Füge eine Handlung in deiner Sprache hinzuPig and Runt - born on the same day, in the same hospital, moments apart. Twins, all but by blood.Pig and Runt - born on the same day, in the same hospital, moments apart. Twins, all but by blood.Pig and Runt - born on the same day, in the same hospital, moments apart. Twins, all but by blood.
- Auszeichnungen
- 6 Gewinne & 7 Nominierungen insgesamt
- 5 Year Old Pig
- (as Charles Bark-Frisby)
- Runt's Dad
- (as Brian O'Byrne)
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The facile answers that one user suggest this film offers to the question of "what is love?" don't really deserve aknowledgement. But lets do so anyway.
It would be hard to find a more poignant and complex depiction of the strive for 'pure' love in the face of an ever intruding reality. Pig's love for Runt is the one thing that is whole and real in his life. Yet life, and the fact of their growing up, is slowly taking her away from him. Without her, he himself has no real existence. Therefore his love takes on a growing desperation as he feels her slip away from him.
A commenter questions why runt never "takes to" Pig. Why she is attracted to the bartender.
The point of the film is that she can live in and relate to an outer world beyond her relationship with Pig, while Pig cannot. This world is represented by the barman she dances with, by the roomate she slowly begins to open up to. It is this ability that enables her to survive whilst Pig is spiralling into an ever more violent self-destruction. She loves Pig but realises that the insulated world thay have cocooned themselves within must fall apart. She ultimately saves him from a world that he cannot live in and that she knows he must.
The real triumph of this film is how it completely trancends its stage bound roots. The action is opened out and incorporates a range of characters which, if never fully rounded, likewise are never mere cliches. There is in fact only one speech lifted directly from the play, where Pig expresses his growing frustration as sexuality begins to enter their relationship. The ending soliloquay which one commenter feels betrayed the stage origins was in fact completely new to the film, and indeed the ending itself is completely rewritten.
The direction of this film is lively and interesting. Veering between the hyper-kinetic disco scenes and the peaceful fairy tale world of Pig and Runt's fantasies without jarring. It manages to take Pig on a road trip without ever losing pace and leaves us with a truly heartwrenching scene of sacrifice and beauty.
This is the future of Irish cinema; fresh, exciting directors and a depiction of Ireland that manages to be both free from stereotypical depictions of Irishness whilst maintaining a distinct storytelling style. Go see it.
HOW WRONG I WAS.
I still had questions and popped it back in the next day and I can honestly say that this is the most romantic and touching film I have seen. Ever.
Yes its horrible, ugly, violent, brutal and painful to watch at many points but here is why it hit me like wrecking ball.
The story sets the two leads as friends of the highest caliber, being so close that a sort of hazy psychic bond has formed (although I like to think they don't really seem to notice/care, it just is). They in actuality are two halves of the same person, Pig being the voice, strength, and ego of the person. Runt is the other half consisting of the thought, rational and id. When they become separated, the calmer thinker deals better with others than the brash speaker. I feel that these points are clearly brought forth in the liquor store scenes where Runt literally calls him off the poor clerk, yet until Pig went too far, she was smiling at and enjoying the brutal scene. When something this unifying clashes with puberty, sexuality, society, coming-of-age, and separation they act out only as a person can. Neither of them are acting crazy or differently. This is all they know.
Other comments are very wrong when they say that Runt has feelings for the bartender or her roommate. Her feelings of love and devotion to Pig are always there, NEVER wavering for a moment. But shes learned to cope with the world should it become an issue to them, where as Pig has not.
Were I to be in the same relationship with someone that was that deep, that intense, I know that I would not hesitate to do anything Pig did. I dont believe in violence in any way shape or form either, I just know that what they have isn't temporary of fleeting. Hes not fighting to hurt people, he is literally fighting for his life. This depth of this notion of love is shockingly brilliant and really impressed me.
The end is the only sort of ending that could happen. Their love has become something so passionate and uncontrollable that it cant work in our world. No one would understand.
Great performances by some of Irelands great new talents.
This films an interesting watch, as it seems to create a new genre: Romantic Thriller.
7.5/10
Wusstest du schon
- WissenswertesThe second song played during the credits called "So New" was written and performed by Cillian Murphy, who played Pig.
- PatzerDuring the flashback to Sinéad being spanked by her father Ger Canning can be heard commentating on a hurling game between Cork and Kilkenny, mentioning the names of DJ Carey, Henry Shefflin, Charlie Carter and Diarmuid O' Sullivan, who would only played with and against each other in 1999 at the earliest. The flashback was obviously intended to have been set long before then.
- Zitate
[first lines]
Runt: Once upon a time, before there was any blue, I'd take a long long nap in a brand new home. This place, it's like I make up my mind to stay in this lovely warm pink room. The thumpity thump of the heart. My only true path. I tell the noisy world outside to fuck off with all your play-actin', for Runt. She go no where, for no one. That was a time when silence was some sort of friend.
Runt: But then my mom would heave and wake all inside. And Runt, she wakes up, cause a baby can't stay still forever. A baby must be born. So hold on mom, for the little baby, she's comin' out. Push the baby! Push the head! Oh the fuckin' pain. Man cry like a baby himself. Push now! Push ya fat mommy. And I arrive into this world of mine. The light so bright, it wakes me awake with a little baby's scream.
Gerry: She's a little beaut'. A diamond darling.
Runt: And I remember seeing my old dad. So full of the happy, he was. Then nursey hand me to my mum. And she's so tired, yeah? Opened up to spit me out into this funny old world. I smile at her, cause that's what babies do. And for the one and only time, we three are a family.
- VerbindungenFeatures Auf dem pfiffigen Planeten: Flying (1969)
- SoundtracksSlip Into Something More Comfortable
Written by Julius Waters, Mark Blackburn, Frederick & Karger and Robert Wells
Performed by Kinobe
Courtesy of Zomba Records Ltd.
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- Erscheinungsdatum
- Herkunftsland
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- Auch bekannt als
- 妄亂青春
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- Laufzeit1 Stunde 33 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1