Felix

This light hearted travelogue managed to illuminate racism, HIV, aging, death, passion, commitment and fear with a gentle seductive light. It has less ideals than American films like it. Therefore, it seemed much more real, mostly. One big issue, homophobia, is treated most strangely as an anachronism. Felix makes out with his various men in public with fearless abandon, while he seems intensely aware of his Arab-ness. I can allow for the common American notion that Europeans are easier about public displays, but this aspect of the film did seem less real and more idealized. The French countryside is also portrayed in a very real way. Highways and power plants everywhere. Yet, the natural lighting and choice of shots conveyed the persisting charm of France. I was reminded of Eric Rohmer films, like "Autumn Tale". Sami Bouajila, as Felix, has camera chemistry and acts well. The supporting cast is evenly talented. I was thrilled to see Patachou, whom we haven't seen often enough here in the States. I think this film will be remembered as a very good movie with universal appeal, not a gay snapshot, like many of its American cousins.

What a wonderful, charming movie that centers around the journeys of a gay man of Arabian descent as he travels from his home in Normandy to Marseilles.

I thoroughly enjoyed this film, not only for its unbiased treatment of homosexuality, but also for the stunning scenic shots across France, which only added to the overall beauty and enjoyment of the film.

Wonderful all the way around.

This is a charming film, very believable, just the way it could happen. Felix may be HIV+, but that is not exactly the issue here (he practices very safe sex). It's just a young man's odessy to find his biological father. Don't worry, it's a five-day trip. And, he interacts with some very interesting people. Very French. Very European in its conceit. I am 59 and if I were twenty-something again, I might try, like Felix, to find my biological father in much the same way. I would hope I could meet a "grand-mere" as delightful as Felix did. Felix is HIV+, but that is not the issue here -- it's more about a gay youngman's five-day odyssey. In the end, well, you will have enjoyed it all, but perhaps you won't know exactly why.

This movie was just what I needed. I found myself enjoying the adventures (and company) of Felix, anticipating the next extended family member he would meet. I was also touched by the music of the film. It's a shame that there wasn't a soundtrack produced. I did manage to track down a few of the artists and song titles for anyone who might have loved the songs also.

The music from the opening and closing credits were sung by Blossom Dearie. They are entitled "Tout Doucement" and "Plus Je t'embrasse" respectively. Several songs were by Arabic artist Cheb Mami (who recently colaborated with Sting on his latest album). Also, if you're interested there are some great 50's era songs out there by Patachou, the actress who played Mathilde (Grandmother) in the movie.

Although Felix is a quite delightful gay man, I would hate to see this wonderful film relegated to some "gay film" ghetto. Like most good films, the themes and characters are universal, and the interactions with various folks that he encounters in his five day journey from Normandy to Marseilles are completely entertaining. It is, in fact, very refreshing to see a gay character treated so matter-of-factly, but the film is well worth seeing for the story, to meet a collection of very interesting people, and to see the world through Felix's very open eyes. Although there is some violence and sexual activity that would make this film unsuitable for younger children, I'd recommend this for mature teenagers on up.