IMDb-BEWERTUNG
7,4/10
15.123
IHRE BEWERTUNG
Bei einem Unfall wird Sissi von einem mysteriösen Mann gerettet, der danach spurlos verschwindet. Sissi sucht und findet ihn schließlich. Doch kann sie auch seine Liebe gewinnen?Bei einem Unfall wird Sissi von einem mysteriösen Mann gerettet, der danach spurlos verschwindet. Sissi sucht und findet ihn schließlich. Doch kann sie auch seine Liebe gewinnen?Bei einem Unfall wird Sissi von einem mysteriösen Mann gerettet, der danach spurlos verschwindet. Sissi sucht und findet ihn schließlich. Doch kann sie auch seine Liebe gewinnen?
- Auszeichnungen
- 6 Gewinne & 16 Nominierungen insgesamt
Melchior Derouet
- Otto
- (as Melchior Beslon)
Gottfried Breitfuss
- Paul
- (as Gottfried Breitfuß)
Steffen Scheumann
- Bruno
- (as Steffen Schult)
Sybille J. Schedwill
- Maria
- (as Sybille Jacqueline Schedwill)
Empfohlene Bewertungen
There´s Bodo. There´s Sissy. They don´t know each other. A accident happens. Bodo rescues Sissy´s life. Then he disappears. She tries to find him. Will they have a chance?
Sometimes it´s hard to find words to describe a movie. It´s an unusual love story, a melodramatic thriller, that is sometimes disturbing, too - especially the scenes in the psychiatry, where Sissy works as a nurse - and with hypnotizing music (which sometimes reminds you of "Lola rennt" and "Winterschläfer"). Director Tom Tykwer shows again that he can tell stories with heart and soul. There are characters you really care for. Especially Benno Fürmanns performance touched me deeply. I could really feel the pain he´s going trough. And of course Franka Potente. I was on her side when she was desperately fighting for Bodo´s love.
Probably the best german film this year, I can highly recommend it. Watch and FEEL it!!!
Sometimes it´s hard to find words to describe a movie. It´s an unusual love story, a melodramatic thriller, that is sometimes disturbing, too - especially the scenes in the psychiatry, where Sissy works as a nurse - and with hypnotizing music (which sometimes reminds you of "Lola rennt" and "Winterschläfer"). Director Tom Tykwer shows again that he can tell stories with heart and soul. There are characters you really care for. Especially Benno Fürmanns performance touched me deeply. I could really feel the pain he´s going trough. And of course Franka Potente. I was on her side when she was desperately fighting for Bodo´s love.
Probably the best german film this year, I can highly recommend it. Watch and FEEL it!!!
Only a fool would expect this to be a second Run Lola Run. But unfortunately, there will be a lot of fools out there: This won't be the hit that Tykwer's former film was. And, just to say that: Run Lola Run still plays in a higher league.
But that's, of course, not to say that The Princess And The Warrior is a bad movie. Quite the contrary: there should be more films like this one. It's slow at times, yes, but to the ones with keen eyes it's meditative. It's metaphysical, in the end even surreal, it's down-to-earth, but at the same time very outlandish, it's a love story, but without the usual assets: there's no kissing, let alone sex; yes, even holding hands just occurs for a second. It's about a spiritual love, something epic, as the title suggests.
Many people won't like it; far too few people will love it. And I'm somewhere in between: It's a bold movie to make, especially in the dull (to be polite) movie scene of Germany, and a good one, too. Something refreshingly different (and wonderfully written, directed, shot and acted, I might add...). But somehow, you can't help feeling just a little disappointed after the milestone of modern film making that Tom Tykwer released two years ago.
8 out of 10.
But that's, of course, not to say that The Princess And The Warrior is a bad movie. Quite the contrary: there should be more films like this one. It's slow at times, yes, but to the ones with keen eyes it's meditative. It's metaphysical, in the end even surreal, it's down-to-earth, but at the same time very outlandish, it's a love story, but without the usual assets: there's no kissing, let alone sex; yes, even holding hands just occurs for a second. It's about a spiritual love, something epic, as the title suggests.
Many people won't like it; far too few people will love it. And I'm somewhere in between: It's a bold movie to make, especially in the dull (to be polite) movie scene of Germany, and a good one, too. Something refreshingly different (and wonderfully written, directed, shot and acted, I might add...). But somehow, you can't help feeling just a little disappointed after the milestone of modern film making that Tom Tykwer released two years ago.
8 out of 10.
Perhaps Tom Tykwer took himself too seriously after "Lola Rennt", so he handles the romance between a nurse and a bank-robber as if he were a young Michelangelo Antonioni taking Psychology 101 and doing his first film. Overlong but somehow still fascinating, thanks mainly to the dark character of the "warrior" and Franka Potente, who is always good to watch.
10FargoUT
"The Princess and the Warrior" moves at a leisurely pace, nowadays commonly mistaken for slow or plodding. It is the pacing antithesis of "Run Lola Run", yet in remarkable ways, covers the same thematic ground. Tykwer takes Krzysztof Kieslowski's favorite themes (fate, chance, destiny) and tells one of the most uplifting existentialist tales I've ever seen on film. Poetic in its visceral impacts, heartbreaking in its emotional force, "The Princess and the Warrior" achieves an astonishing level of humanity which very few films ever strive to attain.
As a result, "The Princess and the Warrior" becomes the jewel in the crown of Tykwer's filmic repertoire. With Franka Potente as the emotionally-reserved Sissi and Benno Furmann as the jaded Bodo, Tykwer has created two opposites who are fated to attract. Unlike Hollywood, however, there are no magical forces at work, no clever "Meet Cute". It is very conceivable that these two could have never met, and only due to Bodo's criminal actions do they meet. Is it fate or coincidence that Bodo's run in with the law causes a run in with Sissi? Their interactions are quiet with bursts of trauma, their eyes do most of the talking. Tykwer seems to suggest that Bodo and Sissi's entire existence is to affirm each other's life.
Tykwer has crafted a psychological exploration of two misguided souls looking for an escape from their lives. Stuck in perpetual repetition, Sissi and Bodo live without living, searching for some meaning but incapable of doing so or, even more sorrowful, rejecting whatever is presented to them. This is not a "Pretty Woman" clone but an honestly reaffirming look at two unhappy individuals finding what they so desperately need in each other. Bodo and Sissi's relationship of awkward meetings, misconceptions, and soul-binding metaphysical connections culminates in what I can only describe as one of the most impactful and emotional climaxes in all of film history--period.
Kudos to Tykwer for creating one of the most romantic and spiritually-fulfilling films I've ever seen. A perfect and necessary viewing experience for anyone feeling stuck in the mundane routine of life, thrilling, suspenseful, almost painfully aware of what it feels like to be emotionally and spiritually lost. "The Princess and the Warrior" upholds the optimistic idea that even when things go bad, life is still worth living, if only to help someone else. It is, in my opinion, one of the finest motion pictures ever made.
As a result, "The Princess and the Warrior" becomes the jewel in the crown of Tykwer's filmic repertoire. With Franka Potente as the emotionally-reserved Sissi and Benno Furmann as the jaded Bodo, Tykwer has created two opposites who are fated to attract. Unlike Hollywood, however, there are no magical forces at work, no clever "Meet Cute". It is very conceivable that these two could have never met, and only due to Bodo's criminal actions do they meet. Is it fate or coincidence that Bodo's run in with the law causes a run in with Sissi? Their interactions are quiet with bursts of trauma, their eyes do most of the talking. Tykwer seems to suggest that Bodo and Sissi's entire existence is to affirm each other's life.
Tykwer has crafted a psychological exploration of two misguided souls looking for an escape from their lives. Stuck in perpetual repetition, Sissi and Bodo live without living, searching for some meaning but incapable of doing so or, even more sorrowful, rejecting whatever is presented to them. This is not a "Pretty Woman" clone but an honestly reaffirming look at two unhappy individuals finding what they so desperately need in each other. Bodo and Sissi's relationship of awkward meetings, misconceptions, and soul-binding metaphysical connections culminates in what I can only describe as one of the most impactful and emotional climaxes in all of film history--period.
Kudos to Tykwer for creating one of the most romantic and spiritually-fulfilling films I've ever seen. A perfect and necessary viewing experience for anyone feeling stuck in the mundane routine of life, thrilling, suspenseful, almost painfully aware of what it feels like to be emotionally and spiritually lost. "The Princess and the Warrior" upholds the optimistic idea that even when things go bad, life is still worth living, if only to help someone else. It is, in my opinion, one of the finest motion pictures ever made.
This film was playing in our little theater here, as part of the Beyond Normal Films promotion about a year & a half ago. I must say that before then, I had never heard of Tom Tykwer.
Since then, he has become 1 of my favorite writers & directors. I immediately went out & got the highly acclaimed *Lola rennt* & I must say that I was very impressed. I also got to check out his most recent film *Heaven* as part of this year's Beyond Normal ticket; I LOVED it.
If you are not familiar with Tykwer's work, I would suggest you start with *Der Krieger.* The story has several elements that almost everyone will enjoy & although the story may be a little slow in a few parts, it is nonetheless, interesting. It is not really a film for kids though.
I was once a little intimidated by films in a language I could not understand (German, for instance). There were several times that I did not even have to read the subtitles to know what was going on, it was great & even a little inspiring to me for wanting to learn some German (Danke schön, Tom). I encourage you all to check this flick out if you have not yet.
My rating: 8/10
Since then, he has become 1 of my favorite writers & directors. I immediately went out & got the highly acclaimed *Lola rennt* & I must say that I was very impressed. I also got to check out his most recent film *Heaven* as part of this year's Beyond Normal ticket; I LOVED it.
If you are not familiar with Tykwer's work, I would suggest you start with *Der Krieger.* The story has several elements that almost everyone will enjoy & although the story may be a little slow in a few parts, it is nonetheless, interesting. It is not really a film for kids though.
I was once a little intimidated by films in a language I could not understand (German, for instance). There were several times that I did not even have to read the subtitles to know what was going on, it was great & even a little inspiring to me for wanting to learn some German (Danke schön, Tom). I encourage you all to check this flick out if you have not yet.
My rating: 8/10
Wusstest du schon
- WissenswertesTom Tykwer wrote the film specifically for his then-girlfriend, Franka Potente.
- PatzerThe truck Bodo jumps on heads down the Kaiserstrasse in Wuppertal and seconds later hits Sissi coming from the opposite direction. The Kaiserstrasse is to small for a truck this size, to do a U-Turn so fast.
- Zitate
Simone 'Sissi' Schmidt: I wish I could have told the man his sweat smelled tasty. I guess he'd been sucking on a peppermint drop.
- Alternative VersionenA scene from the German version is missing in the U.S. one: Towards the end, instead of just leaving the "old Bodo" behind, we see him encountering a bus driven by Walter and then the two driving off together.
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 872.091 $
- Eröffnungswochenende in den USA und in Kanada
- 51.426 $
- 24. Juni 2001
- Weltweiter Bruttoertrag
- 1.017.667 $
- Laufzeit2 Stunden 15 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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By what name was Der Krieger und die Kaiserin (2000) officially released in India in English?
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