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Seom - Die Insel

Originaltitel: Seom
  • 2000
  • 16
  • 1 Std. 30 Min.
IMDb-BEWERTUNG
6,9/10
15.327
IHRE BEWERTUNG
Seom - Die Insel (2000)
Working at a fishing resort in an idyllic location, but surrounded by various facets of human unpleasantness, a young mute woman falls in love with a man on the run from the law for committing murder.
trailer wiedergeben1:59
1 Video
57 Fotos
DramaThriller

Eine Betreuerin wird zur Mutter einer abgelegenen Insel.Eine Betreuerin wird zur Mutter einer abgelegenen Insel.Eine Betreuerin wird zur Mutter einer abgelegenen Insel.

  • Regie
    • Kim Ki-duk
  • Drehbuch
    • Kim Ki-duk
  • Hauptbesetzung
    • Jung Suh
    • Kim Yu-seok
    • Cho Jae-hyun
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,9/10
    15.327
    IHRE BEWERTUNG
    • Regie
      • Kim Ki-duk
    • Drehbuch
      • Kim Ki-duk
    • Hauptbesetzung
      • Jung Suh
      • Kim Yu-seok
      • Cho Jae-hyun
    • 72Benutzerrezensionen
    • 84Kritische Rezensionen
    • 61Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 6 Gewinne & 7 Nominierungen insgesamt

    Videos1

    Trailer
    Trailer 1:59
    Trailer

    Fotos57

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    Topbesetzung12

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    Jung Suh
    Jung Suh
    • Hee-Jin
    Kim Yu-seok
    Kim Yu-seok
    • Hyun-Shik
    • (as Yoosuk Kim)
    Cho Jae-hyun
    Cho Jae-hyun
    • Mang-chee
    Jang Hang-seon
    • Middle-aged man
    • (as Hang-Seon Jang)
    Son Min-seok
    • Dal-Soo
    Ji-Seon Han
    • Jeong-Ah
    Jeong-sik Kang
    • 40-Year-Old Fisherman
    Hye-kyeong Choi
    • Young lady 1
    Seon-hwa Jeon
    • Young lady 2
    Won Seo
    Song Seung-heon
    Song Seung-heon
    Kim Yeo-jin
    Kim Yeo-jin
    • Regie
      • Kim Ki-duk
    • Drehbuch
      • Kim Ki-duk
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen72

    6,915.3K
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    CinemaClown

    A Deliriously Dark Love Story Between Two Broken Souls

    Introducing the world to the wickedly disturbing yet thoughtful style of one of South Korea's most prolific & controversial filmmakers, The Isle is a deliriously dark story of love, obsession & salvation that follows two broken souls who find comfort in each other's company but is notorious for its grisly & graphic imagery of stomach-churning gore.

    Written & directed by Kim Ki-duk (3-Iron, Pieta & Moebius), the film takes its time to set things up but an aura of mystery & hint of past trauma does loom over its main characters from the very beginning. Kim allows their relationship to develop at its natural pace and holds nothing back when portraying their emotional vulnerability or darker sides.

    The serene & soothing ambience is aptly illustrated by the quiet camerawork but a lot of gruesome moments unfold in this calm setting. There are some scenes involving fish hooks that are extremely distressing to watch while the animal cruelty on display is bound to upset most viewers. As for the performances, Suh Jung steals the show without uttering a word.

    Overall, The Isle is more inclined towards art-house audience than casual filmgoers and is destined to garner a divisive reaction. While some might call it a misunderstood gem, others will feel violated by it. Definitely not a film for all, it is as beautiful to look at as it is vile on several occasions but the human drama that unravels at its centre remains mostly compelling. Enter at your own risk.
    9HumanoidOfFlesh

    Deeply moving and emotional film.

    Ki-duk Kim's "Seom"/"The Isle" has to be one of the most beautiful movies I have ever seen.The cinematography,the silence and the themes under the surface are incredible.The film explores human relationships and the pain of being in love,and being loved.Both characters(Hyun-shik and Hin-jin)are lost human beings searching for love.They crave love,yet shun it when it comes to them,as they are deeply aware of the destructive qualities it brings out in them.Suh-Shik Hwang's cinematography is absolutely beautiful and captures many impressive visuals.Still there are some horrific images that will shock casual viewer,so the viewer should be prepared.9 out of 10.
    plsletitrain

    I literally said "WTH did I just watch?"

    The film gives you that heavy, unexplainable, load after watching. There's not much child-friendly scenes going on, and that's what made me love this. There's cruelty and profanity everywhere, with the injection of, on its face, irrelevant scenes which were either intentionally placed to stir our brains, or were unintentionally left by a director who lacked ideas. I have to believe its the former.

    The Isle actually made me laugh, because the scenes were just so explicit, overt and straightforward that I can't help but be amazed at Kim's confidence. I honestly can't believe he had the guts to do all those stuff. He takes the risk to employ moral and social taboos in his films and that's what I like about him. He doesn't hold back just to please everyone.

    The story isn't messy, too. There's room for interpretations but the movie still gave away its own essence. Actually, if you were to summarize the story, you can do it in a sentence or two. What made the movie complex is Kim's approach. I think he failed on his approach in 3-iron but he was successful this time. Perhaps because he coursed through the more understandable route--hit what you wan't to say in your movie without lingering, but do it painfully straight to scar the viewer--that's what he did! I think any social and moral controversy you can think of can be found in this movie..rape, prostitution, poverty, animal cruelty, torture, lust, murder, name it. It's all here.

    I can totally understand how some scenes probably scared and scarred a lot of viewers. And I can totally understand how some might view him as a provocateur. I, on the other hand, believe otherwise. The movie might not be accommodating to those who have weak stomachs, but there lies the beauty of this film.

    The Isle won't bore you, because its either the explicit sex scenes will hold your attention, or the previous metal-eating, vomit-inducing, scene still consumes your thoughts. This for me, is a timeless masterpiece.
    9InzyWimzy

    So many levels

    Now this is a great example of horror. Not your slasher, undead walking, predictable spoon fed story. Instead, the Isle's simple setting proves that looks can be deceiving as calm waters and clear blue skies belie the murky depths and secrets hidden within.

    I never realized the symbolism in this movie: fishing, bait, the simple action of simply tossing back an unwanted catch back in the water. Scenes most striking and prominent contained little or even no dialogue. The soundtrack is subtle, yet highly effective in establishing mood. Then again, anyone who has gone fishing can appreciate the tranquil, and peaceful state which can be very rewarding. How about human relationships? How about the bad times or deep hurts so traumatizing which cannot be shared with anyone. Do we walk burdened carrying deep pains like say a wounded scaled fish? Although it may be wounded, it still goes on swimming in its daily routine. Our two main characters throughout the film really catch you offguard. Let's just say "misery loves company". This horror is more psychological and more tangible than what you would usually see on screen.

    I was impressed by Jung Suh who really displays the strength of Hee-Jin, and at the same time shows a frail, tragic side. Her routine actions like steering the boat, tending to the renters' are done so convincingly that you feel like you're at the lake watching true events unfold. Credit also Ki-Duk Kim for directing this without making it into a sappy love story and not going overboard or too artsy. Be warned: the Isle is laced with dark humor and will have you thinking about it after it is done. I really appreciate films that are able to do that.
    7Smallclone100

    Beautiful but gruesome

    Wow, where to start with this. Ki Duk Kim has always been a divisive director, with his films showing slow burning, very natural, almost spiritual human traits. This though is like a magnified version of a Ki Duk Kim film. It's low budget, set in a single location, stunningly beautiful, very gruesome in parts, explicit and controversial. It centres around a lonely woman (Hee Jin) who delivers bait to tourist fisherman. What we see unfold is a symbolism heavy ride into a twisted / tumultuous relationship between Hee Jin and a visitor. It's full of breathtaking cinematography, sparse dialogue and one of the most stomach churning suicide attempts I've ever seen on screen. As usual with Ki Duk Kim, water as a symbol is featured heavily, and so are animals and nature. Quite why certain little creatures are sacrificed on screen I'm not sure though. A warning to anyone who is easily offended by animal cruelty - don't watch this movie.

    What does it all mean in the end? I'm torn between it being an entire metaphor for how difficult relationships can be / an exploration into gender roles or a simple descent into madness tale. Maybe all 3. It is a heck of an experience though. Think of a Pedro Almodóvar movie mixed with a bit of Takashi Miike, maybe with a bit of Haneke in there too, and you may get the picture.

    It's beautiful yet gruesome. I have to take a mark off for the animal cruelty, as it is bordering on unacceptable levels at times, but it still gets a 7.5/10

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    • Wissenswertes
      This fell foul of the British Board of Film Classification who demanded cuts, not because of the scene where a metal object is inserted into a vagina but of cruelty to fish, which director Kim Ki-duk admitted was genuine.
    • Alternative Versionen
      The cut UK print was submitted to the Irish censor who cited the violence as causing concern - he gave the distributor (Tartan Films) two options:
      • Resubmit the same version (presumably for an appeal/reconsideration)
      • Submit an altered version to secure a certificate
      They went with the latter, despite the changes not being required under law - this censored version was certified 18 on September 29, 2004. The cuts totaled 3m 15s on top of the UK's 1m 50s to animal cruelty - the running time of the Irish print is 84m 53s compared to the UK's 88m 8s. No details for the cuts or justification for the decision were made available. An article in the Irish Times issue dated October 1, 2004 explains it in further detail: "The Isle was due to open at UGC Cinemas in Dublin on September 10th as part of the touring Asia Extreme season organised by the London-based distributors, Tartan Films. On that date, showings of the South Korean film were listed in all the daily UGC advertisements, and a display ad for the film was run in The Ticket, as was Donald Clarke's review. But the film never opened and has yet to receive a public screening in Ireland. The Isle was submitted to the censor's office on September 8th, just two days before it was due to be released - very late notice at an exceptionally busy period for new releases. John Kelleher, the film censor, made time to view it the next day, but found that some elements of the film required serious consideration. "We contacted Tartan and drew attention to scenes of sexual violence and explicit self-mutilation that were causing us concern," he says. "It was entirely up to Tartan Films if they wanted to resubmit the same version of the film, or a different version." Tartan subsequently submitted an altered version of the film, which was viewed by Kelleher on Wednesday morning and passed with an 18 certificate. The film had already been cut by 110 seconds by the British Board of Film Classification because of a scene of animal cruelty. In his three-star review, Donald Clarke noted "the notorious scene in which the female lead, part avenging angel, part lady of the lake, inserts fishhooks into her vagina and then, as if that were not uncomfortable enough, hauls them out again". He also noted that in the film's "envelope-pushing shock therapy, the hero does something similar to his esophagus." The Isle will probably open at the end of the Asia Extreme season, on November 5th."
    • Verbindungen
      Referenced in Frühling, Sommer, Herbst, Winter... und Frühling (2003)

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    FAQ19

    • How long is The Isle?Powered by Alexa

    Details

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    • Erscheinungsdatum
      • 17. Januar 2002 (Deutschland)
    • Herkunftsland
      • Südkorea
    • Sprache
      • Koreanisch
    • Auch bekannt als
      • The Isle
    • Drehorte
      • Südkorea
    • Produktionsfirmen
      • Myung Films
      • Nova Media
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 1.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 20.666 $
    • Eröffnungswochenende in den USA und in Kanada
      • 4.546 $
      • 25. Aug. 2002
    • Weltweiter Bruttoertrag
      • 24.963 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 30 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
    • Seitenverhältnis
      • 1.85 : 1

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