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As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty

  • 2000
  • Not Rated
  • 4 Std. 48 Min.
IMDb-BEWERTUNG
8,1/10
1623
IHRE BEWERTUNG
As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty (2000)
BiographyDocumentary

Füge eine Handlung in deiner Sprache hinzuDirector Jonas Mekas provides an intimate glimpse of his personal life by constructing a feature length narrative from over 30 years of private home movie footage.Director Jonas Mekas provides an intimate glimpse of his personal life by constructing a feature length narrative from over 30 years of private home movie footage.Director Jonas Mekas provides an intimate glimpse of his personal life by constructing a feature length narrative from over 30 years of private home movie footage.

  • Regie
    • Jonas Mekas
  • Drehbuch
    • Jonas Mekas
  • Hauptbesetzung
    • Jonas Mekas
    • Stan Brakhage
    • Robert Breer
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    8,1/10
    1623
    IHRE BEWERTUNG
    • Regie
      • Jonas Mekas
    • Drehbuch
      • Jonas Mekas
    • Hauptbesetzung
      • Jonas Mekas
      • Stan Brakhage
      • Robert Breer
    • 11Benutzerrezensionen
    • 11Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
  • Fotos3

    Poster ansehen
    Poster ansehen
    Poster ansehen

    Topbesetzung15

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    Jonas Mekas
    Jonas Mekas
    • Self…
    Stan Brakhage
    Stan Brakhage
    • Self
    • (Archivfilmmaterial)
    Robert Breer
    • Self
    • (Archivfilmmaterial)
    Hollis Frampton
    • Self
    • (Archivfilmmaterial)
    Allen Ginsberg
    Allen Ginsberg
    • Self
    • (Archivfilmmaterial)
    Ken Jacobs
    • Self
    • (Archivfilmmaterial)
    Peter Kubelka
    • Self
    • (Archivfilmmaterial)
    Adolfas Mekas
    • Self
    • (Archivfilmmaterial)
    Oona Mekas
    • Self
    • (Archivfilmmaterial)
    Sebastian Mekas
    • Self
    • (Archivfilmmaterial)
    Hermann Nitsch
    • Self
    • (Archivfilmmaterial)
    Nam June Paik
    • Self
    • (Archivfilmmaterial)
    P. Adams Sitney
    • Self
    • (Archivfilmmaterial)
    Andy Warhol
    Andy Warhol
    • Self
    • (Archivfilmmaterial)
    Jane Wodening
    • Self
    • (Archivfilmmaterial)
    • (as Jane Brakhage)
    • Regie
      • Jonas Mekas
    • Drehbuch
      • Jonas Mekas
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen11

    8,11.6K
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    Empfohlene Bewertungen

    9davidbornoff

    A wonderfilm film

    Much like Prousts "A la recherche du temps predue" Mekas's, "brief glimpses of beauty" is a refleciton on the years of his life past as seen through the eyes of a man who is percieving his own death. Mekas beautifully edits together the scraps of film that fell to his cutting room floor while he was working on projects he "percieved" as important, not realizing that what was truly important were the deatils that he missed, that he left out in favor of the shot in focus, the shot in composition. He strings together these family films of his children, his wife, his friends, New York during a lightning storm, all while narrating the film from what seems to be "His Death Bed." This film is by far one of the more touching, more emotional films I have ever seen. It is an homage to life as much as it is a recognition that beauty lies in the places we least expect it and as we walk we may occasionally catch brief glimpses of it, if we are lucky enough to have our eyes that wide open.
    zeke-sf-graz

    Wonderful idea, but..

    When i stumbled upon this film i thought that it is a wonderful idea and i was really excited to watch it. I understand that a certain rawness can be part of an artwork, but if you make a film and you want the recipient to stay with you for over 4 hours, i think it s also important to make it somewhat watchable. Sadly the shaky camera work and the way it is edited does not work for me. The fast cuts, the low frame rate and the changes in tempo make it very hard to get in to the mood of the moment. He seems to have a had a very nice life and i would have loved to participate in it for a bit longer, but i had to drop out after 30 minutes or so.
    10Media Boy

    Not filmmaking, but filming

    No plot, no story, no tension, no conflict, no irony, no dialog, often out of focus, jittery and nearly 5 hours long. All this and it is one of the greatest documentaries I have ever seen. A stunningly positive and beautiful film that is just about the happiness and joy of family, New York City, country getaways and filming. This is such a compelling work, it did not even seem that long. This is the work of a man at peace with his own happiness. We should all be so lucky.
    10nenanosalj

    just beautiful...

    Beautiful,universal,poetic... Watching it you realise that all you are seeing in this film is in your life to,in life of your friends,people you know..The captured moments of life are precious and beautiful
    8sanwolfx

    More complex than it seems

    I think it is sort of a misconception to say that this film is about the beauty of life, and nostalgia for the past. Through the narration and the titles, ambiguity is introduced into the mix. Mekas remarks multiple times the fact that this images are to an extent unreal: people are not so innocent as these images show them to be, people do not love each other as much, other people's perceptions of the same events are quite different, and he isn't just filming his children but he is inventing his own childhood through them. "This is a political film", says the movie repeatedly, and yet in the artificial idealized world of the film politics is entirely absent -there's no poverty, no war, no questioning of his bourgeois lifestyle-, and that's precisely the point: to show not how the world is, but how we want it to be, and how that desire can sometimes become a shallow fantasy. We long for paradise, but paradise is lost. We can only get glimpses of it, not in everyday life, but through it, beyond it, inside us.

    My complain with the movie is a matter of form. I just don't like the accelerated frame rate, the fast cuts, the repetition, the inflated length, the out of tune music. I sort of enjoyed it for the first hour and a half, but after that it became a blur. It had in me the effect of starting out as a beautiful experience and ending as a nightmarish reality without meaning from which I just wanted to escape; one is dying to know people's names, to hear someone's voice (besides the rather silent Mekas), and to stay in one place for a while. But then again, that feeling is also part of Mekas' scheme. Beauty comforts us by what it evokes, but hurts us by how unreachable it actually is.

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      "The ultimate Dogma movie before the birth of Dogma," is how its maker, Jonas Mekas described it.
    • Zitate

      [first lines]

      Jonas Mekas: I have never been able, really, to figure out where my life begins and where it ends. I have never, never been able to figure it all out, what's all about. What it all means. So when I began, now, to put all these rolls of film together, to string them together, the first idea was to keep them chronologic. But then I gave up, and I just began splicing them together by chance, the way that I found them on the shelf, because I really did not know where any piece of my life really belongs. So let it be. Let it go. Just by pure chance. Disorder. There is some kind of order in it, order of its own, which I do not really understand, same as I never understood life around me. The real life, as they say, or the real people. I never understood them. I still do not understand them, and I do not really want to understand them.

    • Soundtracks
      Both Sides Now
      Written by Joni Mitchell

      Performed by Judy Collins

      Courtesy of Elektra/Asylum Records

      By arrangement with Warner Music Group Film & TV Licensing

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    FAQ12

    • How long is As I Was Moving Ahead Occasionally I Saw Brief Glimpses of Beauty?Powered by Alexa

    Details

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    • Erscheinungsdatum
      • 10. Februar 2001 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizielle Standorte
      • Blu-ray Boxset
      • DVD Boxset
    • Sprache
      • Englisch
    • Auch bekannt als
      • As I Moved Ahead Occasionally I Saw Brief Glimpses of Beauty
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    Technische Daten

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    • Laufzeit
      4 Stunden 48 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.37 : 1

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