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Was Frauen wollen

Originaltitel: What Women Want
  • 2000
  • 6
  • 2 Std. 7 Min.
IMDb-BEWERTUNG
6,5/10
231.776
IHRE BEWERTUNG
BELIEBTHEIT
1.850
116
Mel Gibson and Helen Hunt in Was Frauen wollen (2000)
Trailer[OV] ansehen
trailer wiedergeben2:16
1 Video
99+ Fotos
High-Concept ComedyRomantic ComedyComedyFantasyRomance

Nach einem Unfall erhält eine chauvinistische Führungskraft die Fähigkeit zu hören, was Frauen wirklich denken.Nach einem Unfall erhält eine chauvinistische Führungskraft die Fähigkeit zu hören, was Frauen wirklich denken.Nach einem Unfall erhält eine chauvinistische Führungskraft die Fähigkeit zu hören, was Frauen wirklich denken.

  • Regie
    • Nancy Meyers
  • Drehbuch
    • Josh Goldsmith
    • Cathy Yuspa
    • Diane Drake
  • Hauptbesetzung
    • Mel Gibson
    • Helen Hunt
    • Marisa Tomei
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,5/10
    231.776
    IHRE BEWERTUNG
    BELIEBTHEIT
    1.850
    116
    • Regie
      • Nancy Meyers
    • Drehbuch
      • Josh Goldsmith
      • Cathy Yuspa
      • Diane Drake
    • Hauptbesetzung
      • Mel Gibson
      • Helen Hunt
      • Marisa Tomei
    • 453Benutzerrezensionen
    • 71Kritische Rezensionen
    • 47Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 5 Gewinne & 9 Nominierungen insgesamt

    Videos1

    Trailer[OV]
    Trailer 2:16
    Trailer[OV]

    Fotos215

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 211
    Poster ansehen

    Topbesetzung99+

    Ändern
    Mel Gibson
    Mel Gibson
    • Nick Marshall
    Helen Hunt
    Helen Hunt
    • Darcy Maguire
    Marisa Tomei
    Marisa Tomei
    • Lola
    Alan Alda
    Alan Alda
    • Dan Wanamaker
    Ashley Johnson
    Ashley Johnson
    • Alex Marshall
    Mark Feuerstein
    Mark Feuerstein
    • Morgan Farwell
    Lauren Holly
    Lauren Holly
    • Gigi
    Delta Burke
    Delta Burke
    • Eve
    Valerie Perrine
    Valerie Perrine
    • Margo
    Judy Greer
    Judy Greer
    • Erin the File Girl
    Sarah Paulson
    Sarah Paulson
    • Annie
    Ana Gasteyer
    Ana Gasteyer
    • Sue Cranston
    Lisa Edelstein
    Lisa Edelstein
    • Dina
    Loretta Devine
    Loretta Devine
    • Flo the Doorwoman
    Diana Maria Riva
    Diana Maria Riva
    • Stella
    Eric Balfour
    Eric Balfour
    • Cameron
    Andrea Baker
    Andrea Baker
    • Office Intern
    • (as Andrea Taylor)
    Jon Frazier
    • Truck Driver
    • (Nur genannt)
    • Regie
      • Nancy Meyers
    • Drehbuch
      • Josh Goldsmith
      • Cathy Yuspa
      • Diane Drake
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen453

    6,5231.7K
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    meadowlark

    It reminded me of one of those late 50's early 60's romantic comedies.

    A new creative director (Helen Hunt) is hired by an ad agency (run by Alan Alda) to bring it up to date by appealing to the women's market. Mel Gibson, an account executive and a real man's man, was slated for that position, and he wants to get rid of Hunt. At her first staff meeting, Hunt gives each person a package of various women's products, and each must come up with a campaign for at least one of the items.

    At home, Gibson tries out the products in a tour de force of cross-dressing. Funny, if not roll on the floor hilarious, and he does it with an aplomb that makes it look so easy that you at the very least have to admire his skill. In the process, Gibson falls into a tub, followed by a live hair dryer, and receives a shock that alters his brain so that he can hear the thoughts of women. As a result, he bowls everyone over, especially Hunt, with his creative insight into the women's market. Now he's got her right where he wants her...or so he thinks. But creative insight turns out to be a two-edged sword.

    I liked this one a lot more than I thought I would. It reminded me of one of those late 50's early 60's romantic comedies, at least in its earlier scenes. In fact, I liked it so much that it made me feel sorry for Woody Allen. His "Curse of the Jade Dragon" suffers by comparison. I mention it, because Allen's film also stars Helen Hunt and, interestingly, has a similar situation–a woman is hired on to bring a company up to date, and she threatens to disrupt the man's career. Even mind-alteration is involved, although of a different kind.

    I think the mind-reading premise is brilliant and is set in just the right context, and Hunt and Gibson played off each other very well. I've seen Mel Gibson on a couple of Jay Leno shows, and he seemed ill-at-ease and sometimes a little abrupt, as though he were either very shy, not too bright, or for some reason just didn't want to be there. But what a difference when he's on screen and playing a role that in bygone days would have been filled by Jack Lemmon or Tony Randall or Rock Hudson. Ok, maybe he's not the all-round actor that Lemmon was, but he fit that particular role perfectly. And he even does a bit of a Gene Kelly routine!
    7zornicajohanova

    Different storiline, important message and good vibes all in one

    You know, I've watched this movie probably 5-6 times. As a kid. I didn't get the the whole idea. I knew this simple fact, but I loved it. Now, many years later I thoroughly enjoyed this movie. Man, it's been a long time since I have felt like this, while watching a film. So, let me say what I have to say. The storyline is something old, but expressed in a new way. There is romance, but a mature, not a cheesy one. The main idea (that there is no need for men to read our minds, but to listen what we say, like in 80%, not in 3%) is smoothly expressed throughout the movie. My favourite thing was that, at one point, the main character started helping (you guessed right - women). And that's what makes this film up-lifting.
    7Atreyu_II

    We know it now

    "What Women Want" has a unusual plot which also makes us (men) think: what do women really want? The final conclusion is that they want happiness, just like men.

    Despite being a predictable movie and nothing extraordinary, at least it teaches to us (men) some valuable lessons about women. It's a good way to understand and know them better.

    The first hour of this movie is great fun, very entertaining and pure comedy. During the first hour we have some moments to give us good laughs. Mel Gibson has never been this funny before. He plays a hilarious character: Nick Marshall, a typical "macho men" or a "men's man". The kind of man that other men admire and want to be like him. The kind of man who doesn't understand a thing about women (although seen as a "God's gift" to women). Nick is proud, rich, chauvinistic, single and loves to hear Frank Sinatra.

    After an accident with the hairdryer, he suddenly has the power of hearing what women think and what they think of him isn't what he expected. He sees this as a curse, but after being convinced by a psychologist that he could take advantage of this gift, he uses it to manipulate Darcy McGuire.

    However, in the second half, the movie fails, becoming predictable and somehow lame, losing all its comical side. Some ridiculous and silly things happen in the second half. Also, I rather the "old" Nick than the "good" Nick, because the "old" Nick was much funnier. He becomes the "good guy" in the second half, losing his sense of humor.

    This movie has some nice songs, such as "I Won't Dance" (performed by Frank Sinatra), "I've Got You Under My Skin" (performed by Frank Sinatra in a duet with Bono) and "Bitch" (performed by Meredith Brooks).

    Mel Gibson is great and charming as Nick Marshall, while Helen Hunt is okay and pretty in the role of Darcy McGuire.
    nikhavey

    Is mind Reading the Only Way for Men to Understand?

    The film What Women Want is about a man, Nick Marshall (Mel Gibson), who has been characterized as a 'man's man,' a male who is the type of guy that other men look up to. Darcy Maguire (Helen Hunt) also stars and sends Marshall into a male power trip when she is offered a job position that he was trying so hard to get. Marshall is known for his ability to seduce women and fornicate with them. Most of the women in his life think that he is a self centered jerk, because of the way he objectifies them. Even his fifteen year old daughter feels as if they are not related because of his poor communication skills with women. But an unexpected twist took place one day while blow drying mousse in his hair. While he was going about his business, Marshall tripped, and fell into his bathtub full of water, being electrocuted severely. Oddly enough, what would kill a normal human being did not harm Nick in any way, rather than it mysteriously gave him the power to hear what women are thinking. So, equipped with his new skill, he goes about his day, not knowing he has this amazing ability. Throughout his random encounters with women, particularly at work, he comes to realize that all the women are not very fond of him.

    In all movies, there is always a message of some sort that the director is trying to express. In this particular film, I believe there is more than one message. One of the dilemmas the movie expressed was women do not know what they want. Throughout the movie, women were constantly complaining about men, or their hair, or their outfit. The truth is that women do not know what they do want; only what they don't want. Another message it displayed is a world renown problem: the concept that men do not have a clue about women. They communicate differently as men, and want different things as well. Is reading women's minds the only way for men to understand? I sure hope not.

    The technique of this movie is nothing to throw a fit over. The average cinematography isn't dazzling, but it is good enough to keep the viewer interested. The sound track was well thought out, with many famous songs helping out in several scenes and strongly assisting in setting the mood. A few things stand out in the movie that question reality. For example, Gibson falls into a full bathtub, gets electrocuted by thousands of volts, and only wakes up with a headache. At a different point in the movie he gets shocked again, but not by a household utensil. The second time it's by lightning, and again, just a headache. No singed eyebrows or fried shoelaces were to be found.

    What Women Want is an entertaining movie at the least. Mel Gibson, as always, does an excellent job portraying his character, as well as Helen Hunt. The cast did a well-rounded job, and no one was out of place. I enjoyed the movie thoroughly and enjoyed the humor. The film was filled with talented acting, laughs, and lighthearted suspense. It would be a good recommendation for anyone who is bored and desires a humorous, fun movie. The idea of a man being able to read women's minds is clever and amusing. Should this ever happen, would it be classified as a gift, or a nightmare?
    9TigerlilyBramble_of_WillowBottom

    It's all worth it when you see Mel Gibson waxing his legs.

    When this movie started, I didn't know if I would like it, although it had a very powerful beginning. But eventually (around the part I mentioned) I realized that it's very funny. And you've gotta love the romance!

    Mel Gibson is Nick Marshall, a womanizer who at the same time doesn't understand women at all. When the womanliest of all women, Darcy Maguire (Helen Hunt), starts to work with his company, she assigns everyone to think of advertising ideas for at least one feminine item in the boxes she gives them (pantyhose, lipstick, mascara, a wonderbra, nail polish, etc.). Nick tries to think, but instead gets drunk and paints his nails, tries on the mascara and pantyhose, and yes, waxes his legs. That night, a freak accident occurs in his apartment, and then he can hear what women are thinking. He uses this asset to steal Darcy's ideas, and at the same time falls in love with her.

    Besides Gibson and Hunt's performances, there are three other reasons I love this movie. One, Marisa Tomei, who is perky and cute as Nick's previous uninterested love interest, a coffee-shop girl named Lola. But just when Nick gets less desperate for her and more so for Darcy, Lola discovers that she really does like him. Two, Ashley Johnson, who is demanding but lovable as Nick's teenage daughter from a previous marriage. He can hear her thoughts, too, and finds out that she's planning to lose her virginity on prom night. Although he tries to stop her, she eventually learns the lesson on her own. Three, it has an awesome soundtrack. Frank Sinatra, the Temptations, Nancy Wilson, and Bobby Darin sing old classics, while Christina Agulera and Meredith Brooks perform fairly new hits.

    Anybody who likes comedy, romance, or just a great movie should see "What Women Want." I think it's one of the few unisex romantic comedies (not chick flicks) there are, so it's a great date movie.

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    Handlung

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    • Wissenswertes
      The Nike representatives are real Nike ad representatives, not actresses.
    • Patzer
      When Nick thinks he's in line for a promotion to creative director, he and his staff make numerous references to moving up to the 44th floor. Immediately prior, there is an exterior shot of their building that is no more than 15 stories.
    • Zitate

      [looking distractedly in refrigerator]

      Nick Marshall: What am I doing? She's not in the refrigerator.

    • Verbindungen
      Featured in Siskel & Ebert & the Movies: Proof of Life/Vertical Limit/The Emperor's New Groove/State and Main/Pollock/Dungeons and Dragons (2000)
    • Soundtracks
      Something's Gotta Give
      Written by Johnny Mercer

      Performed by Sammy Davis Jr.

      Courtesy of MCA Records

      Under license from Universal Music Enterprises

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    FAQ21

    • How long is What Women Want?Powered by Alexa
    • Why doesn't Nick hear his assistants Eve and Margo's inner thoughts?

    Details

    Ändern
    • Erscheinungsdatum
      • 15. Februar 2001 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprache
      • Englisch
    • Auch bekannt als
      • Lo que ellas quieren
    • Drehorte
      • Dresden Room Restaurant - 1760 N. Vermont Avenue, Los Feliz, Los Angeles, Kalifornien, USA(Back Door Piano Lounge)
    • Produktionsfirmen
      • Paramount Pictures
      • Icon Entertainment International
      • Wind Dancer Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 70.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 182.811.707 $
    • Eröffnungswochenende in den USA und in Kanada
      • 33.614.543 $
      • 17. Dez. 2000
    • Weltweiter Bruttoertrag
      • 374.111.707 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      2 Stunden 7 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • DTS
      • Dolby Digital
    • Seitenverhältnis
      • 1.85 : 1

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