Yôkai hyakumonogatari

This is one of the three great Japanese Yokai movies that ADV has released. All the monsters in it are based on Japanese folklore and traditional art. It isn't as silly as "Spook Warfare" (Yôkai daisensô), which was more of a kids comedy, but it is still a lot of fun and has some genuinely creepy moments. The plot is about a wicked developer who is brutally trying to drive people out of an apartment building and destroy a nearby shrine. Of course this makes the the Yokai monsters angry and they retaliate. Movies like this are almost as much about the monsters though as the plot. Yokai Monsters: 100 Monsters has some funny monsters and great costumes for a 60's Japanese monster flick. I recommend it.

This is the first movie in the Yokai Monsters Trilogy, currently all 3 movies are now on Shudder Canada as of August 22nd 2022 (I do not know about other regions)

This is a fun movie, the movie functions similarly to Kaiju movies like Godzilla & Gamera but it's a bit different than those movies as well.

The human story is kinda dominant & generic but the monsters are still very entertaining when they come in.

The effects are primitive by today's standards but it's the 60s & they might not have had the highest budget but personally I'm okay with that but I'd say lower your expectations just in case,so you don't walk away disappointed.

It takes place in Fuedal Japan which is a good setting for the movie & brings a strong cultural feel to the film.

The yokai are really fun & also at times genuinely creepy,this movie has some great atmosphere at some points.

If I'm not mistaken,this movie actually unsettled me enough to have some weird nightmares the night I watched it.

Overall,lower expectations & have fun with it. It has subtitles so forewarning but it's a pretty fair 80 minutes.

Unscrupulous magistrate Tajimaya (Takashi Kanda) uses theft, coercion, violence, and ultimately murder to take over a tenement house and a shrine with the intent of tearing them down. He also uses his leverage to force Ôkubi (Keiko Koyanagi), the beautiful daughter of the tenement's owner (Tatsuo Hanabu) to become his mistress. Tajimaya's actions and disrespect angers the local spirits, the Yôkai, and soon he and his minions find themselves cursed and harassed by monsters. The film, first in a Yokai trilogy from Daiei Film, is an imaginative fantasy with odd imagery (the 'umbrella monster' features prominently in the advertising) superimposed on a typical Japanese samurai adventure. The monsters (a mix of animation, puppets and costumes) are frequently quite bizarre. I am not familiar with Japanese folklore, but I gather that many of the diverse creatures represent traditional tropes (for example: the umbrella monster ('Kasa-obake') and the long-necked woman (Rokurokubi). 'Yokai: 100 Monsters' ('Yôkai hyaku monogatari') is entertaining and offbeat (at least from a 'Western perspective'), and likely a good introduction to yet another fanciful Japanese film genre. Note: I watched an English-subtitled version that, judging from some of the idioms, seems to have been made several years after the original film was released.

The first in Daiei Film's Yokai Monsters trilogy, 100 Monsters is a bizarre mix of samurai movie and the supernatural, its weird and wonderful monsters (or yokai) based on traditional illustrations from Japanese folklore.

The film sees a ruthless lord and a corrupt magistrate resorting to underhand methods, including murder, to get their hands on some valuable real estate currently occupied by a shrine and tenement buildings, their plan being to tear down the existing structures and build a brothel. Ronin Yasutaro (Jun Fujimaki) stands up to the bad guys, but more unusual help comes in the form of the yokai, ghostly monsters who appear on the scene after the land-hungry villains fail to conduct a curse eliminating ritual after a story-telling ceremony.

Using old-school techniques to bring the fantastical creatures to life (men in manky costumes, some puppetry, and crude animation), the film is unlikely to wow modern viewers with its special effects, but there's an undeniable charm to the lo-fi approach and the sheer silliness of the monster designs is endearing (a long-necked woman, a one-legged umbrella and faceless people). Sadly, there just isn't enough of the yokai throughout the film, the bulk of the movie focusing on Yasutaro's run-ins with the bad guys - routine samurai drama that fails to excite.

5.5/10, rounded up to 6 for the giant slit-mouthed floating head - now that was genuinely creepy!

100 MONSTERS?! What a great film title, bringing to mind one hundred yokai (traditional Japanese monsters and spirits) wreaking havoc on an Edo-period village. The real film doesn't quite live up to that promise, but it's a fun entry into the '60s Japanese popcorn horror canon.

As is the case in many Japanese flicks from this time, the bad guys are powerful landowners who push around the good guys and take their land, their women and even their lives. But after the lords fail to complete a ritual after a "hyaku monogatari" (monster story-telling) event, they are haunted and hunted down by bloodthirsty monsters.

I love yokai to death, so any cinematic representation is fun for me. And what monster action we get here is fittingly awesome; we get a long-necked woman (rokurokubi), long-tongued umbrella monsters (kasa-obake) and faceless humans (noppera-bo), all of which look fantastic. The special effects are surprisingly good and hold up perfectly after 50+ years. Whenever the creatures are the focus of the camera, the film is fun as hell.

The problem is they are not the focus very often. Instead, we're treated to a pretty basic "samurai vs. landlords" plot that proceeds in a rather cliche fashion. It makes for passable watching, but it's not too exciting and not what anybody started watching a movie called 100 MONSTERS for. This is to be expected from a budget flick from the '60s, but it does affect the enjoyment factor of the film.

Overall, though, it's an easy, fun watch with wonderful creature design and delightfully odd moments. Recommended for yokai fans or monster movie lovers, even if it won't become one of your favorites.