Füge eine Handlung in deiner Sprache hinzuIn a small Pennsylvanian town, Matthew has just taken over an old farm property in order to start his new car dealership. Unknown to him the farm is located on the site of a graveyard, which... Alles lesenIn a small Pennsylvanian town, Matthew has just taken over an old farm property in order to start his new car dealership. Unknown to him the farm is located on the site of a graveyard, which the local townsfolk claim should be left alone.In a small Pennsylvanian town, Matthew has just taken over an old farm property in order to start his new car dealership. Unknown to him the farm is located on the site of a graveyard, which the local townsfolk claim should be left alone.
- Deputy Randolph
- (as Martin Schiff)
- Gary
- (as Chris Mowod)
- Mike
- (as Chris Coe Maurer)
- Jesse
- (as Barrett Hackney)
- Marilyn Michaels
- (as Karen Lee Wolf)
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Yes, forget radiation, disease or nanotech, this time it's transvestitism that brings the dead out of their graves.
There is a scene where a car goes over a cliff. The FX brings to mind that old TV show where marionettes pilot a spaceship. The actors (?) say their line "No ahhh" while they die. This scene pretty well sums up the film.
This is a horrible, horrible film. There are not enough bad adjectives to describe it. You should see it simply because it is so horrible.
I know one of the cameramen and he knew better how bad it was going to be but after seeing the stunning editing job they did, he too was amazed at the appalling disjointed quality of this film. I hesitate to use the word 'film' even. And don't use the word 'professionalism' either, as jelly was spilt on at least one roll of film and things had to be reshot. Why did they bother?
Children Of The Living Dead was setup to be the next great zombie film, the stars were aligned as the cast and crew was packed full of legends within the industry and the film had a modest half a million dollar budget.
Sadly it wasn't meant to be. Nepotism ran rampant, friends and family were brought in instead of genuine talent and were given offensively high salaries. Morale was non-existent, arguments and creative issues were a daily occurrence and the end result was a terrible film that many have publicly slammed despite their part in it.
Tom Savini especially has been vocal, claiming it should have been something special but descended into something he regrets.
It has a real Romero feel to it and our antagonist is actually quite good. Sadly with weak looking zombies, terrible acting/writing and a conflicted tone the film is destined to be infamous for all the wrong reasons.
The Good:
Tom Savini
The Bad:
Gunplay is laughable
Shoddily made
Tone shifts
Things I Learnt From This Movie:
There is nothing to fear but fear itself.....and zombies
Wusstest du schon
- WissenswertesKaren L. Wolf stayed on set and threatened to fire anyone who questioned her script. When actors protested that the lines didn't make sense and wanted to work through their scenes, Karen refused to allow any changes to be made.
- PatzerWhen Hughes engages the zombie in the hayloft, the magazine falls out of his gun as he fires a shot.
- Zitate
Deputy Randolph: Let's roll! Let's be careful out there, or you'll join the ranks of the living dead!
- Crazy CreditsAfter the credits roll a construction worker/posse member ices two zombies and rummages through their pockets and finds some cash.
- VerbindungenFeatured in Phelous & the Movies: Children of the Living Phail (2011)
- SoundtracksHave We Met Before
Music Composed by John Novello and Alan Howarth
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- Los hijos de los muertos vivientes
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 500.000 $ (geschätzt)
- Laufzeit1 Stunde 30 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1