IMDb-BEWERTUNG
6,7/10
7995
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuSelf-esteem and insecurity are at the heart of this comedy about the relationship between a mother and her three confused daughters.Self-esteem and insecurity are at the heart of this comedy about the relationship between a mother and her three confused daughters.Self-esteem and insecurity are at the heart of this comedy about the relationship between a mother and her three confused daughters.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Gewinne & 14 Nominierungen insgesamt
Troy Ruptash
- Photographer
- (Synchronisation)
Aunjanue Ellis-Taylor
- Lorraine
- (as Aunjanue Ellis)
Empfohlene Bewertungen
I was really impressed by the solid characterizations and the comfort Holofcener has with the story and the script, even among the uncomfortable issues it raises. Finally, a feminine anti-hero film that does not attempt to make any statements about Women or Men, but just gives roles to women that are refreshingly human. The characters are often unsympathetic, but that makes it work so much the better. Shooting in HD video is the best choice over regular DV, and it is almost believable to be film. A solid film and worth seeing!
This charming film is centred on Jane Marks, a woman is about to undergo liposuction, and her three daughters. These are aspiring artist Michelle, whose husband isn't very supportive; Actress Elizabeth who is worried that she isn't sexy enough to get an important role; and eight year old Annie, an adopted African American girl who wants to fit in with her white family.
It might be said that this film doesn't have much of a plot; it is more of a snapshot of a family's life while the mother is in hospital. Each of the four main characters has their neuroses which lead them into various situations; in the case of Michelle and Elizabeth that means getting involved with other people; in Michelle's case somebody much too young for her. The film answers some of the questions raised but leaves others open. The cast does a really fine job making their characters feel real. There are plenty of funny moments, sometimes with a touch of danger such as when Annie floats face-down in the pool in a way that worries people who worries she has drowned... something I recall doing when about that age! Overall I'd say that I enjoyed this a lot more than I expected and would recommend it to anybody wanting a good female led drama with touches of comedy.
It might be said that this film doesn't have much of a plot; it is more of a snapshot of a family's life while the mother is in hospital. Each of the four main characters has their neuroses which lead them into various situations; in the case of Michelle and Elizabeth that means getting involved with other people; in Michelle's case somebody much too young for her. The film answers some of the questions raised but leaves others open. The cast does a really fine job making their characters feel real. There are plenty of funny moments, sometimes with a touch of danger such as when Annie floats face-down in the pool in a way that worries people who worries she has drowned... something I recall doing when about that age! Overall I'd say that I enjoyed this a lot more than I expected and would recommend it to anybody wanting a good female led drama with touches of comedy.
Few directors have a firm grip on creating comic works which while making us laugh or smile, also move us deeply. Chaplin's genius was founded on this blend of emotions. When Time magazine's cover labeled Wood Allen "comic genius" it was this same principle they were commending, though his films over the past 20 years would largely disprove this assumption.
Nicole Holofcener's small output prevents making any kind of assumption as yet, but in "Lovely and Amazing" she displays remarkable ability in dealing with the pain people (mostly female) experience in grappling with the issue of self esteem. Throughout the movie and without any lapse, she reveals the comic side of human frailty. We laugh at the characters with compassion rather than derision. It's a feat of great skill and much promise.
Holofcener clearly works well with actors, Brenda Blethyn, Catherine Keener, Dermot Mulroney, Emily Mortimer and Jake Gyllenhaal, all are spot on with their characters. She also elicits a lovely underplayed performance from inexperienced child actor Raven Goodwin.
Holofcener has produced a genuinely lovely film; one that portends amazing things yet to come.
Nicole Holofcener's small output prevents making any kind of assumption as yet, but in "Lovely and Amazing" she displays remarkable ability in dealing with the pain people (mostly female) experience in grappling with the issue of self esteem. Throughout the movie and without any lapse, she reveals the comic side of human frailty. We laugh at the characters with compassion rather than derision. It's a feat of great skill and much promise.
Holofcener clearly works well with actors, Brenda Blethyn, Catherine Keener, Dermot Mulroney, Emily Mortimer and Jake Gyllenhaal, all are spot on with their characters. She also elicits a lovely underplayed performance from inexperienced child actor Raven Goodwin.
Holofcener has produced a genuinely lovely film; one that portends amazing things yet to come.
The thing that makes this movie so - I have to say it - lovely & amazing is what it doesn't do: it doesn't attempt in any shape or form to be commercial, it doesn't compromise its integrity or the integrity of its characters in any way, and it doesn't try to be cute or clever or witty or deep. It simply invites us into the characters' lives and lets us share them for a couple of hours. No judgment, no big overblown speeches, no hystrionics. No car crashes, no dead bodies, no funerals. No artifice, no heavy-handedness, no contrivances.
Nicole Holofcener achieved the same effect in Walking & Talking, which had the same 'effortless' feel to it, and the always-wonderful Catherine Keener is in both, as well. The cast also includes Brenda Blethyn, Emily Mortimer and Jake Gyllenhaal (Donnie Darko himself!) and everyone is superb, creating beautifully nuanced and subtle characterizations that ring entirely true.
I trust Holofcener (even though I can't pronounce her name yet) - she doesn't seem like she's going to sell out and make anything remotely commercial anytime in the future, her vision is far too pure for that, which makes her lovely & amazing in my book.
Nicole Holofcener achieved the same effect in Walking & Talking, which had the same 'effortless' feel to it, and the always-wonderful Catherine Keener is in both, as well. The cast also includes Brenda Blethyn, Emily Mortimer and Jake Gyllenhaal (Donnie Darko himself!) and everyone is superb, creating beautifully nuanced and subtle characterizations that ring entirely true.
I trust Holofcener (even though I can't pronounce her name yet) - she doesn't seem like she's going to sell out and make anything remotely commercial anytime in the future, her vision is far too pure for that, which makes her lovely & amazing in my book.
This film is about the daily struggles for happiness of a mother and her 3 daughters.
The story is captivating from the start. The mother, played by Brenda Blethlyn, is insecure and wanted a liposuction. The eldest daughter, played by Catherine Keener, has a painfully distant husband. The middle daughter, played by Emily Mortimer, is a struggling actress with high levels of insecurity. The youngest daughter is an adopted daughter of African heritage, and she is spoilt to bits.
The dysfunction between the family is portrayed very well, due to excellent character developments. I get to understand every character's thoughts and feelings. Catherine Keener and Emily Mortimer act well, and brings the characters to life. There are few films that can make the characters so vivid and alive.
The story is captivating from the start. The mother, played by Brenda Blethlyn, is insecure and wanted a liposuction. The eldest daughter, played by Catherine Keener, has a painfully distant husband. The middle daughter, played by Emily Mortimer, is a struggling actress with high levels of insecurity. The youngest daughter is an adopted daughter of African heritage, and she is spoilt to bits.
The dysfunction between the family is portrayed very well, due to excellent character developments. I get to understand every character's thoughts and feelings. Catherine Keener and Emily Mortimer act well, and brings the characters to life. There are few films that can make the characters so vivid and alive.
Wusstest du schon
- WissenswertesEmily Mortimer said being totally nude in this film helped her overcome her chronic feelings of embarrassment. She said the scene forever transformed her. "A lot of actors, and especially people who went to drama school, always talked about 'being in the moment'," she explains, "and I was always like, 'Oh my god, I don't think I've ever been in the moment! What does that mean? I've never been to drama school, I'm a fraud!' And then (writer/director Nicole Holofcenter) wrote this scene, and I was madly in the moment. There was never less of a gap between me and the character I was playing. I was as vulnerable, as brave, as stupid, as naked, as everything. It was an incredible feeling and I felt like, 'Oh, this is proper, and I'd like to keep doing this.'"
- PatzerWhen Michelle first sees Annie in McDonald's, she does not have a drink on her tray. When she walks closer to Annie she has a drink on her tray .
- Zitate
[Cindy gives Elizabeth an aromatherapy candle as a gift]
Elizabeth Marks: This is so sweet of you.
Cindy, Elizabeth's Agent: Nah, I'm re-gifting. It has self-esteem and tranquility.
Elizabeth Marks: I'm so happy for it.
- VerbindungenFeatured in The 2003 IFP Independent Spirit Awards (2003)
- SoundtracksI Must Be Crazy
(2000)
Written by Susan Hyatt (as Susan Heyat)
Performed by Pillbox
Courtesy of Music For The Masses
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Untitled Nicole Holofcener
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 250.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 4.222.923 $
- Eröffnungswochenende in den USA und in Kanada
- 91.910 $
- 30. Juni 2002
- Weltweiter Bruttoertrag
- 4.677.852 $
- Laufzeit1 Stunde 31 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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