IMDb-BEWERTUNG
6,7/10
2749
IHRE BEWERTUNG
Ein berüchtigter Terrorist manipuliert den verwirrten Liebhaber eines indischen Armeemajors, um ihm zu helfen, einen geheimen Militärcode zu erhalten.Ein berüchtigter Terrorist manipuliert den verwirrten Liebhaber eines indischen Armeemajors, um ihm zu helfen, einen geheimen Militärcode zu erhalten.Ein berüchtigter Terrorist manipuliert den verwirrten Liebhaber eines indischen Armeemajors, um ihm zu helfen, einen geheimen Militärcode zu erhalten.
- Auszeichnungen
- 4 Gewinne & 15 Nominierungen insgesamt
Shivaji Satam
- Col. Rana
- (as Shivaaji Satam)
Empfohlene Bewertungen
Pukar aka "The Call" is a movie about how a soldier (Jaidev played by Anil Kapoor) raises to the occasion whenever his nation calls irrespective of his personal issues. What makes Pukar interesting is that, inside the story there is also a different kind of pukar, the call from a dear one (Anjali played by Madhuri Dixit) who truly loves him but he does not feel or see or responds to her love. Rajkumar Santhoshi blends these two "pukar"s very nicely with right amount of emotion, beautiful visuals, stunts and, entertains us for about 3hrs.
Anil Kapoor and Madhuri Dixit have given first rate commendable performances. The chemistry between them is not like their earlier youthful movies (Tezaab, Ram Lakhan etc.), it is more restrained, mature and appealing. Definitely it is one of the best of Anil-Madhuri combination. It could have been little better if Anil Kapoor looked a bit younger. Though, Om Puri as Colonel Hussein and Rohini Hatangadi as Mrs. Mallappa have little screen presence, they have played their role very well. Rest of the acting crew has supported well. I felt Girish Karnad, an actor of high calibre has been wasted in this movie.
A. R. Rahman's music is OK. The songs are hummable especially "Kay Sera Sera" and "Sunta Hai Mera Khuda", but the background score does not leave any lasting impression. The choreography of the song "Kay Sera Sera.." is commendable. The visuals and locations are beautiful. Rajkumar Santhoshi's direction is crisp and good, but it is not in the league of his previous best movies Ghayal and Damini. The story remains on its track all the time, there are no subplots and, unlike usual bollywood movies does not digresses into unnecessary petty comedies, emotions, and remarks about any particular country or organization.
The main weak point of the movie is that the story is not air tight: 1. The way the commando operation is carried out to save the minister shows that the army already knew Abhrush's hide out and so, they could have done it well before. 2. Anjali as daughter of an army personnel should have known the meaning or consequence of leaking confidential information. 3. Army intelligence work is downplayed. Logically, when Om Puri is killed in such a "big" terrorist attack, there should have been an inquiry and, that would have lead to the cancellation of the independence day function due to security risk.
Inspite of these flaws, Santhoshi's direction and dialogues keep the attention of the viewer till the end. The first half of the movie is fast paced but the pace weakens in the second half. If you want to watch a quality commercial movie with good acting, visuals, and dialogues then I would recommend it.
Anil Kapoor and Madhuri Dixit have given first rate commendable performances. The chemistry between them is not like their earlier youthful movies (Tezaab, Ram Lakhan etc.), it is more restrained, mature and appealing. Definitely it is one of the best of Anil-Madhuri combination. It could have been little better if Anil Kapoor looked a bit younger. Though, Om Puri as Colonel Hussein and Rohini Hatangadi as Mrs. Mallappa have little screen presence, they have played their role very well. Rest of the acting crew has supported well. I felt Girish Karnad, an actor of high calibre has been wasted in this movie.
A. R. Rahman's music is OK. The songs are hummable especially "Kay Sera Sera" and "Sunta Hai Mera Khuda", but the background score does not leave any lasting impression. The choreography of the song "Kay Sera Sera.." is commendable. The visuals and locations are beautiful. Rajkumar Santhoshi's direction is crisp and good, but it is not in the league of his previous best movies Ghayal and Damini. The story remains on its track all the time, there are no subplots and, unlike usual bollywood movies does not digresses into unnecessary petty comedies, emotions, and remarks about any particular country or organization.
The main weak point of the movie is that the story is not air tight: 1. The way the commando operation is carried out to save the minister shows that the army already knew Abhrush's hide out and so, they could have done it well before. 2. Anjali as daughter of an army personnel should have known the meaning or consequence of leaking confidential information. 3. Army intelligence work is downplayed. Logically, when Om Puri is killed in such a "big" terrorist attack, there should have been an inquiry and, that would have lead to the cancellation of the independence day function due to security risk.
Inspite of these flaws, Santhoshi's direction and dialogues keep the attention of the viewer till the end. The first half of the movie is fast paced but the pace weakens in the second half. If you want to watch a quality commercial movie with good acting, visuals, and dialogues then I would recommend it.
Pukar is one of the better Hindi films of 2000, which is not saying much since there wasn't much interesting work that year. Just as you can expect with Santoshi though, who's known for his gripping, intense films, this one blends action with high drama and towards the end makes it into a thriller of sorts. The story isn't much of a treasure, but the script makes it into an enjoyable movie experience. The romantic portions are played against a greater backdrop of the army. The leading stars, Anil Kapoor and Madhuri Dixit have great chemistry and their interactions are the film's best moments. Actually, it's really interesting that he does not show any romantic interest in her while she does all she can to get him, including sabotage his career in the army in revenge for his rejection. We've seen different portrayals of unrequited love in Hindi films, but this part is really quite refreshing, and it works well for the film. Having said that, something is still missing in the film throughout, and it feels not fully realised and at times even a bit bland despite being watchable all the same. Maybe the entire army track just didn't ring true and took away from the more interesting part which is the story of the two leads.
The acting elevates the film in ways the script does not. As Jaidev, Anil Kapoor delivers a skillful performance full of grit and authenticity. His dedication to this character shows in every frame, with impressive results. This is similarly one of the best performances of Madhuri Dixit. She is always a delight to watch, but in Pukar, she gets a real, complex and grayish character, which gives her enough scope to explore. Her Anjali is a flawed, imperfect woman driven by ego, desire and jealousy, and Dixit shows great strength as a performer. We see her tormented side, her ugly side, her lack of vanity, her regret and feelings of guilt, her growth. A marvelous performance, indeed. Namrata Shirodkar at playing pretty much herself, though she is treated by the film as a mere ornament. A. R. Rahman composes a wonderful soundtrack. The film's story picks up towards the end, and its music and script meet at what for me is the film's highpoint, namely the song "Ek Tu Hi Bharosa", a true gem of a song, with a live appearance by none other than the legendary Lata Mangeshkar, who sings it on stage. Indeed, a great moment before the story is concluded.
The acting elevates the film in ways the script does not. As Jaidev, Anil Kapoor delivers a skillful performance full of grit and authenticity. His dedication to this character shows in every frame, with impressive results. This is similarly one of the best performances of Madhuri Dixit. She is always a delight to watch, but in Pukar, she gets a real, complex and grayish character, which gives her enough scope to explore. Her Anjali is a flawed, imperfect woman driven by ego, desire and jealousy, and Dixit shows great strength as a performer. We see her tormented side, her ugly side, her lack of vanity, her regret and feelings of guilt, her growth. A marvelous performance, indeed. Namrata Shirodkar at playing pretty much herself, though she is treated by the film as a mere ornament. A. R. Rahman composes a wonderful soundtrack. The film's story picks up towards the end, and its music and script meet at what for me is the film's highpoint, namely the song "Ek Tu Hi Bharosa", a true gem of a song, with a live appearance by none other than the legendary Lata Mangeshkar, who sings it on stage. Indeed, a great moment before the story is concluded.
10pkc77
The deep love story touch heart that you wanna see it again and again. A charismatic love story, dance, song and all twist makes this movie one of the best of that time. It has been 22 years and I still go and listen to the songs and also enjoy dance. Kismat se tum mile ho song is heart of the movie.
The deep love story touch heart that you wanna see it again and again. A charismatic love story, dance, song and all twist makes this movie one of the best of that time. It has been 22 years and I still go and listen to the songs and also enjoy dance. Kismat se tum mile ho song is heart of the movie.
The deep love story touch heart that you wanna see it again and again. A charismatic love story, dance, song and all twist makes this movie one of the best of that time. It has been 22 years and I still go and listen to the songs and also enjoy dance. Kismat se tum mile ho song is heart of the movie.
Here's a movie that was directed not quite in the typical Bollywood fashion. Rajkumar Santhoshi quite blatantly tried to give it more of a Hollywood feel (perhaps with the exception of the few random song sequences).
Like a previous user commented, the storyline isn't totally airtight but that's just a minor flaw.
Pukar presented quite well a story of how a naive woman went too far with getting the man she loves. She lived in her happy little world were she thought she'd be marrying him someday but she gets crushed when she realised he's in love with another woman, albeit a top-line model. Politics sets in when some high profile criminals bank in on her love for him. She unrealisingly sets him up...
Madhuri sinks her teeth into her role! She was nominated for Best Actress at the Filmfare awards 01 for her role here and you'll see why after you watch it. The movie is a little long and gets a bit draggy in the second half but Madhuri truly captives here, in a character that is naively possessive but whole-heartedly loving. She shinned throughout this movie.
To sum it up, Pukar could have been a mind-blowing romantic thriller, but it falls a little short. Still, its definitely worth watching. Rent it at least
Like a previous user commented, the storyline isn't totally airtight but that's just a minor flaw.
Pukar presented quite well a story of how a naive woman went too far with getting the man she loves. She lived in her happy little world were she thought she'd be marrying him someday but she gets crushed when she realised he's in love with another woman, albeit a top-line model. Politics sets in when some high profile criminals bank in on her love for him. She unrealisingly sets him up...
Madhuri sinks her teeth into her role! She was nominated for Best Actress at the Filmfare awards 01 for her role here and you'll see why after you watch it. The movie is a little long and gets a bit draggy in the second half but Madhuri truly captives here, in a character that is naively possessive but whole-heartedly loving. She shinned throughout this movie.
To sum it up, Pukar could have been a mind-blowing romantic thriller, but it falls a little short. Still, its definitely worth watching. Rent it at least
I have always loved watching Anil Kapoor and Madhuri Dixit act together and this film did not disappoint me. It is timeless in that the heroism of the Indian Army is showcased and the ultimately sacrificial love story of the two main characters is portrayed in a manner that grips your attention from beginning to end. Om Puri and the rest of the supporting cast made this a film to be watched time and again. The action, plot, music, scenery and direction helped to make this a great film. Pukar /Call is a worthwhile watch. Enjoy!
Wusstest du schon
- WissenswertesEarlier Rajkumar Santoshi was to make the film with Sunny Deol,Meenakshi Seshadri and Raveena Tandon as " Ajay" in 1991. Music by Bappi Lahiri, Produced by Dharmendra. When Meenakshi and Santoshi had a fallout, the film was shelved. The script was put on hold because Santoshi decided to make Ghatak instead. In 1998 Boney Kapoor offered a good financial deal to Santoshi and he opted to make the film "Ajay" with Anil Kapoor and Madhuri Dixit and Namrata Shirodkar. The title Pukar was chosen for the project . This angered Sunny Deol as the idea behind the script had come from him. He felt betrayed by Santoshi. Sunny decided to make another film titled "Ajay" with Suneel Darshan instead.
- Alternative VersionenThe UK release was cut, one cut required to neck break in accordance with Board policy, in order to obtain a 15 classification. An uncut classification was not available.
- SoundtracksKay Sera... Sera
Music by A.R. Rahman
Lyrics by Javed Akhtar
Performed by Shankar Mahadevan, Kavita Krishnamurthy & Chorus
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Pukar?Powered by Alexa
Details
Box Office
- Bruttoertrag in den USA und Kanada
- 314.701 $
- Eröffnungswochenende in den USA und in Kanada
- 198.287 $
- 6. Feb. 2000
- Weltweiter Bruttoertrag
- 314.701 $
- Laufzeit2 Stunden 56 Minuten
- Sound-Mix
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
Oberste Lücke
By what name was Pukar - Verrat aus Liebe (2000) officially released in Canada in French?
Antwort