Intacto

Spanish action/thriller story about desperate as well as enigmatic people intertwined by destiny are subject to the laws of luck and fate . But destiny is hard to care with the rules changing at any moment . The film contains suspenseful and hair rising images and a sinister, mysterious atmosphere . This mystery movie trips at the first hurdle with a staggeringly banal angle on fate . A weird tale of four people whose lives are mingled and they then discover that luck is something they cannot afford to be without as they gamble with the highest stakes possible in a deadly game from which only one of them will emerge intact , but not that incoherence is the main problem . It deals with four players , each the sole survivor a catastrophe , vie for supremacy in some dangerous deeds . There is Tomas (Leonardo Sbaraglia) , a stealer who survives a plane crash , Sam (Max Von Sidow) , a Holocaust survivor who lives in a casino in the desert ; Federico (Eusebio Poncela) who survived an earthquake and Sara (Monica Lopez) , a policewoman who walked away from a car crash that murdered her family and becomes obsessed with uncovering the truth behind a clandestine gambling ring where death and luck intermingle . As good fortune , we're asked to believe , not only exist , but can be transferred and robbed through physical contact , even with photographs . In the flick happens rare happenings , such as an insect lands on a treacle-smothered head , a sprint blindfold through the forest knocking themselves and many other things .

The picture displays thriller , mystery , suspense , shocks , grisly scenes and intriguing events when a motley group crosses ways until an amazing finale . Intriguing film contains thrills , chills , suspense , twists and turns , and results to be quite entertaining . The atmosphere and perverse intrigue enhance as well as the relationship among protagonist develops . From start to finish the intrigue and suspenseful scenes are continuous till a striking ending . The film plays with various concepts as Russian roulette , hooded faces , blessed survivors , casualty , luck , random and destiny . It has a couple of twists piled on top of one central twist concerning about a startling meeting and a strange quality which bears the misfit group who seems to be a supernatural deed . Attractive set pieces pass the time along with magnificent production design . Screenplay does something strange by the end : it actually removes the stakes of everything that came before with its trio of revelations that at first test and then demolish any credulity the movie had built up by that point . Nice performances from Leonardo Sbaraglia , a young thief and the sole survivor of a horrific plane crash ; Eusebio Poncela , who survived a massive earthquake and discovered he has the power to rob those around him of their good fortune with a touch and Max Von Sidow , a casino owner who is the ultimate survivor after losing everything but his own life in the terrible conflagration that enveloped Europe during the Second World War . Support cast is frankly well such as Paz Gomez , Guillermo Toledo and special mention to Antonuio Dechent .

Xavi Gimenez cinematography is excellent creating a frightening and scary atmosphere , he's expert on sombre photography (Fragile , Agora , Red lights , Nameless) . Being filmed on location in Las Cañadas del Teide, La Orotava, Tenerife, Canary Islands, Spain . The film crew could not get permission for filming from a helicopter in the National Park of "Las Cañadas del Teide", so they used a remote controlled mini-helicopter . Sensitive as well as thrilling musical score by Lucio Godoy (Blackthorn , Fin , All about my mother , Mataharis , Triage) . Director Juan Carlos Fresnadillo (Intacto , 28 Weeks Later) isn't exactly a visionary director like the film bills him as, but he is good at approaching films with style and consistent moods . The director made an editing the film was a big challenge , it was a long, complex process because of the story's complex structure. The film will appeal to suspense buffs , as it gets some decent set pieces , though sometimes chaotic thriller , however , resulting to be a good flick .

This Spanish film is a strange one, a hard one to follow story-wise, but visually striking and interesting most of the way. The fact is wasn't always easy to follow will help me want to watch this again to see if I can figure things out better.

The story involves people with th ability to steal "luck" from other people and then taking it away from fellow takers. Make sense? I didn't think so. Despite the difficulty following and understanding everything, I still enjoyed this film.

The DVD transfer is sharp, too, and has good sound. It's an intriguing film and, perhaps, I should have waited for a second viewing when I understood more things about the story. Suffice to say I thought enough of this film to buy it because I knew I'd be watching this multiple times.

For us "normal" people luck comes in streaks of good and bad, sometimes we have rotten luck, sometimes we fluke something and sometimes miracles happen. However for some people "luck" is a gift that is always with them but can be lost with the touch of another person with the same gift. When Federico is stripped of his gift by Samuel, a survivor of the concentration camps, he sets out to find another gifted as he was and use him as a way back into the series of games they play. He finds Tomas – the only survivor or a massive airplane crash that killed over 230 others. However, when Tomas flees his hospital bed he is pursued by a police officer, haunted by the loss of her husband and son, who also has the gift.

This film opens with a cool sense of atmosphere with people wearing hoods, long corridors, mysterious characters and so on, providing it with a good start but not one it builds on. That it manages to continue with a good visual style and a cool thriller atmosphere is what I will give it credit for but to me these are not enough to make this film work. The plot is very little more than a basic premise, which, although it acted as a very interesting hook, failed to serve anything in the way of substance or narrative up. The plot lacks logic and it relies on a series of reasonably good set pieces (the games) to keep the interest in the film up – I can see why Hollywood has bough the rights to remake it because it does have style and, if it gets a big name and a thriller director, the lack of substance shouldn't worry too many execs. The ending is good but by that point I wasn't feeling all that involved in the film and it had missed its chance to really get me on board.

In many ways the film reminded me of "Lucky Star", which some may remember was an advert pretending to be a trailer for a film about a man with impossible luck (played by Del Toro and directed by Michael Mann) but I thought the advert did it better. The characters are also pretty thin; I expected them to be complex and interesting considering the plot, but they were tools more than people. With this in mind, the cast actually did OK with what they have. Sbaraglia was a good presence with a good range; Poncela was coolly mysterious; Lopez was passionate and held the attention, but von Sydow just seems to be off in his own film somewhere, just filling time with the second unit director until the rest of the cast meet up with him.

Overall this has a concept that will bring many too it, but it doesn't do anything with it and it never really managed to get a good, involving story built up around it nor create characters to be held by. It is not terrible though, just hollow and unsatisfying – a few set pieces and consistently stylish direction and atmosphere all add value but this will be one time when I'm actually looking to a Hollywood remake to be an improvement.

Juan Carlos Fresnadillo is a Spanish director who dares to be different to show us this visionary tale where chance, luck, passion and possibility are behind the action of this thriller. In doing so, he gets away from the formulas of the other Spanish filmmakers working in the Spanish cinema of today. He belongs to a new bred of creators with a sharp eye for detail and cinematic style.

This film pretends to be a game of wits between Federico and Tomas, who are connected in a strange way to the mysterious inhabitant of the casino, Samuel. Much of the early action is a bit confusing because the viewer doesn't have a clue as to what's going on. The scenery where the casino is located looks as though it could be on the moon, for its bareness and lack of life.

The acting if very good. Leonardo Sbaraglia is Argentina's gift to Spain. He's an interesting actor to watch; he has a very enigmatic look about himself. Eusebio Poncela is very effective as the shadowy figure of Federico. Max Von Sydow brings his royal presence as Samuel, the master player of the game that pits him against all the others that dare come close to him.

This film exudes intelligence and a film script above the mediocrity of what passes as Spanish Cinema these days, thanks to director Fresnadillo and his team.

What is perhaps crucial about this movie is that it is shaped for a sophisticated cine-maniac,not so very keen about action and plot,rather willing to focus on the very atmosphere of the movie and the questions it puts in front of the viewer.

Whole idea of the movie is to find the real connection between love and luck,to investigate whether they are two sides of the same story. If one believes love could be a drug much more powerful than heroine , what to tell about luck - especially if one's life is all about taking advantage and satisfaction of luck possessed.

Slow,bit dream-like narration,avoiding obvious solutions,think-forcing movies and great photography makes Intacto my favorites.

To conclude I can quote Jill Scott:"gave me things to think about"