Findet Nemo

Yes you read that correctly.

Finding Nemo had brilliant, breathtaking underwater scenes that blow your mind!! Characters that you connect with, that have emotion, style and humour. The soundtrack is perfect to boot. Honestly what more could you ask for? In glorious 4K HDR with vibrant Dolby Atmos it gives this iconic classic a whole new life!!

I have enjoyed most of the computer-animated films made so far, ranging from Pixar films like "Toy Story" and "The Incredibles" to DreamWorks films like "Shrek." But "Finding Nemo" is the one that remains unparalleled, not because of its comedy or creativity, both of which are equaled in the "Toy Story" movies and in "Monsters Inc.," but because it truly, more than any of the previous computer-animated features, reinvents the genre of the children's animated film.

Humor in traditional animation is usually based on broad slapstick and physical exaggeration. There are occasional nods to this brand of humor in "Finding Nemo," as when a flock of seagulls ram into a boat and we see their beaks crowing on the other side of the sail. But such sequences only call attention to how far this movie generally departs from old cartoon conventions. Instead, the movie invests its world of sentient animals with a surprisingly scientific texture. All of the animals are based on real species. The fish tank is constructed out of real devices. There is a strong sense of locale, as Marlin (Albert Brooks) travels across the Pacific to Australia, where even the animals speak with an Australian accent. In a scene that I'm sure Gary Larson of "Far Side" fame loved, a pelican discusses with a group of fish the intricate details of dentistry. The fact that the animals talk and understand what's going on is treated as though it were a natural feature of the world. The realism is so striking that by the end of the film, you'll almost believe it possible for fish to plot an escape from a tank.

Far from making the film pedantic, this approach results in an intelligent but still entertaining picture. Most of the humor is based on parodies of human behavior: repentant sharks start a club that's like Alcoholics Anonymous, a school of fish act like obnoxious DJs while forming themselves into spectacular patterns, and a four-year-old girl behaves like most kids that age, oblivious and destructive. The manner in which Marlin finds his way to his son is so inventive that we can forgive the film for the number of coincidences involved.

The story employs the same basic formula used in "Toy Story," in which two characters, one uptight and the other clueless, are thrown together as they're forced to journey through a world populated by creatures that are a lot more knowing than the humans realize. This movie, however, creates a unique character in Dory (Ellen DeGeneres), a fish with short-term memory loss. To give a cartoon character a real human disorder is risky, to say the least, and I'm glad the filmmakers didn't lose the nerve to include this ingenious device, which not only generates some of the film's biggest laughs, but reinforces the character interaction that is so central to the story. This is in fact the only Pixar film to feature true character development. In the course of his voyage, Marlin learns to be more adventurous, getting parenting tips from a surfer-dude turtle voiced by the film's director Andrew Stanton, while his son Nemo learns to be self-reliant.

Of course, none of the sharks, jellyfish, whales, gulls, pelicans, lobsters, and humans that Marlin encounters along the way really mean any harm. They're just doing what they do. As Nigel the Pelican tells Nemo at one point, "Fish gotta swim, birds gotta eat." That's perhaps the film's most interesting insight, that there are no true villains, just creatures that act according to their nature, and a few that transcend it.

I'll be totally honest and confirm to you that everything what they say about this movie is true. It's a brilliantly animated masterpiece with lots of humor that actually works and a plot that really brings tears to your eyes from time to time. The modern artists of Pixar never cease to amaze the audience in expanding their horizons. Finding Nemo is visually stunning and you can have nothing but respect for the people who created it.

I was more or less skeptic about watching it, because it was so overhyped ! Two days before it got released in my country, the TV and press loudly announced that the DVD broke all records in the USA during its first release-day. That's usually a sign of being typically mainstream and fake...but Finding Nemo is not. I'm allergic to fake sentiment and pathetic feel-good movies but I was really touched by this one. The moral and valuable life lessons are always present, but they're not shoved down your throat or thrown in your face all the time. This movie really relativates itself and that's important for a good comedy. And it's hilarious !!! Every side character in Finding Nemo (and there are a LOT of them) is exceptional and worth a mention. And the voices are cast perfectly as well...like the voice of Willem Dafoe for Gill, for example...a perfect choice. The character of Dory ( speaks through the voice of Ellen DeGeneres ) steals the show. She's an adorable blue fish who suffers from amnesia. She forgets what she's doing or going to every five minutes and that really leads to hilarious situations.

Movies like this aren't just being made for children exclusive... They're good for everyone to realize you have to entertain yourself from time to time and just to enjoy the little things in life. I recommend this to everyone in the world. No matter if you're 9 or 99 years old, Finding Nemo will bring a smile on your face and leave behind a warm feeling in your heart.

Marlin, a nervous and neurotic clownfish is heavily overprotective of his son Nemo, who only wants to explore the sea in its entirety. When Nemo gets caught by a scuba diver and taken away, it is up to Marlin to swallow his own fears and find Nemo. The ensuing search and rescue organized by the him is a mass effort by swimming and flying creatures of all sizes and personalities, such as a threesome of vegetarian sharks, a fish with short term memory and an aged turtle, all helping him realise the error of his ways in restricting himself to just his home.

As charming as it is beautiful, Finding Nemo is a joy, both visually and cinematically. The characters are all so appealing and sweet that you want to hug each and every one of them, Nemo and Dory in particular. But the film transcends above just a generic animated film, for there are lessons to be learnt by it too. The film often tells a children's tale from an adult's point of view, with risky situations and emotional soul-searching putting stress on a disjointed family.

The sea is brought to us in such a memorable and unique way that there is brilliance and beauty in every frame. The animation is of all time high for Pixar, and the sound mixing and editing are also to be credited, as they capture the heart of the sea creditably. But perhaps the best thing about the film is the musical score by Thomas Newman. He creates the essence of the sea, as well as the emotions felt by the fish throughout. Note the masterwork that occurs as an upbeat, jovial number quickly escalates into something darker in a matter of minutes. In short, the music is superb.

The voice cast are capable and cannily chosen, from young Alexander Gould as the naïve Nemo, as well as Albert Brooks as the bumbling Marlin. But the star of the show is Ellen DeGeneres as Dory. As the forgetful but caring fish, she is sweet and soulful, and provides much of the comedy of the film. But the humour is also provided by the great script, which delivers a potentially dull story with wit and soul, and shies away from the sentimentality that could so easily arise of a Disney film. And the jokes, what jokes – from satire, spoof and slapstick, they'll be a one-liner for everybody here.

Gorgeous to look at and utterly adorable, Finding Nemo sets the standard for how animated movies should being terms of entertainment value as well as story and themes – ending with the touching, thought-provoking message of how too much protectiveness on the parent's side will repel, but, no matter how independent a child (or fish) believes themselves to be, they'll always need their parents.

Pixar Studios have done it again. I have to say that these guys are totally good in computer animation, as well as in storytelling. Rarely do those qualities come together but here they are, delivering unto the audience once again something that one can only be drowned with wonder. Such is the marvel of Finding Nemo.

The story is about Nemo (voiced by Alexander Gould), a young clownfish who is fed up with his dad Marlin's (Albert Brooks) excessive paranoia over him. He swims to a place where his dad forbids him and ends up being captured by a scuba diver. He is then placed in a fish tank in a dental clinic somewhere along the harbors of Sydney. Thus the quest of Marlin, along with Dory (a hilarious forgetful blue tang voiced by Ellen DeGeneres) to find Nemo before it's too late.

The story is a simple one but where the film more than makes up is on the overwhelming sense of detail and rich, lavish colors and textures as if we aren't really watching an animated film at all. Scenes such as Marlin bringing Nemo to school while swimming through corals and anemones, to the aquarium where Nemo was taken to, are nothing short of breathtaking, and undoubtedbly one of the most outstanding animation ever to hit the screen.

The world of "Finding Nemo" is simply alive with lovable creatures swimming about their daily lives under the ocean, darting across the screen in playful manners. The viewer almost literally dives into another world for nearly two hours and one cannot help but be completely captivated.

The music and screenplay also blend very well with the visual feast that it produces such a high quality movie. From its basic storyline, to the father-and-son relationship theme, to the wonderful underwater world throughout, this is really an adventure through an ocean of stunning visuals and storytelling.

Grade: A