Aus dem Leben der Angestellten im Westflügel des Weißen Hauses.Aus dem Leben der Angestellten im Westflügel des Weißen Hauses.Aus dem Leben der Angestellten im Westflügel des Weißen Hauses.
- 26 Primetime Emmys gewonnen
- 121 Gewinne & 264 Nominierungen insgesamt
Zusammenfassung
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The secret to this show is that it is, at heart, a comedy, even when tragic things are happening. That gives Martin Sheen, Allison Janney, Bradley Whitford, Richard Schiff et al. the room to work. And do they ever.
It works because it is deep, the characters are well-drawn. Early in the first season, CJ gets a root canal and walks around for the rest of the episode with cotton stuffed in her mouth, yelling things like" The Pwesident must be bweefed!" This has to be seen to be believed. It had me literally on the floor, laughing until I feared I would hurt myself. I don't know how many shows have tried cheap stunts like that and they are just that, cheap. On "The West Wing" it works because we know CJ, we know how unlike her, and yet like her, that moment is. And Toby's slow-burn reaction is pitch perfect.
Bravo.
The camera seems to move as quickly as the people, following one conversation, then picking up another as two corridors intersect, and going off after that conversation instead. It's a remarkably effective dramatic device, that helps generate a sense of many topics, issues and personalities all being constantly on the move in response to events.
The acting is uniformly good, and often not on screen, Martin Sheen's president remains a constant presence shaping every story.
The plots are thick and interesting and the people are smart and pretty and I just can't get enough of it. I wish Aaron Sorkin would write another movie (he wrote A Few Good Men) and also be as prolific as David E. Kelly- Sorkins work is by far the superiour, and I could watch it day in and day out. Tune in, you won't be disappointed.......
As for the other elements of this show... On first watching it, I was very aware of the fact that the White House staff seemed to spend more time holding conversations while walking in corridors, than actually sitting in their offices. I was also aware of how the cameras twirled around them unceasingly. And I often found the dialogue in both quality and delivery to be something along the lines of Spalding Gray meets Gore Vidal; i.e. extremely quick, witty and brilliant, but how many people really talk that way? Well, by the third episode I became so attached to the fascinating qualities and idiosyncrasies of each character that in my ears, their dialogue seemed to flow quite naturally. By the forth episode I was tickled pink to follow them anywhere. And by the fifth episode, my inner gyroscope finally synched up with the show's steadicam. I'm hooked- what else can I say! All the characters/performers of "West Wing" are excellent, and the "what if" scenarios in each show cleverly cover situations that we're all familiar with, with just the right touch of emotional depth (or in some cases, levity. The show's humor is always delicious!).
`West Wing' is simply brilliant through and through. The only bad thing about it is when it's over, we all have to face reality once again. Damn!
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- WissenswertesFinal project of John Spencer, who quit acting in movies to fully concentrate in his role as Leo McGarry (which earned him one Emmy and two SAG Awards). He then passed away of a heart attack during the final season.
- PatzerIn a couple of instances, Secret Service agents are seen holding an umbrella for a protectee. In reality, Secret Service agents must keep their hands free at all times.
- Zitate
Leo McGarry: This guy's walkin' down a street when he falls in a hole. The walls are so steep he can't get out. A doctor passes by and the guy shouts up, "Hey you! Can you help me out?" The doctor writes a prescription, throws it down in the hole, and moves on. Then a priest comes along and the guy shouts up, "Father, I'm down in this hole; can you help me out?" The priest writes out a prayer, throws it down in the hole and moves on. Then a friend walks by. "Hey, Joe, it's me. Can ya help me out?" And the friend jumps in the hole. Our guy says, "Are ya stupid? Now we're both down here." The friend says, "Yeah, but I've been down here before and I know the way out.
- Crazy CreditsThe special post-9/11 episode was broadcast without the regular opening credits. Instead, the episode began with the cast, out of character, speaking about the episode, followed by credits on a black screen.
- Alternative VersionenThe first airing of the episode "20 Hours in America" contained a scene between President Bartlet and the First Lady in which they good-naturedly tease each other, calling each other Medea and Jackass. This scene was not included in subsequent reruns because of commercial limitations and was also not included on the DVD.
- VerbindungenFeatured in The 52nd Annual Primetime Emmy Awards (2000)
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