that was better than Penn's came not from Michelle Pfeiffer (who disappointed me a bit, actually) but rather from little Dakota Fanning as Sam's daughter Lucy. She seemed so natural in this role, and I would hope that we see more of her in the years to come. Pfeiffer, on the other hand, (as Sam's lawyer Rita Harrison) just didn't carry the role off that well, and even the courtroom scenes to me lacked the tension one would have expected from such an emotionally-laden issue.
The movie weakens in the last little bit, going for the sappy (and highly unrealistic) ending - unrealistic particularly in the way Lucy's foster mother (Laura Dern) ends up handling the situation.
Having said that, I still enjoyed this movie very much. It's raised my assessment of Sean Penn's acting abilities and I would recommend it to others and would watch it again.
7/10
But I won't bill director/co-writer Jessie Nelson, because it's not her fault that her film is so powerful and so stunningly constructed that it made me monosyllabic. I can only blame myself for putting off watching her work for so long.
I Am Sam begins with Sam Dawson (Sean Penn) at his job. He lives in Santa Monica and works at Starbucks. We can see that he's mentally retarded. He appears slightly autistic. Because of this, he's given only menial tasks to do. Suddenly, his boss tells him that he has to go. We see Sam running through the streets, catching buses and so on to end up at a hospital. A woman is in labor and it turns out that he's the father, but she wants nothing to do with him afterward--apparently, it was something like a one night stand. She abandons him with the baby. Aided by a quartet of developmentally disabled friends and his agoraphobic neighbor, Annie Cassell (Dianne Wiest), we see Sam doing his best to raise the girl, Lucy Diamond Dawson (eventually played by Dakota Fanning)--so named because Sam is a big Beatles fan. At least until he is "accidentally arrested". Government officials question his ability to raise his daughter, and I Am Sam becomes the tale of Sam's legal battle to retain custody of Lucy, aided by high profile lawyer Rita Harrison (Michelle Pfeiffer).
I Am Sam will likely make you say, "Wow!" afterward because it is a masterpiece on every artistic and technical level.
All of the major cast members give one of the best performances of their careers, and many of these actors have had a number of artistic triumphs on their résumés. Sean Penn is completely natural and believable as a developmentally disabled man. Two of the men playing his friends really were developmentally disabled, having been found at L.A. Goal, a non-profit agency dedicated to helping such people through a variety of programs, and it's next to impossible to tell them apart from the other actors. Nelson and her co-writer, Kristine Johnson, spent a lot of time at L.A. Goal doing research, as did Penn. Pfeiffer perfectly executes a complex character who has to undergo a number of far reaching transformations and even a breakdown of sorts. As for Fanning, I haven't seen her in a film yet where she didn't threaten to steal the whole thing from her senior, much more experienced colleagues, and during the filming of I Am Sam she was only 6 or 7. Wiest, Richard Schiff, Laura Dern and others also turn in very complex performances that convey characters with deep, multifaceted histories, despite their relatively little screen time.
Nelson approaches the film with a number of unusual artistic and technical angles that all work wonderfully. The cinematography is mostly hand-held work. Unlike similar attempts in films such as Lars Von Trier's Dogville (2003), the hand-held work never feels affected or intrusive here--it's completely "organic". The most common purpose of the unusual cinematography is to give the viewer almost a subjective sense of what it's like to be Sam, to experience the world in the way he does. Cinematographer Elliot Davis moves his camera in a way closely mirrored with Sean Penn's movements. There's an additional emotional symbolism. When Sam is feeling agitated, the camera-work is agitated. Likewise when Sam is confused, pensive, and so on. Davis shoots from a lot of unusual angles. All of them work.
Nelson also has the editing, lighting and production design match the aesthetic of the cinematography. The editing is sometimes very choppy, but always feels "natural", just right for conveying Sam's experience. Sometimes there are odd incongruencies between sound and image, or between temporal sequences. The lighting, camera angles and production design often make some elements appropriately fantastical. The production design and costuming match not only Sam's world, but other characters' worlds, as well. Not one aspect of the film seems to have gone by without close examination and artistic justification.
The music, which largely consists of Beatles tunes performed by other artists, fits the film perfectly. Sam and his friends are all a bit obsessed with the Beatles (and apparently, so were many L.A. Goal members when Nelson visited). The Beatles tunes exquisitely match the various moods of the film, and the lyrics often complement emotions and actions.
But even above all of that, I Am Sam tells a heart-wrenching story that's something of an exciting, emotional roller-coaster. There are many humorous scenes, often centered on Sam and his buddies going about the world with a kind of Winnie the Pooh-like wisdom that seems more honest and admirable than most of the film's "normal" folks. Of course, there are also many scenes that will require tissues for tears. And there's just about every emotion in between the two.
Finally, the film has a great message. Does parenting, or general personal worth, really hinge on intellectual ability and amassed knowledge? I don't think so. Parents who are very smart can have more than their share of flaws, as we see with Pfeiffer's character early on. Plenty of us had parents who were smart enough but couldn't help us with our geometry homework. Love may not be all you need, but it's definitely one of the major prerequisites.
Unfortunately, a sordid twist of fate takes place in their paradise, at Lucy's 7th birthday a social worker believes that Sam, having the mental capacity of a 7-year-old, can't raise his child that is outgrowing him. Lucy is taken to a foster care temporarily as her father, along with the help of his mentally challenged friends, tries to find a high-profile attorney that can help him get his child back.
After multiple attempts, Sam manages to appoint an attorney (Michelle Pfeiffer) who only takes the job at first as a dare. Rita Harrison (Michelle Pfeiffer) is a successful busy lawyer that comes home to a cheating man and a son who hates her, through the movie Sam and Rita develop a friendly relationship which is an eye-opening for Rita to value her family and be more involved in her son's life. Sam goes through a legal battle to retain custody of Lucy, aided by his mentally challenged friends, his agoraphobic neighbor Annie Cassell (Diana Wiest), and his high profile determined lawyer (Michelle Pfeiffer).
The film is enriched with major cast members that in turn give out one of their best performances in their career life. Most noticeably, Sean Penn who initially visited L.A. Goal, a center in Los Angeles for mentally handicapped persons as groundwork to his role. I was truly impressed with Sean Penn's performance on the set of I Am Sam and how well he managed his role and his dedication to it as he freely indulged in the character of Sam Dawson. For anyone who has Sean Penn as a favourite actor, it's a must watch as it is easily his one of many remarkable performance and the stepping stone of his career. As for Michelle Pfeiffer, I wouldn't expect any other actress to perform the role of Rita Harrison as beautifully good as Michelle did. It's a perfect fit to her character and she accurately embodied the character of Rita that possesses an exhausted ill-tempered work driven nature. Least but not last, the amazing Dakota Fanning did a remarkable role on the set, and by far one of her best performances as a child.
The movie is Beatles-themed as we first understand Sam's character as an impressive Beatles-knowledgeable person despite being retarded. He then names his child Lucy Diamond inspired from the Beatles song "Lucy in the Diamond Sky". As a matter of fact, Michelle Pfeiffer's character is named after the song "Lovely Rita" by the Beatles and her surname is that of a Beatles member, George Harrison and if you noticed in the film, Rita Harrison(Michelle Pfeiffer) points that George Harrison was her favourite Beatle. In addition, the background music mainly consists of Beatles music and other Beatles songs covered by various artists for certain rights.
The film is sweeping in its beauty, director Jessie Nelson did a great job in portraying her idea of "I Am Sam" into an absolutely wonderful movie especially after a 7 years of film directing drought. The cinematography is mostly hand-held work as the Camera is always close by to Sam for the obvious reason of picturing Sam's movement in a subjective sense allowing the viewer to actually feel with the character and pensively translate his actions. It's a closer look to the mentally handicapped people's world, that every act of their doing has an essence and that they are truly remarkable in their own "special" way.
Lastly, should a intellectual deficiency restrain one from raising his own child? We've all had a grandma or grandma that despite of their intelligence in life aspects, had difficulty in helping their kids with their Geometry homework but does that alone hinder the child from having a well educated natural life? The movie has a great message, that when it comes to parenting, love is the most important thing and if that is present then it most certainly paves the way to a healthy parent-child relationship.
All I can say is something wasn't hitting me on this one, and while I will admit that I didn't hate it and have seen many that were far worse, it just didn't move me one way or the other.
Wusstest du schon
- WissenswertesDakota Fanning's little sister, Elle Fanning, played her character at age 3.
- PatzerWhen Sam and Lucy are being observed and they are talking, just before Lucy talks to the people observing her she turns her head towards the "camera". The next shot, she turns her head again before talking.
- Zitate
Sam: Yeah, but I tried, I tried hard.
Rita: Try harder!
Sam: Yeah, but you don't know, you don't know!
Rita: I don't know WHAT?
Sam: Yeah, you don't know what is like when you try, and you try, and you try, and you try, and you don't ever get there! Because you were born perfect and I was born like this, and you're perfect!
Rita: Oh, is that right?
Sam: People like you don't know...
Rita: People like me?
Sam: People like you don't know what is like to get hurted. Because you don't have feelings. People like you don't feel anything!
- VerbindungenEdited into Becoming Sam (2002)
- SoundtracksLucy in the Sky with Diamonds
Written by John Lennon and Paul McCartney
Performed by The Black Crowes
The Black Crowes appear courtesy of V2 Records
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Yo soy Sam
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 22.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 40.311.852 $
- Eröffnungswochenende in den USA und in Kanada
- 41.779 $
- 30. Dez. 2001
- Weltweiter Bruttoertrag
- 97.818.302 $
- Laufzeit2 Stunden 12 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1