Die Rückkehr der Wildgänse

This is one of the movies that I'm attatched some affection for, it is quite gritty and shows the fact that it is quite low budget but this doesn't harm it to much. It has a nice healthy amount of action and only a small amount of gore which is justified. The acting is acceptable and competent although some of the lines just stink "you've never seen an american before, this close". But if you can get through that it's a nice if quite bleak action adventure about (quoting from the EIV trailer) 'Vietnam, ten years after. The war is officially over, but the fight for freedom continues. The veil of secrecy that blinds the truth is about to be ripped apart. The soldiers that didn't return are soon to be avenged, while those remain alive at last taste freedom. Four men in a private army. Four men with one ideal. Four men who will change the meaning of bravery. They will bring their own kind of justice, they will bring their own kind of hate, they will bring freedom, they are Cobra Mission. The war is over but the fight will continue' At least that's the plan. I would certainly recommend that you see it, if you can find it. Also to any distributors out there, any chance of a double bill DVD of Cobra Mission 1 & 2 with audio commentaries and stuff?

Perhaps the main appeal in watching De Angelis's films (for me) is in coming in with low expectations and every now and then being surprised by how well some of the elements work. COBRA MISSION is a weird example because it features an excellent cast of B-movie stalwarts and even some cameos by Enzo G. Castellari, Luciano Pigozzi, Gordon Mitchell, and possibly Dardano Sacchetti. Francesco De Masi composed a moving, yet jarring and unmemorable orchestral score for the film but it is seldom used in favor of stock music from De Masi's previous films with De Angelis (a good call maybe, but distracting).

There's lots of action and explosions but most of the time it's ruined by veteran producer Fabrizio De Angelis's budget-minded approach to filmmaking. At times the film is edited and shot in a very hands-off and lazy fashion. For some reason De Angelis likes to end his scenes with something exploding, but unlike in THUNDER WARRIOR uses his slow motion really infrequently. Some of the non-slow-mo explosions don't look very dramatic at all, and it seems like an incredible waste considering how much De Angelis must have dished out on the transportation and production costs associated with making the Philippines look like Vietnam.

Maybe the most surprising aspect of the film is its fairly well-done downbeat ending. Christopher Connelly does some pretty hilarious scenery chewing, but in the end the audience really does feel sympathy for Ethan Wayne as the soldier that got left behind. The final shot of Wayne kneeling in the field while the camera pulls away from him to reveal a huge army of advancing Vietnamese soldiers surrounding him is one of the best and most memorable shots I've seen in a low-budget action movie.

As is the case with DEADLY IMPACT, THUNDER WARRIOR, and THE MANHUNT, it's a mid-80's De Angelis film which I know is bad, but for some reason I just love watching it over and over.

This movie is cheap and ugly to look at and the cast is a hodgepodge of leftovers. There's little of the excitement or suspense one might expect in even a Grade-B "action-war" movie. What's more, the movie's cynical tone about the whole POW question leaves one with an unpleasant feeling after watching the proceedings. Perhaps the only scene of note here is a flashback showing Oliver Tobias being whipped in a POW camp. Unlike virtually every other whipping in the history of the movies, Tobias is shown (from the rear) to be completely naked in this scene, with blood from his back running down his buttocks and legs. This may have been included strictly for "shock" value but it does illustrate the fact that torture and forced nudity are often linked.