Füge eine Handlung in deiner Sprache hinzuThree rebellious teenage girls decide to even the score in the battle of the sexes.Three rebellious teenage girls decide to even the score in the battle of the sexes.Three rebellious teenage girls decide to even the score in the battle of the sexes.
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
- Mr. John Stockwell
- (as Ambassador John Loeb Jr.)
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Don't be fooled by the reasonably interesting summary on the back of the box, this is one of the worst films I have ever sat through. The acting is laughable, with lines being delivered in a horribly stilted, mechanical style by all but one actor (excepting Thora Birch, who only has about ten minutes of screen time). Of course, you can't fault the actors for having to deliver lines that are horribly cliched or needlessly dramatic. Finally, it appears to have been edited by fairly intelligent chimps, with massive skips in the story leaving you trying desperately to figure out what's going on. The last ten minutes are among the worst ever commited to celluloid in movie that is trying to take itself seriously.
well, i do know what it's like, and i think it's pathetic that these girls pretend to be feminists when they define themselves by how many guys they've slept with or what sorts of guys they've slept with. they feel powerful because they're wielding guns, but they're weak without them. these ladies deserve our pity!!! no, wait, they don't even deserve our attention!!!
inexplicable, poorly edited and just plain strange, the main thing I
took away from it was that while these girls thought they were starting
a "revolution", they were only hurting themselves.
Case in point; the girls try to get back at Guy #1 by trying to force
sex on him at gunpoint. It fails, but they think it was a success. The
rest of the males in town think it's hot, and want it to happen to them.
A couple of more feeble attempts are made at controlling males at
gunpoint, but also fail miserably. Instead of realizing that they are
getting into these situations themselves, and allowing themselves to be
used by guys, they get even angrier at the men of the world.
The whole dynamic of the girls' lives seems to be that they are rich
prep-school stoners who dress flamboyantly and have rigid, antiseptic
relationships with their parents. The decor of their rooms and the decor
of the girls themselves is probably monstrously tacky on purpose; not
meant to be taken literally. It sort of shows you what's in their heads;
fluff, feathers, glitter and smoke.
In their desperate attempt to be feminist/radical/revolutionaries who
defend the honor of women everywhere, they take the completely wrong
path and wind up raped, messed up and worse. They allowed themselves to
be used, and then got furious at the men for using them. They handled
the whole thing in a childish, super-hero-wannabe way. And they paid for
it.
I think Thora Birch looked cute in those goofy getups. Even though her
character made little or no sense. I saw her as the ultimate
rich-kid-acting-out-against-parental-control archetype. And her
now-learned sister gives her a nice life lesson
Wusstest du schon
- WissenswertesIn one scene, Dominique Swain's character is naming girls that Dan has dated and mentions "Chelsea Swain" who is one of Dominique's sisters in real life.
- Zitate
Lincoln Roth: Twas the night before a party, when all through the town, no pigs were stirring, no cops were around.
Lincoln Roth: We drank Seagram's, and smoked Panama Reds, while visions of the munchies danced through our heads
Lincoln Roth: But all of a sudden, came a knock at the door. We all yelled 'Pigs' and hit the floor.
Lincoln Roth: But what to our red-glazed eyes should appear? A fucking pound of Colombian, with two kegs of beer.
Lincoln Roth: The man at the door flashed us a smile, so we said 'come on in, man, you should party a while.
Lincoln Roth: But we heard him exclaim, as he flew through the sky: Marijuana to all, and to all a great high!
- SoundtracksI'm OK
Written by Cindy Alexander & Robbie McKinney
Published by Jamcat Music (BMI), Records On Fire (ASCAP)
Performed by Cindy Alexander
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