IMDb-BEWERTUNG
6,5/10
40.463
IHRE BEWERTUNG
Ein Karriere-Juwelendieb befindet sich in einer angespannten Lage mit seinem langjährigen Partner, einem Kriminalchef, der seinen Neffen schickt, um Wache zu halten.Ein Karriere-Juwelendieb befindet sich in einer angespannten Lage mit seinem langjährigen Partner, einem Kriminalchef, der seinen Neffen schickt, um Wache zu halten.Ein Karriere-Juwelendieb befindet sich in einer angespannten Lage mit seinem langjährigen Partner, einem Kriminalchef, der seinen Neffen schickt, um Wache zu halten.
Danny DeVito
- Mickey Bergman
- (as Danny Devito)
Patti LuPone
- Betty Croft
- (as Patti Lupone)
Mike Tsar
- Coffee Cart Man
- (as Mike Tsarouchas)
Christopher Kaldor
- Laszlo
- (as Christopher R. Kaldor)
Zodia McLean
- Pool Player at Bar
- (as Zodia Mclean)
Empfohlene Bewertungen
I didn't know anything about David Mamet before I saw this film... now I know that he's got a penchant for characters with ulterior motives and slang-heavy dialog. Going into this film, I didn't expect anything but a(surprise surprise) heist flick. I got just that. Not just a heist flick, but a well-acted, nicely directed and quite entertaining one, at that. The plot is pretty good, and keeps your interest throughout. There are a fair bit of double-crosses throughout, and near the end, it does get somewhat tiresome. The acting is all top-notch. Not one performance was even slightly off. It's no surprise to see such high-quality acting from Hackman, Lindo and Rockwell, but I had not expected such excellent performances from DeVito and Jay. The writing is very good, but Mamet uses too many clichés and there's just a tad too much going on in the shadows, people conspiring against each other. The dialog tries oh so hard to be clever, and occasionally succeeds, but more often than not, it just comes off as pretentiousness, with all the slang, the attempts at being clever and the ridiculously high pace it sometimes sports. The cinematography is great, not one shot was poor or out of place. The pacing is mostly good, though the film seems to go on just a bit too long. All in all, an entertaining heist film, but not one to watch much more than one time. I recommend this to all fans of heist flicks, any of the actors and David Mamet(who seems to be all about these films). 7/10
7=G=
In "Heist", Hackman plays and aging thief who, saddled with a beautiful young wife, no pension, and the disintegration of the old school thief ethic, decides to pull one last job so he can sail off into the sunset with his babe. The film, fraught with implausibilities, is all about who's the smarter thief (which, of course, would be the one with all the loot at the end) and deals with strategizing, conflict containment, greed, and other thief problems while forsaking action stuff (stunts, chases, sex, etc) as it labors through its somewhat convoluted plot. Good old Hollywood thief stuff with a solid cast worth a watch. Turn off brain and enjoy.
Does exactly what it says on the tin, with perhaps a slight overload on the double-crosses and some surprisingly cringeworthy dialogue from such a practised ear:
"Everybody needs money - that's why they call it money" spouts Danny DeVito. Uh? Am I missing something or is this utter nonsense? Maybe it looked good on the page, but it stinks when it's out in the open.
Nowhere near as tight and entertaining as 'House Of Games' or 'The Spanish Prisoner', but then even an average Mamet thriller is worth a look.
"Everybody needs money - that's why they call it money" spouts Danny DeVito. Uh? Am I missing something or is this utter nonsense? Maybe it looked good on the page, but it stinks when it's out in the open.
Nowhere near as tight and entertaining as 'House Of Games' or 'The Spanish Prisoner', but then even an average Mamet thriller is worth a look.
Knowing the quality of Mamet's previous works, maybe I expected too much out of this one, but as it stands I just wasn't impressed by this film. Am I the only one who got bored during this movie? The characters were good except Fran (Rebecca Pidgeon). She is just there to deliver one-liners the whole time and provide sex appeal. I know her demeanor is quiet and conniving, but she just struts around waiting to make overly witty replies. The rest of the cast were excellent, Delroy Lindo outshined Hackman as his right-hand thug, Ricky Jay pulls off the calm and collected badass, Sam Rockwell delivers a good presence that you just hate, DeVito was awesome as the break-your-balls "bad" criminal and Hackman played his part well as he always does.
The story bored me however. You knew what was going to happen before it happened and there were too many twists in the movie that they lost their affect. Twists are good when used sparingly and when used at the right time. I didn't like the timing of them in this movie or the overuse of them. It got boring because the characters always pull something out of their hat when you "least expect it."
For me dialogue has to be two things, witty and believable. Now the dialogue in this film is witty, Mamet probably took a while to compile all these quotes into one movie, but it is too much. It is simply to much. All Rebecca Pidgeon says is these crafty responses and she engages no real conversation. As for believable, people don't speak like this. No one, not even the coolest cat in the world and half the time I am trying to figure out what the hell they mean.
The plot is way too contrived, it is too much. Their is a backup plan, for a backup plan, for a backup plan, for a ... The scene on the runway was crap, impossible. Never would have happened. Too many "overly" perfect plans and too many twists make this plot boring to watch.
Wait for the rental.
The story bored me however. You knew what was going to happen before it happened and there were too many twists in the movie that they lost their affect. Twists are good when used sparingly and when used at the right time. I didn't like the timing of them in this movie or the overuse of them. It got boring because the characters always pull something out of their hat when you "least expect it."
For me dialogue has to be two things, witty and believable. Now the dialogue in this film is witty, Mamet probably took a while to compile all these quotes into one movie, but it is too much. It is simply to much. All Rebecca Pidgeon says is these crafty responses and she engages no real conversation. As for believable, people don't speak like this. No one, not even the coolest cat in the world and half the time I am trying to figure out what the hell they mean.
The plot is way too contrived, it is too much. Their is a backup plan, for a backup plan, for a backup plan, for a ... The scene on the runway was crap, impossible. Never would have happened. Too many "overly" perfect plans and too many twists make this plot boring to watch.
Wait for the rental.
The cast alone suggests that this will be an amazing movie...and it was. The amazement however, ended just before the movie did. The performances were all great - however the writing talents were not well suited for actors of this caliber. The writer's talents were more on par with ... well... fortune cookies. This is not to say that the whole thing is bad. It is just that the ending is just over done. The whole 'tricked-ya' thing is a little old, but still acceptable. The 'tricked-ya tricked-ya tricked-ya' type endings are about as creative as a dream-sequence ending. To the defense of the movie, it is better the second time, as you are no longer worried about the ending and just enjoying the acting.
Wusstest du schon
- WissenswertesGene Hackman mentioned in several interviews that he found shooting the film difficult and somewhat uncomfortable because he was so much older than everyone else involved. He therefore kept much to himself, and in the end managed to draw on that feeling of being an outsider in the group for his portrayal.
- PatzerThe New Zealand passport that Joe is handed, which he refers to as "good work", is the wrong color.
- Crazy CreditsThe opening Warner Bros., Morgan Creek, and Franchise Pictures logos are in black and white.
Top-Auswahl
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Details
Box Office
- Budget
- 39.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 23.510.841 $
- Eröffnungswochenende in den USA und in Kanada
- 7.823.521 $
- 11. Nov. 2001
- Weltweiter Bruttoertrag
- 28.510.652 $
- Laufzeit1 Stunde 49 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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Oberste Lücke
What was the official certification given to Heist - Der letzte Coup (2001) in Italy?
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