Coupling - Wer mit wem?

Steve Moffat has created a rare thing. A rude sitcom which is actually funny. Most people will say that Richard Coyle steals the show with his fantastical character Geoff, but I personally believe that most of the credit should go to Ben Miles for his interpretation of the character Patrick. When Miles produces just one funny line he steals the show, and the other actors and actresses aren't bad either. Each person who has seen it has their favourite character whether it be statistical Sally, mad Jane, sensible Susan or paranoid Steve. It is virtually impossible not to like this show. I love this show, and I recommend that you should see it today for you will fall in love with it too.

A British show about six people ultimately connected by "coupling" (relationships) more than just friendship ... thus this is not really a "British Friends," but is a sort of "British Seinfeld." It is sharper than "Friends" and the characters are more complex than "Seinfeld" (which has one "straight" guy and three knuckleheads), a good combination. The "Seinfeld" influence is specifically shown by the Jeff character, who outrageously explains different relationship concepts in a Seinfeld-like way, a sort of invented language.

On the other hand, the characters are all more mature ... having real jobs, unlike say Kramer or the ne'er'do'well George. The show at times has mature humor, but it earns it by being a mature show ... these are not the twentysomethings (now in their mid-thirties and much more boring) of "Friends" or the largely childish "Seinfeld" gang, these are mature adults with serious concerns, even if they are portrayed in often amusing ways. And they don't submit to the lowest common denominater or do things quite in the meanspirited way at times seen in "Seinfeld." And the fact there are six interrelated individuals makes things more complicated ... but still, the "friend" aspects of it all aren't really emphasized as much.

The show also is often hilarious, much so than the often mildly amusing (and less so in recent years, but then again, there are so fewer episodes of this show) "Friends." A particular find is Jane ... the egotistical sexual focused nut ... her very voice is funny. Susan is the beauty that is levelheaded, but she is played by a gifted comic actress as well. The other roles are also well played.

I don't know if the US version will know how to translate all of these positives to our shores, but I hope so. We need more comic gems like this in the wasteland that is American sitcoms.

-j

Many people have drawn comparisons between "Coupling" and "Friends". I'll admit there are similarities. Six friends in the city living out their lives. But what Moffat has created is a comedy with multiple levels, superb plots and fantastic comedy. The performances from the six main actors are superb. Mention must be made of Richard Mylan (Oliver Morris Series 4 -)who had the difficult job of stepping into the shoes of Richard Coyle (Jeff Series 1-3), while Jeff is holidaying in Lesbos (cue many Lesbian jokes). Mylan does this successfully and , with the help of Moffat, has created a Jeff-like character but a character who is distinctly not Jeff. The Programme is quite simply the best sitcom on British TV.

I came across "Coupling" quite by accident one evening on BBC America. I have always been a fan of most Britcoms, and watched the remainder of the episode that was being aired, and then the next episode that followed immediately thereafter.

I discovered something very interesting. Somehow this show could present just about anything and not only get away with it, but made it extremely funny at the same time. Subjects that would come across as crude, rude, and in poor taste in American sitcoms are presented here with surprisingly funny results. The cast's ensemble is just about perfect, and all are very likable in their own quirky way.

It's been a very long time since I have laughed so hard watching a television show. I believe the last time was watching "The Vicar of Dibley" -- surprise! -- another Britcom.

I'm an American who just saw Season 1 of "Coupling" on DVD for the first time. Based on those first six episodes, I think the BBC's "Coupling" -- along with a new US series over here called "Arrested Development" -- is possibly the sharpest, funniest, and best-written situation comedy since the golden days of Norman Lear and MJM Productions.

The cast chemistry is amazing. The archetypes are extremely identifiable, even over here, which is why the series translates so well. In comedies the subject of sex is often treated adolescently, and it's true that the characters in "Coupling" have some childish, "American Pie" reactions to sexual politics, but they're still, clearly, adults. As with "American Pie," there's a big heart behind the hormones and phermones. But the gags in "Coupling" are brilliantly written and executed. The writers don't take the easy way out; the bawdiness of their humor is cut with intelligence and a really, REALLY great sense of left-field punch lines. Maybe naysayers have to wander through the bereft nature of many American sitcoms to understand why "Coupling" is so appreciated by a cult American audience, but it's the real deal.

Episode 4 of Season 1, called "Inferno," contains an extended monologue in which an embarrassed male character attempts to outline the plot of a lesbian porn film. He is forced to defend his affection for the stuff by being asked to give a cogent plot summary. He's squirming under this challenge -- he's got to defend his proclivities, maintain a balance between self-defense and self-effacement, and STILL intellectualize the plot of the film enough to prove he's smart enough to rise above it. This whole sequence is, possibly, the best-written and funniest 5-minute quasi-monologue ever to be televised.

"Coupling" takes a traditionally pubescent subject matter, the puerile male fascination with sex, opposes it with the progress of rational thought, and is extremely funny in the process. Lots of US sitcoms (and some UK ones) are lucky if they get one horse laugh from the viewer every three minutes. "Coupling's" ratio is more like one horselaugh every thirty seconds. It's that good.

(I never saw the NBC version of this show, incidentally, and have no interest -- apparently it sucked. I can understand why someone would want to use the BBC version as source material, though.)