Füge eine Handlung in deiner Sprache hinzuThe Biblical prophecy of Armegeddon begins when the Rapture instantly takes all believers in Christ from the Earth. A reporter left behind learns that the Anti-Christ will soon take power.The Biblical prophecy of Armegeddon begins when the Rapture instantly takes all believers in Christ from the Earth. A reporter left behind learns that the Anti-Christ will soon take power.The Biblical prophecy of Armegeddon begins when the Rapture instantly takes all believers in Christ from the Earth. A reporter left behind learns that the Anti-Christ will soon take power.
- Auszeichnungen
- 3 Nominierungen insgesamt
- Bruce Barnes
- (as Clarence Gilyard)
- Alan Tompkins
- (as Philip Akon)
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Now, I realize that when a movie attempts to capture the essence of a book, there have to be some sacrifices as far as details. I have read the book several times, and the movie somehow does not capture much of what the book conveys. Maybe it is time constraints that come with making a movie within, say, 90 minutes to 2 hours. But this movie seems rushed somehow. It did not let certain plotlines develop. In the book, Rayford only lusted after the stewardess, where in the movie, it seemed like it went a bit beyond that. Also, early in the movie, it seemed that Buck Williams already had a relationship with the Steele Family before the Rapture where it did not germinate until towards the end of the Left Behind book.
Maybe it was because of the low budget and time constraints. I remember when Kirk Cameron was fired up about doing the movie after reading the book. The funny thing is that this movie was produced without paying any attention to the details that made this book such a best seller. The basic idea behind the novel held true to the movie, but many key elements in the book were ignored.
My advice: Read the novel series, see the movie if you must for comparison's sake, not as a viable substitute to the novel.
To have a good movie, you need to have a well-written screenplay. Left Behind fell woefully short on this. For one thing, it radically deviates from the book. Sometimes this is done to condense a 400-page novel down to a two-hour film, but in this film I saw changes that made no sense whatsoever.
Another thing, there is zero character development. When characters in the story get saved (I won't say who), the book makes it clear that it's a long, soul-searching process. In the film it's quick and artificial. The book is written decently enough where people like Rayford Steele, Buck Williams and Hattie Durham seem real, but in the movie scenarios are consistently given the quick treatment without anything substantial. In another scene where one character gets angry about being left behind (again, I won't say who), it seems artificial.
I realize as a Christian it's unedifying for me to say I disliked this film, but I can't in a good conscience recommend a film that I feel was horribly done. Perhaps it would've been better to make the first book into 2-3 films. Either way, Christians need to realize that to be taken seriously as filmmakers, we need to start by putting together a film in a quality way. I realize a lot of effort probably went into Left Behind, but that's the way I see it.
Wusstest du schon
- WissenswertesReleased directly to video in 2000, copies of the film came bundled with a free pass to watch the film in theaters when it was later given limited release in early 2001.
- PatzerThe flags flying outside the real United Nations building are of the member nations. The ones shown are of Canada's provinces.
- Zitate
[Watching TV]
Chloe Steele: Turn that up.
Raymie Steele: Mom said to turn it down.
Chloe Steele: You always do what you're told?
Raymie Steele: Yeah, you should try it sometime.
- Crazy CreditsThe Producers wish to thank: Karll Goodman (who inadvertently vanished during editing)
- VerbindungenEdited into Left Behind: Like Son (2013)
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- Erscheinungsdatum
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- Auch bekannt als
- Left Behind: The Movie
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Box Office
- Budget
- 4.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 4.224.065 $
- Eröffnungswochenende in den USA und in Kanada
- 2.158.780 $
- 4. Feb. 2001
- Weltweiter Bruttoertrag
- 4.224.065 $
- Laufzeit1 Stunde 40 Minuten
- Farbe
- Sound-Mix