Füge eine Handlung in deiner Sprache hinzuIn 1938, Jewish rights activist Emma Sachs is targeted by the Nazis. When she dies, foul play is suspected. But was it the Nazis, or was it someone else? Detective Tony Rossini investigates,... Alles lesenIn 1938, Jewish rights activist Emma Sachs is targeted by the Nazis. When she dies, foul play is suspected. But was it the Nazis, or was it someone else? Detective Tony Rossini investigates, along with Larry "Cash" Carter, a theatre director connected to Mrs. Sachs and her family... Alles lesenIn 1938, Jewish rights activist Emma Sachs is targeted by the Nazis. When she dies, foul play is suspected. But was it the Nazis, or was it someone else? Detective Tony Rossini investigates, along with Larry "Cash" Carter, a theatre director connected to Mrs. Sachs and her family.
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- Rudy Bernheim
- (as Daniel Serafini-Sauli)
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Gene Wilder has a special charming wit about him, even in his facial expressions and vocal inflections which make him perfect for the part. The portions of the movie which portrayed actors acting was done very well. I'm sure this is an additional challenge for the cast to pull off. I am not surprised to see that he did some of the writing for the movie. Even his singing was a delight. I like him in this role more than his former "sillier" roles like "The Young Frankenstein" and "Willy Wonka." I am hoping A & E will continue this series. They ought to call it something like "The A & E Gene Wilder Mysteries."
The music fit the period. I enjoyed the cool live combo and the swing tunes. I was a little unclear at the beginning whether we were seeing a flashback or whether the action was taking place in that time period. And I do not agree that the inclusion of profanity is necessary to the flow of the script. To me, that always distracts.
Overall, my wife and I thoroughly enjoyed this second in a well-crafted start in what we hope will be many others -- just like one of our other favorites: Raymond Burr's Perry Mason.
For a while I thought I was having a myopia fit, because everybody in the movie keeps saying Cherry Jones is this pretty hot chick, and that Michael Cumpsty is this impossibly handsome stallion!! The guy who plays Claire Bloom's male secretary is a bespectacled balding thin actor as sexy as a chair and is the object of passion of the two leading ladies!! Mike Starr's over-the-top acting as the most incompetent, phoniest cop you EVER saw deserves to rank among the 10 most abhorrent performances in recent film history. The saddest note is to see wonderful Claire Bloom and Barbara Sukowa completely miscast and offensively wasted. At least I hope both stars payed their bills back home (and subsequently fired their agents) with this flop. No wonder acting prodigy Sukowa returned to Germany after she saw what Hollywood had in store for her!!
If you want to see how to accomplish a really bad film out of a really bad script with a berserk casting director, study this one - otherwise stay away!!! - 1/10
Wusstest du schon
- WissenswertesGene Wilder's final film.
- Zitate
Klaus Gruber: Hel-lo beautiful! How'd you get that sunshine in your smile?
Mimi Barnes: Oh, my goodness, what a great line... but you really shouldn't waste that stuff, you know. May I ask you a question, Mr., uh...?
Klaus Gruber: Wheeler. John Wheeler.
Mimi Barnes: How many times have you used that line before? Now be honest.
Klaus Gruber: 17. But this was the first time I really meant it, honestly.
- VerbindungenFollows Murder in a Small Town (1999)
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