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Guts of A Virgin

Originaltitel: Shojo no harawata
  • 1986
  • 1 Std. 12 Min.
IMDb-BEWERTUNG
4,2/10
1330
IHRE BEWERTUNG
Guts of A Virgin (1986)
HorrorSci-Fi

Mitglieder eines Filmteams, das einen Softcore-Porno dreht, werden in einem Lagerhaus von einem Dämon zerstückelt.Mitglieder eines Filmteams, das einen Softcore-Porno dreht, werden in einem Lagerhaus von einem Dämon zerstückelt.Mitglieder eines Filmteams, das einen Softcore-Porno dreht, werden in einem Lagerhaus von einem Dämon zerstückelt.

  • Regie
    • Kazuo 'Gaira' Komizu
  • Drehbuch
    • Kazuo 'Gaira' Komizu
  • Hauptbesetzung
    • Saeko Kizuki
    • Naomi Hagio
    • Megumi Kawashima
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    4,2/10
    1330
    IHRE BEWERTUNG
    • Regie
      • Kazuo 'Gaira' Komizu
    • Drehbuch
      • Kazuo 'Gaira' Komizu
    • Hauptbesetzung
      • Saeko Kizuki
      • Naomi Hagio
      • Megumi Kawashima
    • 31Benutzerrezensionen
    • 31Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 wins total

    Fotos16

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    Topbesetzung7

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    Saeko Kizuki
    • Rei
    Naomi Hagio
    • Kazuyo
    Megumi Kawashima
    • Kei
    Osamu Tsuruoka
    • Itomura
    Daiki Katô
    • Asaoka
    Hideki Takahashi
    • Tachikawa
    Kazuhiko Goda
    • A murderer
    • Regie
      • Kazuo 'Gaira' Komizu
    • Drehbuch
      • Kazuo 'Gaira' Komizu
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen31

    4,21.3K
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    Empfohlene Bewertungen

    1Fella_shibby

    Terrible at all levels.

    I got misled into seeing this aft reading a review praising that it is an atmospheric horror movie.

    The movie is not at all scary, there is absolutely no atmosphere, the editing n cinematography is abysmal.

    Why certain reviewers praised n called it an atmospheric horror movie is beyond me.
    6Bloodwank

    Fair but flawed lunatic sleazy trash

    Director Kazuo Komizu started out as an assistant director and sometime co-writer to the great Koji Wakamatsu, so one might hope that the genius rubbed off. On the evidence of Guts of a Virgin, it did and it didn't. There is something of a similar innate skill with sleaze, a knowledge of the power of the frame, of close ups and still, gazing shots. He knows the illicit thrill of the female objectified, the female image dismembered, though rarely erotic this is a film with some aesthetic accomplishment to its shows of tits and asses, of beautiful legs and moaning faces. The use of discreet blurs rather than full pixellation to hide prohibited details helps too, conveying a certain woozy artiness. But sadly this is about the extent of the potency passed down and it gets rather stretched. The plot is thin, three female models and three fashion photographers finish shooting for the day but get lost in fog, leading them to spend the night in an abandoned house that just so happens to be part of the prowling ground of a dirt caked monster with a big dick. Lots of sex and assorted death follow. Thin stuff, and the writing gives no weight. The males are mean and manipulative, out for nought but throwaway thrills and the women are absurdly naive, to the point of being unsympathetic. They don't relate in especially interesting ways, so little is left but mostly joyless sex and it gets a bit dull despite the stylish shooting. The performers are all decent so if not especially interesting all the time its certainly convincing, the men are really pretty slimy and the women evidence some legitimate discomfort. Also one physical feat that seemed pretty impressive to a weakling like me (I won't say what). But it does get a bit wearying Fortunately the horror side of things is quality bizarro entertainment and the pace gradually quickens throughout the film to reach a borderline intense finale (which is also blithely bonkers in a rather pleasing manner). Atmospheric use of fog and backlighting helps, and a distinctly odd feel is produced by the decision to cut from the action to jarring visual metaphors and back. The gore effects are cheap but fun and the kills reasonably inspired and best of all unpredictable, with one being an absolute gonzo marvel. All of which doesn't entirely make up for the various longueurs, but it goes a long way in trying. I guess to sum up this is a worthy pit-stop for fans of lunatic trash, especially those with a big taste for soft-core, but no classic or anything.
    Murklatoi

    For a sick movie - Too tame!

    When i sit down to watch a movie with a name such a this and a reputation to be one of the most grotesque japanese cinema has to offer i await to be repulsed. That didn´t happen. The first half of the movie was filled with softcore leening towards rape-porn, often featured in japanese films such as this. The few gore scenes where placed in the dark so you couldn´t see what was happening. There is of course the infamous highlight with chopped of hands, naked girls and lots of monster semen, but this comes too late. You are already uninterested. So, if this sounds appealing, see the movie with low expectations.
    3Quinoa1984

    a good lot like Porno Holocaust, only even *more* misogynistic and with badly dubbed (Japanese) sex scenes!

    Maybe it was the title, or the trailer (certainly not the interview on the DVD, which is with the director as he keeps saying "hi, kids" into the camera like a buffoon), but I had expectations for Entrails of a Virgin to be at least a bit of sleazy fun with some good sex scenes and brutal, bloody killings by a weird Japanese penetrator. Turns out it's way too sleazy for its own good, or bad, or whatever. There's a problem- and one can see this also in the Italian sexploitation flick Porno Holocaust, similar to this in many respects- in not having balance to the sex and violence. Too much sex and it will turn into a prototypical porno, and not even with much production quality in comparison with most professional porno movies! And with the killing scenes, there has to be at least a little tack, and maybe just a smidgen of ingenuity, in creating the creature/killer/whatever. Entrails of a Virgin has neither. It's safe to say it's a pretty soulless movie, even if isn't one of the very worst ever made- it's there just for horn-dog Japanese fetishists to get off on girls in trouble and men who have all their brains in their 'other' heads.

    In this case, we're given a photo team where the guys are taking some shots of some girls, nothing too salacious, and then by way of a dense fog they stay off at some house one night and are picked off one by one by "A Murderer" as he's credited. First off, the director Kazuo 'Gaira' Komizu decides he has to put in a quota of random sex scenes early on- we get spliced in (or phoned in, take your pick) clips of one of the photographers having sex with one or more of the girls elsewhere. It looks like it's from another movie. Then once settled into the house, there's a 'wrestling' scene that's poorly choreographed and shot (yeah, we really need to see him 'all' there), and then on to the rape and killings. First the rape, by the photographers, who promise the girls some jobs for their time. Then the Murderer, who like D'Amato's creature is simply covered in mud and given a stupid facial, and who for an unknown reason kills the men and/or rapes the women one by one.

    Now, the latter of those, taken by themselves, should be considered the highlights of the movie. This is like saying, however, that the croûtons are the best part of a wretchedly tasting salad. An eye-gouging scene, a spike thrown like an Olympic event (that scene, actually, is kind of cool), and finally the entrailing of the overly sex-crazed girl, whose inconsequential name I can't remember. Even *this* becomes disappointing just by not being correct to the title! On top of this, the sex scenes, which become tedious through 'Gaira' and his indulgence in long-takes-without-cutaways where everything by the Japanese censors is blurred anyway, are dubbed over by the actors (you'd think that they seem to be enjoying themselves enough, hence the need to let them 'speak' for themselves). But the overall feeling from Entrails of a Virgin is that of a lumpy one, where it's just there to be gawked at and without a shred of suspense or true horror (watch as the last girl left alive, the virgin of the picture, tries to stop the murderer from getting to her, which lasts five minutes as she keeps throwing sticks at him!) You just want it to be done with, for the 'I hate women' mantra to ease up or be rid altogether.
    5dbborroughs

    Sex and Violence, lots of it

    How do you review this objectively? I don't think you can. You either enjoy this sort of thing or you don't. I've given the movie a 5 not because its either good or bad, it simply is and I can't try to rate it for that reason.

    After a soft-core photo shoot the photographers and the models go to a house in the mountains where kinky sex takes with occasional interruptions by a mud-covered demon/psycho who tears the men apart and has his way with the women. Plotwise thats about it, sex followed by violence followed by sex...

    I don't know what else to say beyond that. Certainly its well made with sex scenes that are quite steamy (and kinky). I can't say that there really is a point beyond the melding of sex and horror. If its suppose to disturb it does that. If its suppose to titillate it does that too. I just don't know if you're suppose to feel both emotions at the same time.

    As I said you either enjoy this sort of thing or you don't. Whether you watch it is your own choice, just don't say you weren't warned.

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      Featured in The Cinema Snob: Entrails of a Virgin (2011)

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    Details

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    • Erscheinungsdatum
      • 31. Mai 1986 (Japan)
    • Herkunftsland
      • Japan
    • Sprache
      • Japanisch
    • Auch bekannt als
      • Shojo no harawata
    • Produktionsfirma
      • Rokugatsu Gekijô
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Technische Daten

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    • Laufzeit
      1 Stunde 12 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.85 : 1

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