In South Central LA steht ein fehlgeleiteter 20-jähriger Afroamerikaner, ein "kleiner Junge", vor den Verpflichtungen des wirklichen Lebens.In South Central LA steht ein fehlgeleiteter 20-jähriger Afroamerikaner, ein "kleiner Junge", vor den Verpflichtungen des wirklichen Lebens.In South Central LA steht ein fehlgeleiteter 20-jähriger Afroamerikaner, ein "kleiner Junge", vor den Verpflichtungen des wirklichen Lebens.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 14 Nominierungen insgesamt
- Woman Inside
- (as Alex Wright)
- Peanut
- (as Tamara LaSeon Bass)
- Ms. Herron
- (as Candy Brown Houston)
- Do Dirty
- (as Kareem Grimes)
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As previously referenced, this movie is written and directed by John Singleton (Boyz N the Hood) and stars Tyrese Gibson (Transformers), Taraji P. Henson (Hustle & Flow), Ving Rhames (Pulp Fiction), Omar Gooding (Ghost Dad), Mo'Nique (Precious), A. J. Johnson (House Party), Snoop Dogg (Training Day) and Tamara Bass (Boston Public).
This movie is so well cast and written and contains a nice blend of comedy, drama and self-discovery. A. J. Johnson and Taraji P. Henson are absolutely gorgeous in this picture. There's some good shower and sex scenes in this picture. Ving Rhames steals the show though as his performance is hilarious, strong and impactful. Every scene he is in is tremendous. The breakfast scene, mom sex sounds through the wall and clothes selling sequences always crack me up. The acting is also very good, Henson's "he don't love me anymore" scene is tremendous. The ending with the character evolutions and new perspectives is also perfectly written. The one aspect of the movie that frustrated me was Tyrese's acting, which was inconsistent. His dreams and the shooting sequence were poorly done.
Overall, this is a very worthwhile film that isn't Singleton's best work but is definitely worth a viewing. I would score this a 7-7.5/10 and strongly recommend it.
With age and life experiences comes understanding as well as an appreciation of things.
John Singleton had a way of capturing the heart, creativity, culture, love and struggle of black people that still resonates today. You can see how his movies set the stage for other classics such as Jason's Lyric, The Wood, Friday and many others.
In fact, I could relate to the issues of this film's men AND women. So, this script was universal in that way, too. Anyway, here's all what I really wanted to say about this film: All these emotional issues were brought to life by EXCELLENT performances. (I say Ving Rhames is one of our best actors working in America today. He is consistently excellent; I never see him "acting," I always only see him "being" his character. And his performance here in "Baby Boy" was Oscar-worthy, if you ask me).
I had no idea, until the ending credits, that "Baby Boy" was written and directed by John Singleton. Honestly, while watching it (on cable) I was convinced that it must have been written by a woman, because it so perfectly expressed such poignant emotional moments. Of course, the actors - and Singleton as director - can also share credit for those moments. Also while watching, I had the thought that "this is well-directed; who did this?" I guess my point here is [and this comment may annoy some Users here] that "Baby Boy" offers proof of Singleton's talents as one of those very good filmmakers who actually DESERVES the accolades critics and "industry" people give him. [Although, I never saw "Higher Learning," which Users here say stunk.] Anyway, not the BEST film ever, but a solid 3 out of 4 stars. [Okay, one more word about the acting in this flick: I'm an actor myself, and many of the performances here made me LOVE acting... there were nice meaty scenes and speeches here, and always so well done that it made me proud to be an actor. (Especially one monologue by Mr Rhames -- phenomenal, Sir!). Bravo to all this cast.] Perhaps the best overall thing I can say about "Baby Boy" is that it left me wanting to see it again.
Wusstest du schon
- WissenswertesJody listens to the song "Hail Mary" by Tupac Shakur and has a mural of him in his room. Tupac Shakur was originally supposed to play the role of Jody, but was fatally shot in a drive-by shooting in 1996.
- PatzerWhen Yvette is walking back to her friend's car while holding her son and an umbrella, as she gets in the car, the umbrella is never retracted or put in the vehicle. It just vanishes.
- Zitate
Sweet Pea: Dear Lord, Please forgive us for all the sins we have brought upon us. And look down upon us with forgiveness for the the sins we will have in the future. I know you understand that niggas ain't perfect, but we try lord. We try to keep our heads up in bad times. This is a bad time, show us the way. And if you can't show us the way, then forgive us for being lost.
- Crazy CreditsFrom L.A. South Central Cinema, dealing a new hand. The new deal has struck again.
- Alternative VersionenDVD features deleted scenes from the movie, plus bloopers and outtakes:
- Love In The Afternoon: Jody and Peanut have sex.
- A scene where Jody and Sweetpea slap box.
- Jody and Yvette watch a lion documentary then he puts her to bed.
- Jody and Yvette have a picinc in the park, he takes Jo-Jo to swing and checks out ladies
- Juanita and Jody talk about the mantra
- Back Then-Juanita and Melvin have a talk that leads to sex.
- The Card Game: Melvin and his boys paly cards
- Phone Calls: Yvette talks on the phone with Sharika and Rodney.
- Don't Go There: Jody sells clothes to women and Yvette tells him no sex with coworkers.
- That's What I Know: Juanita and Jody talk about Ray-Ray
- The Break In: SweetPea and Do-Dirty break into a couples house.
- Adam's Rib: Jody beats up Peanuts new man,Jody and Peanut break up the cops arrive and Melvin talks to Jody about Adam's rib.
- Cold Bumper: Sweetpea and Jody talk to Kim.
- Say Dip: Jody and Jo Jo play with a toy car and Tonio arrives in a real car.
- SoundtracksSummer Madness
Written by Robert 'Kool' Bell (as Robert Bell), Ronald Bell, George 'Funky' Brown (as George Brown),
Robert 'Spike' Mickens (as Robert Mickens), Claydes Smith, Alton Taylor,
, Dennis D.T. Thomas (as Dennis Thomas) and Ricky Westfield
Performed by Kool & The Gang
Courtesy of The Island Def Jam Music Group
Under license from Universal Music Enterprises
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- El rey de la calle
- Drehorte
- 4509 11th Avenue, Leimert Park, Los Angeles, Kalifornien, USA(Sweatpea's pad)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 16.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 28.734.552 $
- Eröffnungswochenende in den USA und in Kanada
- 8.606.403 $
- 1. Juli 2001
- Weltweiter Bruttoertrag
- 29.381.649 $
- Laufzeit2 Stunden 10 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1