Tully

Produced by Hilary Birmingham, Annie Sundberg, and included in the Best Feature nomination of the Independent Spirits Awards, this film is definitely a must-see movie.

The film's themes are not too distant from those of About Schmidt, but comes through within incredibly heartfelt and genuine feel about the story. It's easy to get totally hooked to all the characters. It's brilliantly shot, the characters molding in with the landscapes in a manner that exposes their soulful moods.

Truly a solidly good story with an honest, thought provoking, and poignant coming-of-age revelation. Absolutely top-notched performances from a lovely cast ensemble of actors! It's a farm drama that creeps with hidden dark family secrets that gradually unravel – at a cool, quiet, and awesomely engaging pace. Watching the mesmerizing performance of charismatic Julianne Nicholson alone is worth the price of a regular tix. For me, she's the American version of Leslie Carron; for a friend, she's the American version of Emily Watson! Awesomely poised, simple, and charmingly charismatic, she's extremely captivating! And Glenn FitzGerald and Anson Mount – in their roles as the Coates brothers - are two gorgeous youths who couldn't be more different in their personalities and traits, will sweep the audience along a truly heartfelt journey of unsuspecting events that are beautifully knitted together to their final twists. Catherine Kellner's haughty April character is just as credible as the rest of the fine cast of actors. One will even find Natalie Canaday's counter-sales lady a real sweetheart! But Bob Burrus in the role of Tully, Sr. is overwhelming in his performance as the father with the bottled-up feelings. Yep he's definitely more convincing than Jack Nicholson's Schmidt role!

This is one of those few movies that deserve a mighty applause for the good foresight of the casting agent(s). Every once of action, event and expression seems so realistic. It's easy to get so totally swept away by every character. The film does succeed in delivering honest moods of romance, parental and sibling relationships, love, seduction and jealousy, or relationship. There exist that unique sensibility that does not equate with cheesy sexual exploits or crudity. It's not even plastered with any of those distasteful hip-hop extravaganzas to draw the younger viewers. Nice easy dialogue to follow.

According to Director Hilary Birmingham at the Q&A session I attended, the unfortunate delay of the film's release was caused by unforeseen mishaps in distribution deals; firstly by an American-Canadian distribution partnership that went sour, and subsequently by one that went bankrupt. I understand that this film will be released here, sometime in January. As a low-budget film, it definitely deserves no less than a solid A rating!

Saw this movie twice and would be willing to see it again!

Never heard of this film and had no idea about the actors or just what this film story would reveal. The story is about two grown young men and their father who own a large farm out in the middle of the Heartland where their was a small town where farm people had their entertainment and shopping areas. Glenn Fitzgerald, (Earl Coates) and Anson Mount,(Tully Coates Jr.) are the two brothers who both give outstanding performances along with Julianne Nicholson,(Ella Smalley). Tully Coates is a good looking young man who has all the girls running after him and he seems to have more sex than he can handle. However, when he meets up with Ella his life takes a different change. This story has some very deep secrets that are eventually revealed much to everyone's surprise and if you like to see the wide open spaces with cattle close by and plenty of corn fields, this is the film for you.

A fine little family drama I had never heard of, but which I'm now completely glad that I've seen.

The title character of "Tully" is a young man struggling to come of age on the farm he works with his father and younger brother. Rebellious in spirit and darkly good looking, he's more socially and sexually experienced than his brother, and has a more contentious relationship with his dad. When a family secret surfaces, though, it becomes apparent that his bravado masks a great deal of insecurity, and proves that though he may be mature in some ways, he has a lot of maturing still to do in others.

"Tully" has a quiet, low-key quality to it that I very much liked. It has a feel for the natural rhythms of rural life and the people who inhabit it. Grand epiphanies, emotional showdowns and the other stuff of traditional family dramas are not present here; instead, turning points and realizations take place subtly and quietly. Many times it's the moments of silence that convey more than scenes filled with dialogue.

The acting is tremendous, and the actors themselves inhabit these characters naturally and flawlessly. Even Tully (Anson Mount), who's supposed to be charismatic and handsome, is charismatic and handsome in the way that someone would actually be in real life, not in the way that movie stars are.

Grade: A

Tully investigates how the loss of a parent can mark a child and affect the adult they become.

This film earned a rare second viewing. Even with a more critical eye, the performances seemed more than genuine. The tears, glances, body language, and smiles were perfectly rendered and filmed. I blew through the still pictures shown in the opening credits during the 1st showing, but appreciated the story they told with the knowledge I had about the characters with the 2nd look.

Casting kudos for the delicious Anson Mount, the graceful Julianna Nicholson, and the sweet, wounded dad.

Yes, it's a rural-paced film. Don't be in a hurry!

This film was like a breath of fresh air. It only played locally for a couple of weeks, if that much. Obviously, this film would have fared better had it gone to the Angelika or the Sunshine where a young crowd would have discovered it. I only caught it at the end of the run and I'm glad I did because not only it's a beautifully done, but because it's an honest account of life.

Director Hilary Birmnigham working with Matt Drake have created something rare in American cinema a well written drama with interesting and complex characters, a script that doesn't depend on special effects or the formula that most mainstream films.

The cast is superb. Anson Mount, Julianne Nicholoson, and Glenn Fitzgerald shine brightly in this film. Also Bob Burrus as the taciturn father is very effective.

I'm sure that by now it should be in DVD since it was done in 2000, you won't regret it.