Heimweg

The Road Home is a movie about a very standard and simple love on the first site story. The beauty is in the great acting and the spirit that comes out of the actors.

I liked a lot to watch how people in such villages live and how they dress and the movie gave attention to many daily events of those people.

Again, the acting is gorgeous, but the values that the movie is showing is great also and the strong bounds in the family is there in the movie and you can see how much the love and respect of a sun would make him do to meet his mothers wishes and how grateful student can be to a teacher gave his life to them.

Another point that I liked in the movie is how the director use color. In the current events, you will see black and white scenes and when flashbacks start the colors will come a life. The old days are better and there was the real life for the characters of this movie not the current days, except for the day the sun took his father's place in the school and start teaching the students of the village.

Great movie that I would love to watch again and again.

I have always been a big fan of Zhang Zimou, the director of this film. I have seen several of his films..To Live, Raise the Red Lantern and most recently Hero. The Road Home is a sensitive and beautiful film centering on the story of the courtship between between a young country girl and a teacher..The story is simple yet poignant and the actors are wonderful! The scenery is breathtaking and Zhang tells the story in a hushed tone and lets it unwind to it's emotionally wrenching conclusion..I highly recommend this movie for the culture, the story and the wonderfully understated acting..such a refreshing change of pace from the "in your face" mainstream films of today...

How often do we wonder, or take the time to reflect upon, how it is that we came to be where we are? How much do we know of what went before us; or more specifically, of the past that directly affected who and what we are today. Moreover, is it important, or anything we need to know or should? How significant, really, is our past in relation to the present? According to director Yimou Zhang, these questions are not only valid but of paramount importance, which he aptly illustrates in his lyrically beautiful film, `The Road Home,' written for the screen by Shi Bao, adapted from his own novel, `Remembrance.' Without question, at the heart of the film is a monumental yet simple story of true love in the purest sense, and of the devotion which renders that love eternal. But the film transcends even that, and within the greater context indicates the impact of the past upon the present, which is summed up in a single line from the film: `Know the past, know the present.' And know, too, that the love portrayed in this story is the kind of love that is abiding, and that which sustains all that makes life worth living. It's a veritable journey of the soul; one that will touch you deeply and linger in your memory long after the screen has gone dark.

Upon receiving the news that his father has died, Luo Yusheng (Honglei Sun) leaves the city to return to his home, a small village in the mountains, to bury his father and comfort his bereaved mother, Zhao Di (Yulian Zhao). When he arrives, however, he discovers that his mother will not be consoled until her wish concerning the burial of her husband, Luo Changyu (Hao Zheng) is fulfilled. In keeping with a long standing tradition and superstition, Di insists that his coffin be carried by hand by the men of the village along the road connecting the village and the city, insuring by so doing that in death Changyu will always be able to remember his way home.

Yusheng quickly finds that realizing his mother's request will be no easy task; their village is small and all of the able-bodied men have left for the city, leaving only children and those too old for such an arduous undertaking. And it is winter, a harsh time of year in the mountains. But Di is adamant, and so Yusheng sets about the business of fulfilling her request. And as he does so, he reflects upon the story of his parents; a story well known throughout the village, for theirs was a love that was unbridled and boundless, the likes of which no one in the village had ever know before. Or since.

This film, so wonderfully crafted and delivered by director Zhang, is altogether ethereal and transporting; he tells the story in simplistic terms, and yet it is in that very simplicity that he finds the genuine honesty and truth that provides such an emotional impact and makes this love story one that rivals any the screen has ever known. Aided by the masterful cinematography of Yong Hou, Zhang achieves that same sense of transcendence that defines much of Akira Kurosawa's films, such as `Ran' and `Akira Kurosawa's Dreams,' or Ang Lee's `Crouching Tiger, Hidden Dragon.' There is not a superfluous moment in the entire film, and Zhang proves that capturing pure emotion with the camera can express more than pages of dialogue recited by an actor. And with his lens, Zhang opens up the very heart of the film and lays it bare for all to see and feel, finding more in the eyes of his characters and in their expressions than words could ever convey. It's a study of human nature that is disarming in it's candor, and quite simply a brilliant piece of filmmaking by a director with an irrefutably incisive understanding of the human condition.

Without question, though, the single aspect that makes this such an unforgettable film is the performance (in her motion picture debut) by Ziyi Zhang as the young Zhao Di. A young woman of exquisite beauty, she has a sublime screen presence that is a portrait of the angelic, and her innate ability to silently express the myriad emotions called for by her character is used to great effect by director Zhang. Ziyi's portrayal is one of youthful innocence mixed with stubborn determination, which gives her character the necessary depth to be entirely convincing, and she will win you over in a heartbeat. She is so affecting that near the end, when Di, now an old woman, is hurrying across a rickety foot bridge, the same bridge we've seen the young Di traverse many times on her way to and from the schoolhouse (which is central to the story), despite the weathered age so evident on her face, because of the lasting impression made by Ziyi, you realize that she still bears the heart of the young woman you've come to care so much about by this time, and you understand that age is superficial; that this is a shell housing the spirit and the true beauty that resides within. It's a beautiful moment to behold, and ours forever, due to the extraordinary performance and presence of the delicate Ziyi Zhang, as well as the tremendous sensitivity and care with which she is presented by director Zhang.

The supporting cast includes Bin Li (Grandmother), Guifa Chang (Old Mayor), Wencheng Sung (Mayor) and Zhongxi Zhang (Crockery Repairman). A love story told sincerely from the heart is a treasure that endures forever, like a painting by Monet or Renoir; and like those artists, director Zhang is nothing less than an impressionist behind the camera, capturing the distinctive rhythms of life and love for all time in `The Road Home,' a gentle, poetic film that will make it's way into the hearts of all who experience it. And therein remain, forevermore. 10/10.

This movie is a roller-coaster between joy and sorrow, one moment you're crying when the love of her life leaves the village, only to cry from happiness five minutes later when she finds a lost item given to her by the same man. I do not think I have ever seen such a beautiful story and screenplay. Many times during the movie I was brought to tears. Both from sadness as well as from happiness. I have just seen Ziyi Zhang in a marvelous part I will never forget. She deserves an Oscar for the part she played if you ask me,

no one has ever moved me as much as she just did, I still have tears in my eyes...

For fans of faster-paced movies, be forewarned: this is extremely slow. For others who love a beautifully-filmed movie or a touching romance story, this Chinese film will do nicely.

Zhang Ziyi, who has now become an International star thanks to Crouching Tiger, Hero, House Of Flying Daggers and Memoirs Of A Geisha, never looked prettier and more appealing than here. Maybe that's because she plays such a sweet, innocent, non-violent (no martial arts here) character: a woman smitten with a new teacher in town and one who will go any lengths (in a totally pure sense) to be noticed and attract this man, mainly in the form of incredible patience.

This is one of the prettiest movies I've seen on DVD. It helps to be a fan of Ziyi and appreciate her beauty, because there are many shots of her face as she just stares looking for her man. This character gives new meanings to the words faithful, steadfast and devotion.

The film is actually two stories: the here-and-now about an old man and woman, and a long flashback telling the love story of how they met. In the first segment, the man had just died and the woman is grieving and making funeral arrangements. They involve walking with the casket a long way home, hence the title. The middle part of the film, the romance, features Ziyi. That middle segment - the courtship - is in brilliant, almost stunning-looking color. The beginning and end of the film are both in black-and-white. The cinematography for both parts is magnificent.