IMDb-BEWERTUNG
7,6/10
13.615
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuDocumentary about the pioneering 1970s Zephyr skating team.Documentary about the pioneering 1970s Zephyr skating team.Documentary about the pioneering 1970s Zephyr skating team.
- Auszeichnungen
- 7 Gewinne & 6 Nominierungen insgesamt
Steve Freidman
- Surfer
- (Archivfilmmaterial)
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First off, the movie was great. It did what it was supposed to do.. and that was to tell the story of a certain time, place and people. Maybe the Z-Boys weren't choir boys (and one girl) but they were real people (kids) and they took the whole idea of skateboarding to new levels... I absolutely enjoyed this movie.. not only because I am from Dogtown (Venice/ Mar Vista/ S.M (south of Wilshire)), used to skateboard (I sucked) and that I dealt with the Z-Boys a few times when they were using my aunt's pool and were scaring my grandma.. but because this movie was about them (the Z-Boys) and the time and the place. Sure there was a semi skateboard culture in the 60's that died out pretty quickly... but the Z-Boys restarted the whole skateboard thing again.. and not only did they restart it; they resurrected and recreated it. Nowadays it is almost a regular thing to see some guy flying out of a pool or a half pipe getting air, etc.. But back then it was something new. They revolutionized the whole thing. There were electric guitars and guitar players before Hendrix but he took it to a whole different level and what he left in his wake is the same thing the Z-Boys left in their's.
To the people who seem to want to criticize the movie or the Z-Boys for talking about themselves.. well the movie was about them.. Remember what it is like to be young and invincible.. and to revolutionize something that they loved by just doing what they loved.. sure it is easy to get an ego.. just ask a kid who learns how to finally play a Hendrix song on a guitar... it is the same thing except the Z-Boys defined the revolution that was to come. They were young, brash and from a place that was a slum by the shore. Sure it was wrong to trash and terrorize people who came to their beach or whatever.. but by the same token.. people from this side of the hill would get a lot of abuse when they went to the Valley or other areas. That doesn't make it right but it does make it what it was. There was a sectional divide in the greater L.A. area. The Z-Boys just happened to be at the forefront of the beach wars.
The Z-Boys rocked and they weren't perfect angels but they were real.. look what happened to Jay Adams.. They were part of the times and places that was the L.A. beach scene.
Finally, I think the style of this movie fit the subject very well. Stacy Peralta was part of the Z-Boys and he did this film as a tribute to what they were all about. It was a rebellion not for the sake of ego but for the sake of something they all enjoyed doing. The camera work, the (killer) soundtrack and the memories were great. The best part, though, might have been the fact that they themselves seemed to document their own history with still pictures and film.
To quote the Surf Punks, "My beach, my waves, my chicks, go home".
Rock on!!!!
To the people who seem to want to criticize the movie or the Z-Boys for talking about themselves.. well the movie was about them.. Remember what it is like to be young and invincible.. and to revolutionize something that they loved by just doing what they loved.. sure it is easy to get an ego.. just ask a kid who learns how to finally play a Hendrix song on a guitar... it is the same thing except the Z-Boys defined the revolution that was to come. They were young, brash and from a place that was a slum by the shore. Sure it was wrong to trash and terrorize people who came to their beach or whatever.. but by the same token.. people from this side of the hill would get a lot of abuse when they went to the Valley or other areas. That doesn't make it right but it does make it what it was. There was a sectional divide in the greater L.A. area. The Z-Boys just happened to be at the forefront of the beach wars.
The Z-Boys rocked and they weren't perfect angels but they were real.. look what happened to Jay Adams.. They were part of the times and places that was the L.A. beach scene.
Finally, I think the style of this movie fit the subject very well. Stacy Peralta was part of the Z-Boys and he did this film as a tribute to what they were all about. It was a rebellion not for the sake of ego but for the sake of something they all enjoyed doing. The camera work, the (killer) soundtrack and the memories were great. The best part, though, might have been the fact that they themselves seemed to document their own history with still pictures and film.
To quote the Surf Punks, "My beach, my waves, my chicks, go home".
Rock on!!!!
This documentary struck a great emotional chord with me. Just reminded me of what it felt like to be a kid in the 70s trying to figure out who you were. Yeah, the men/women talk about their teenage selves like they were superheroes - but that's exactly how I like to remember those years in my life, too. ;) And I didn't do anything quite as cool as those kids did.
I love this movie because it shows the people and the developing sport of skateboarding as being truly products of their environment. Where you grow up, what you see, and who you hang with - these things create you. It was great to see people looking back on that, acknowledging it, accepting it, and taking pride in it. Yeah, maybe a little too much pride in some cases...
Interesting to see where everyone ended up at the end.
Oh, and a good soundtrack.
I bought the movie and will watch it many times over the years, I'm sure.
I love this movie because it shows the people and the developing sport of skateboarding as being truly products of their environment. Where you grow up, what you see, and who you hang with - these things create you. It was great to see people looking back on that, acknowledging it, accepting it, and taking pride in it. Yeah, maybe a little too much pride in some cases...
Interesting to see where everyone ended up at the end.
Oh, and a good soundtrack.
I bought the movie and will watch it many times over the years, I'm sure.
Back in the day, I was one of the RN's in the Emergency Rooms, these skaters would occasionally land in. They were not treated well, and some of it was brought on by their asocial personalities- but we all knew they were a talented bunch of "wonderkids" even then. They deserved better care than they received, I'm afraid. They had "attitude" in spades.
I'm so glad I caught this documentary on IFC tonight- it will be on again at 1 am and I'll be watching again!
Little attention was given to them until the rich dying kid was able to talk his parents into draining the pool- and the film really highlights that as the taking off point....it was an amazing time, and deserved to be recorded. Stacy Peralta is due all the praise heaped on him, and long may those Z-Boys enjoy their memories and contribution to the real sport of skateboarding. As for the few "sour grape" reviews contained herein, there always were and there always will be "wannabees" and hangers-on who never do more than dream...the Z-boys lived it, breathed it, were it.
Nice to see the vintage films and even the lone girl, "Peggy" who was so talked about as being the only female to win their respect.
Thanks to IFC I get to really take the occasional drug-free head trip of my youth and relive the heart pounding excitement again.
I'm so glad I caught this documentary on IFC tonight- it will be on again at 1 am and I'll be watching again!
Little attention was given to them until the rich dying kid was able to talk his parents into draining the pool- and the film really highlights that as the taking off point....it was an amazing time, and deserved to be recorded. Stacy Peralta is due all the praise heaped on him, and long may those Z-Boys enjoy their memories and contribution to the real sport of skateboarding. As for the few "sour grape" reviews contained herein, there always were and there always will be "wannabees" and hangers-on who never do more than dream...the Z-boys lived it, breathed it, were it.
Nice to see the vintage films and even the lone girl, "Peggy" who was so talked about as being the only female to win their respect.
Thanks to IFC I get to really take the occasional drug-free head trip of my youth and relive the heart pounding excitement again.
I never surfed or skateboarded but I still found this documentary fascinating. I accidentally stumbled on it while channel surfing (not sidewalk surfing) and watched it a second time later in the day. The Z-Boys made me think of the early days of rock and roll when young kids with no formal musical training basically "invented" rock and roll as they went along.. It seems the Z-Boys did the same with skateboarding.
Anyone looking to learn more about the development of skateboarding should find Dogtown and Z-Boys adequate research material. This is not to be confused with Lords of Dogtown, that sorry Hollywood attempt to cash in on the success of the original Dogtown revival.
Directed by Stacey Peralta, a former Z-Boys himself as well as pro skater and mastermind behind the 80s Bones Brigade, and co-written with skateboarding photojournalist Craig Stecyk, this documentary traces how a group of surfing kids from Southern California's mean streets (known as Dogtown) who formed the Z-Boys skateboard team (actually there was one girl--Peggy Oki) revolutionized skateboarding. The film contains interviews from nearly all of the Z-Boys (Chris Cahill's whereabouts are unknown) with the most noteable being bad ass Tony Alva and the youngest, Jay Adams, who's talents (along with Perlata) seemed to transcend the rest of the teams. There are interviews of the team's (and the Dogtown shop) founders, surfboard designer Jeff Ho, Skip Engbloom, and Craig Stecyk. There are also interviews of folks like Tony Hawk (obviously), Ian McKaye (Fugazi), and Henry Rollins, who were young kids in the 70s when Dogtown was making it's influence on skateboarding (skateboarding was a whole other context in previous years as the documentary explains).
It really shows you not only who the Dogtown team was and how they formed, but why their style changed not only skateboarding tricks (pool skating became immensley popular, and thus gave way to vert skating), but also facilitated the sport (though not into the extreme commercialism it is today) as more than just the fleeting fad it had been earlier as these surfing kids who's waves ran out in the early morning needed ways to spend their time and eventually got into skateboarding. The days of Russ Howell and Alan Gelfand were long over as the Dogtown, at least through the publicity of their skate team, paved the way for the new generation of skaters. Because Dogtown got all the attention, they were able to push skating to the next step.
It's a great documentary in the way that it is put together, though Stacey Peralta always knew how to do this even when producing the Bones Brigade mini movies/skate demos like "Ban This" and "Search for Animal Chin." Narrated by Sean Penn, the film is accompanied by a fantastic soundtrack, contains lots of terrific archive footage, and lots of interview to give you a genuine feel of who the Z-Boys were and how they made their mark on skateboarding.
Directed by Stacey Peralta, a former Z-Boys himself as well as pro skater and mastermind behind the 80s Bones Brigade, and co-written with skateboarding photojournalist Craig Stecyk, this documentary traces how a group of surfing kids from Southern California's mean streets (known as Dogtown) who formed the Z-Boys skateboard team (actually there was one girl--Peggy Oki) revolutionized skateboarding. The film contains interviews from nearly all of the Z-Boys (Chris Cahill's whereabouts are unknown) with the most noteable being bad ass Tony Alva and the youngest, Jay Adams, who's talents (along with Perlata) seemed to transcend the rest of the teams. There are interviews of the team's (and the Dogtown shop) founders, surfboard designer Jeff Ho, Skip Engbloom, and Craig Stecyk. There are also interviews of folks like Tony Hawk (obviously), Ian McKaye (Fugazi), and Henry Rollins, who were young kids in the 70s when Dogtown was making it's influence on skateboarding (skateboarding was a whole other context in previous years as the documentary explains).
It really shows you not only who the Dogtown team was and how they formed, but why their style changed not only skateboarding tricks (pool skating became immensley popular, and thus gave way to vert skating), but also facilitated the sport (though not into the extreme commercialism it is today) as more than just the fleeting fad it had been earlier as these surfing kids who's waves ran out in the early morning needed ways to spend their time and eventually got into skateboarding. The days of Russ Howell and Alan Gelfand were long over as the Dogtown, at least through the publicity of their skate team, paved the way for the new generation of skaters. Because Dogtown got all the attention, they were able to push skating to the next step.
It's a great documentary in the way that it is put together, though Stacey Peralta always knew how to do this even when producing the Bones Brigade mini movies/skate demos like "Ban This" and "Search for Animal Chin." Narrated by Sean Penn, the film is accompanied by a fantastic soundtrack, contains lots of terrific archive footage, and lots of interview to give you a genuine feel of who the Z-Boys were and how they made their mark on skateboarding.
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- WissenswertesOne of Sean Penn's reasons for signing on as the Narrator was that he, himself, had lived and surfed in and near the Dogtown area.
- PatzerA brief shot of a news article/photo of the Z-Boys is flopped (so that the text is backwards).
- Zitate
Skip Engblom: Children took the ruins of the 20th century and made art out of it.
- Crazy CreditsEmpty backyard pools & pool skateboarding for sound recordings by Toby Burger.
- VerbindungenFeatured in The 2002 IFP/West Independent Spirit Awards (2002)
- SoundtracksSeasons of Wither
Performed by Aerosmith
Written by Steven Tyler
Courtesy of Columbia Records
By Arrangement with Sony Music Licensing
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Парни на скейтах
- Drehorte
- Venice, Los Angeles, Kalifornien, USA(Location)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 1.300.682 $
- Eröffnungswochenende in den USA und in Kanada
- 103.355 $
- 28. Apr. 2002
- Weltweiter Bruttoertrag
- 1.523.214 $
- Laufzeit1 Stunde 31 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.37 : 1
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By what name was Dogtown and Z-Boys (2001) officially released in India in English?
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