About a Boy oder: Der Tag der toten Ente

About a Boy is a 2002 comedy-drama film co-written and directed by brothers Chris Weitz and Paul Weitz. It is an adaptation of the 1998 novel of the same name by Nick Hornby. The film stars Hugh Grant, Nicholas Hoult, Toni Collette, and Rachel Weisz. The film at times uses double voice-over narration, when the audience hears both Will's and Marcus's thoughts. Will is a 36-year-old underachiever with a fear of commitment that leads him to seek out relationships with single mothers, on the assumption that they are more desperate. However, plans go awry when he befriends with Marcus, the weird 12-year-old son of his latest target. Soon, Will and Marcus become friends, and as Will teaches Marcus how to be a cool kid, Marcus helps Will finally to grow up.

just finished watching this fine fine movie and am still trying to digest it. well...i must say this coming of age ( Hugh's character too )movie made me feel so content after i finished viewing it. i've forgotten how good Hugh grant is in melodramatic comedies and all in all i think the British are the best at these types of comedies. the movie has a decent rating of 7.1 and i would personally give it a 7.5. this is possibly one of Hugh's best efforts and he seemed to have a lot of fun doing it.

as an American i can't understand how our shallow idiotic unintelligent comedies fare so much better then a gem like this. i guess most audiences were like the ones in the school audience during the music talent show. Marcus did the song " killing me softly " because it was one of his mums favorites and even though the audience was banal and cruel he still had the gumption and heart to get up there an perform for his mom. life isn't about trying to fit in and be with the cool crowd, there's so much more important things in life then that and Marcus was mature enough to understand that, with help from Will of course.

well, i won't give anything else away about this movie, but if you're looking for a intelligent, heartwarming, tender, sad and funny movie, this is it. i would recommend this movie to just about anybody over the age of 10. this is one of those hidden little gems that has also a very strong positive message about what is right and what is wrong. there was not one dull moment in this movie and i think i must've chuckle or guffawed about 50 times during the duration of this movie and it's not a long movie.

if you like intelligent tender heartwarming comedic movies where all the actors and actresses were in top form...then you have to watch this movie. one of my favorite comedies all-time.

Selfish, self-centered rich `kid' Will Freeman lives alone as an island in London, living off royalties from his father's record. When a new dating trick sees him targeting single mothers because they are easier to dump he unwittingly gets mixed up with Marcus. Marcus is a 12 year old who is bullied at school because of his hippy life style (forced on him by his mother) and struggles at home with his depressed, suicidal mother. At first he sees himself helping his mum by getting Will to like her but gradually Marcus and Will get used to each other and have lessons that both can learn.

Following the steaming success of High Fidelity, another Hornby book makes the transition. However credit should be given for setting the movie in England and not moving it somewhere else (cooler). This however is probably due to the lead being English and very bankable!

The story is of course about blokes….and blokes problems – this is Hornby after all. The plot is simple but the fact that it done with a great deal of wit makes it come across very easily. Occasionally the mix of heavy subjects (Marcus's home life) with the comedy of Will's life is a little uneasy, but after a while it mixes better. The story is pretty revealing – I can see a lot of myself in Will, as many men will, and it is involving then to see Marcus teach him things about life. However, saying that, the best thing about this is the comedy – when Will is involved it is nearly always laugh out loud funny – and that's most of the time.

The directors deal with this film really well – they focus on Grants strengths and also use several really cool visual things to add to the comedy – like quick cuts and freeze frame – but not to the point of annoyance. Surprising that these guys did American Pie! Not the most subtle or clever of comedies…

Grant is excellent here – he easily handles the emotional side of the film and the comedy, but it's in the comedy he excels. His face plays out as many jokes as his words and he is indeed a master at playing this character. However here he has to work harder than when he does his usual `English-fop' stuff, because Will is selfish and not immediately likeable…..I must admit that at the start I struggled to get into the film because I hate these people who spend their time in Notting Hill cafes living off inheritances etc – so it's a credit to Grant that he carries it off. Hoult is not as good – he has too much weight to carry. Hoult has to manage the whole emotional side of the film and at times he can't convince. Collette is good as Fiona but again suffers from not having any of the comedy side of the film. Rachel Weisz was good in a small role but as far as I'm concerned – if she was making this, then she wasn't making another rubbish Mummy film!

Overall this is a successful adaptation of the book. The emotional side and the comedy at times don't sit well together and at times it all feels very lightweight, but ultimately it all comes together. Grant is excellent and excels himself here – when he's on screen the film is hilarious and moves fluidly. Unfortunately it slightly highlights the weaknesses of those around him.

Sometimes a rut can feel like a hammock when we get stuck in one.

"About A Boy" is about a Londoner who was apparently born into one, imprisoned as it were by his father's legacy as author of one of the world's most popular and annoying Christmas songs. After years of feckless unemployed upper-middle-class living, Will views himself as an island, and sees his lack of long-term relationships as a plus. Even offered the simple honor of being an infant's godfather, Will begs off, saying he'd be "crap" at it and probably just "try and shag" the girl the moment she turned 18.

"I always thought you had hidden depths," the mother says.

"No, you've always had that wrong," Will cheerfully replies. "I really am this shallow."

But of course Will does have depths, and as played by Hugh Grant in a role that gives this smooth comedic actor a chance to showcase some previously-unguessed-at depths of his own, we find ourselves rooting for Will to find them as he finds himself attached unwillingly to a 12-year-old named Marcus, played with welcome non-cuteness by Nicholas Hoult. Marcus, an abuse magnet at school, is alternately worried for his unstable mother and searching for a pal. Will, a 12-year-old at heart, is a perfect if unknowing candidate.

Based on the great Nick Hornby novel, "About A Boy" walks a fine line, doling out easy laughs and real pathos with deceptive ease. Like Hornby's book, the movie depicts Will's perverse detachment from the world as both delightful and pathetic. Life is a full plate of pain for those who participate, but the benefits, as Marcus tries to tell Will, beat all else.

Of course, most of us don't have the luxury for "island living," and the potential of resenting Will, especially as played by that handsome devil Grant, might have been the film's biggest danger. But Grant defuses things with a subtle characterization that downshifts on the smugness and draws on the lost boy within.

For example, when Will tries to infiltrate a single-mothers' club as a way of bagging some commitment-free sex, we watch him tell the mothers about his own non-existent two-year-old boy Ned telling him "you hang in there, Dad," then reacting with uncertain fear when the mothers enthuse about how remarkable that is for such a young child.

But we also see the pain Will pretends isn't there, in brief flashes as he reflects on the hard-drinking failure his father became after his one-hit wonder, and especially in one great scene where Will finds himself with a woman he really cares about, unable to break out of his artifice at a critical moment. During that scene, and a later, angry one with Marcus, Grant's acting really demands consideration from those who dismiss him as a dandy glamor boy.

The directors, Chris and Paul Weitz of "American Pie"-fame, prove they can make a film that delivers intelligence as well as laughter, and with writer Peter Hedges, fashion a script that takes some clever and daring liberties with Hornby's solid story. I especially liked the one near the end of the movie, but if I revealed anything I'd probably get some Flack for it, so say no more.

The very last scene of the movie is a mistake, though, the kind of tidy resolution Hornby's novel and life itself rightly rejects. It's the one bum note in this film, but enough of one to dock it a point with me. Otherwise, I'd have to rate this above even the other cinematic Hornby adaptation, the classic "High Fidelity." But this is a very entertaining film, with great set design, a terrific "Rubber Soul"-style Britpop title song by Badly Drawn Boy, tight editing, and subtle, crafty camera work. Also some great supporting performances, especially Toni Collette as Marcus' mother, who has the film's toughest role (she must be funny and suicidal) and manages to not only pull it off but gives "About A Boy" a wonderfully unstable center. As "About A Boy" makes clear, instability is a good thing when it shakes us from our ruts.

The book is an excellent read, while more extensive in its story elements and structure, it is funny, moving and compelling. The movie is also very, very good. I personally would have liked the first half of the movie especially to have slowed down a tad, some of it felt rushed and skimmed through. And while it is not as extensive or quite as developed as the book, it is every bit, if not more so, as funny, moving and as compelling. The whole movie is beautifully filmed, the soundtrack is beguiling, the excellent is suitably adroit and the script is funny, sharp and witty. And the more poignant scenes were genuinely so. The whole cast give sterling performances, Hugh Grant is on excellent form, and Nicholas Hoult is very believable as the troubled boy. Sharon Small, Toni Collette and Rachel Weisz also are solid. All in all, a very good film. 8/10 Bethany Cox