Secretary - Womit kann ich dienen?

Those Gyllenhalls, they sure can act. Maggie, like her brother Jake, turns in great performances like they're routine - she makes it look easy. In 'Secretary', she delivers a layered, complex performance as Lee Holloway, a disturbed young lady who deals with stress by cutting herself - the pain pushes away everything else that's bothering her.

As she's released from an institution back into the world, she takes her first job as secretary to lawyer E. Edward Grey, played by James Spader. From then on, the movie explores their relationship and how it affects Lee, taking her from the quiet, self-damaging wallflower into the determined and strong woman she becomes.

The film's use of S&M in the relationship between Lee and Mr. Grey makes it a bit controversial, but it's not really the focus here. The idea of Lee as the submissive and Mr. Grey as the dominant have little to do with their sexuality and everything to do with their personality issues.

Lee can't handle extreme emotion without resorting to pain, because she can't take control of her own life. What she sees in Mr. Grey is love - absolute love, the likes of which she can't find with her fiance Peter (Jeremy Davies). That love allows her to give him the power of her pain - by doing that, she's finding something worthy to focus on instead of the nothingness of her sewing kit and iodine.

Mr. Grey, for his part, is a man who can't deal with anything except in his own ordered, regimented way. He cares for his orchids but little else, and the steps he takes with Lee open up his wary heart. He's slower to develop than she is, and to take the final steps towards a real, lasting relationship, he has to be dragged there by the force of Lee's own will.

The key to this film - and S&M relationships in general - is that Lee (the submissive) has all the power, not Mr. Grey (the dominant). She sets the terms by which the relationship will be conducted, seemingly for the first time in her entire life (including the relationships with her family). Lee finds love and desire in Mr. Grey, and pursues it while healing her own shattered psyche in the process.

Maggie Gyllenhall is luminous here. She can say more with a facial expression than most can in a Shakespearean soliloquy. She gives herself completely over to the part, without a wink or a nudge that she's just kidding, or thinks any part of this is silly. She becomes Lee Holloway, which is the best compliment you can give an actor. Spader, for his part, follows in a long string of oddballs, but doesn't go over the top, as he could have been tempted to do. This is Maggie's movie, and he supports it and plays off it well.

Rating: 8/10, based on the strong performance of Maggie Gyllenhall and the character of Lee Holloway, but nocked down due to a poorly-constructed finale that just doesn't fit with the rest of the film. Highly recommended.

In this romantic black comedy, Maggie Gyllenhaal stars as Lee Holloway, the lady worker of the title. As you probably already know, this secretary doesn't just push pens and use paper clips, she has another, more exciting capacity as her boss's love object. The film actually isn't quite as naughty as many people think it thinks it is, but the truth is that the sadomasochistic area of the film isn't really all that important. The film isn't really about obscure sexual preferences, it's about finding someone whom you are comfortable with and the S&M is just a means to an end. The sex aspect of the film does serve a purpose, however, in that it's that which makes the film a social satire of this culture of flirting in the office; a very over the top one, that is, and one that gives the film it's shock value; but to be honest, you don't really get to see that much bondage. The film is very original in it's portrayal of S&M however, as it's a very taboo subject and for it to be portrayed in a sweet and upbeat manner like this is welcome and very different.

As mentioned, Maggie Gyllenhaal takes the title role and starring opposite her is James Spader as her boss. Gyllenhaal's character is sweet, inexperienced and bashful. She's very easy to like, but she can also be annoying at times. Spader's character is the complete opposite; despite being insecure, he comes across as being cold, calm and collected. He keeps his emotions hidden inside and reveals very little about himself, unlike Maggie's character who is happy to wear her emotions on her sleeve and doesn't seem to mind what other people think. Observe the way that the boss continues to tell her to put her shoes on because her feet stink etc; not exactly the most conscientious person to ever walk the earth. Despite being chalk and cheese, however, the two characters blend together in a way that is both believable and interesting, and this makes for some great chemistry between the two leads that is hard not to enjoy. The fact that they are chalk and cheese is a help and not a hindrance to the film as it serves in making it all the more interesting. My only quibble with the characterization is the ending, which although it brings the message out, seems tacked on and rather unrealistic…but it's not enough to spoil the film.

Overall, Secretary is not a masterpiece, but it is a very good portrayal love, and one that is far superior to dull and dreary films such as 'Lost in Translation'. It's entertaining for it's duration, there are several funny moments and the central message, which states that it's worth going to extremes for the one you love is a worthwhile one for any movie, even if it is someone lost under the premise of the movie. Recommended.

Lee Holloway is released from the mental institution on the same day as her sister's wedding and finds her family are just the same and it is not long before the urge to self-harm overcomes her. However in finding work as a secretary she looks to get more meaning in her days. She joins the one-man law firm of E. Edward Grey and enjoys the work even though he is a distinctly odd man. As their working relationship develops though, Edward's attitude becomes more and more dominant, eliciting an unexpected response in Lee.

Although it was sold off the back of the salacious material and offer of dark sexual comedy, Secretary is actually a nicely ambiguous character piece that looks at the development of a submissive woman and the conflicts within a man who takes pleasure from S&M. It is nowhere near as shocking as it was marketed, nor does it try to force things to the detriment of the characters. I wasn't sure what to expect but found myself easily taken into the film through the two characters because of how well written it was. I'm not into S&M and have no knowledge of that world but yet the film made the feelings and emotions of the characters easy to access and understand (and even if relating to them was beyond me, it was to its credit that the film never asked this of me). Shainberg's script deserves a lot of praise but his direction is also good in the way that he keeps much of the film ambiguous and intriguing.

The cast respond really well to this. I say "cast" as if it is group effort but it is really a double-hander from a talented pair. Spader is very good and manages to make a character out of what could easily have been a weak part of the film. He is convincing and has the complexity that one would associate with someone with an "unusual" fetish. Gyllenhaal is better as she develops her character across the film and seems to have totally understood who she is trying to be. Although their scenes were potentially challenging, their performances are strong enough to make them work well.

Overall then a film that is understandably select viewing with a subject that may put some off. However it is actually much more accessible than it appears at first glance because of how well the characters are written by Shainberg and realised by Spader and Gyllenhaal.

This one was really a pleasant surprise. I was expecting a black comedy as well as a movie that deals with kinky fetishes. It's both of those things but, surprisingly, it's also a very nice and sweet love story. Yes, really. Maggie Gyllenhaal is wonderful. I think this is easily my favorite role of hers. She's funny, adorable, and sexy. James Spader's great but Maggie really makes the movie something special.

Obviously not for all tastes but I would say that you should try it out, even if the BDSM stuff doesn't float your boat. I think you'll be surprised at how much you like it. One thing that I would like to address is that I see a lot of other reviewers who liked the movie saying they hated the ending. Gotta say I can't disagree more with this. I assume these people would have preferred a more downbeat ending. Frankly, that would have ruined the whole experience for me and I would have subtracted points from my score. The fact that the ending left me with the warm fuzzies is a large part of why I enjoyed it so much.

What is the path to love? For every person, it's different. The superficial circumstances are similar... you meet someone at work, at school, in a singles bar. And, usually, the emotional pathways are similar. Eyes meet. We talk. We dance. We communicate about ourselves to each other. Then begins the sexual part, so we parry and thrust, take signals from each other, and, over time, we feel each other up together. But what about the path to love through the back door (so to speak)? What about a love story where she's a young, neurotic woman, just out of a mental hospital back to a family where Dad's a serious drunk and Mom's a serious nervous fruitcake. And what about a man, an attorney, who's emotionally closed off and can only get in touch with orchids, inserting long stainless-steel tools into their waiting organs. Yes, these two find each other in one of the most bizarre cinematic love stories ever.

I loved this movie. I pilgrim around, searching through books and movies for secret pathways to and circumstances of the human heart. This movie transcends its gentle S&M to reveal yet another way to love.

Our heroine, the fresh-faced (and magnificently moon-like) Maggie Gyllenhaal is brilliant as the new secretary to a lawyer who goes through so many secretaries, he has a "secretary" vacancy sign he lights up outside his office. As our heroine tries to re-enter the world by getting her first job with this man, it becomes apparent that the boss is anything but normal. He is demanding yet insistent that his new charge break away from her stifling past and be herself. But what or who is she? And who in the hell is he?

The movie is sexy. There's no denying it. Gyllenhaal is radiant and sinuous, and we feel that she's truly experiencing the wonder of it all for the first time. Spader is type-cast a bit, but his world-weary sexiness fits well with Gyllenhaal's naiveté. And, let's face it, Gyllenhaal is grippingly sexy, and we see her in hose, panties, tight skirts and in the nude. And as far as I'm concerned, she's fabulous, darling. And in one of the movie's sexiest, most endearing scenes, we see Spader carry her off in her urine-soaked wedding dress as he finally assumes his responsibilities as her loving "dom". She is totally tired, subservient and radiant in total surrender, rescued from a voyeurizing world. What a hunk of sexy cinema that was with her arm languidly draped around Spader's neck as he carried the bride over the threshold to love and dominance. Wow.

This movie explores and explodes sexual myths. The director has successfully created a dark comedy layered with nuance in a stew of social commentary. This movie is not for everyone. Stay away if you're conventionally wrapped, conservative, or lacking in a certain joy of exploration. But if you're ready for a most untraditional-traditional love story, Spader and Gyllenhaal give Oscar worthy performances... but of course the subject matter nixed that.