IMDb-BEWERTUNG
6,7/10
41.740
IHRE BEWERTUNG
Ein Versager von einem Gauner und seine Frau werden reich, als das Tarngeschäft eines verpfuschten Bankjobs ein spektakulärer Erfolg wird.Ein Versager von einem Gauner und seine Frau werden reich, als das Tarngeschäft eines verpfuschten Bankjobs ein spektakulärer Erfolg wird.Ein Versager von einem Gauner und seine Frau werden reich, als das Tarngeschäft eines verpfuschten Bankjobs ein spektakulärer Erfolg wird.
- Auszeichnungen
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Lawrence Howard Levy
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- (as Lawrence Levy)
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Though essentially a time-marking throwaway by writer/director Woody Allen, `Small Time Crooks' provides so many gems of performance that one can overlook the film's derivative plotting and overall lack of comic drive. In this film, Allen more or less abandons his customary obsession with big city neuroses and middle-aged angst in favor of a more straightforward, plot-driven comedy, paying homage in its patchwork and eclectic story to any number of earlier well-known theatrical and cinematic works.
For example, the first half hour of the movie plays like a stateside version of the 1950's Italian comedy `Big Deal on Madonna Street' as a team of bumbling, far-from-intelligent small time crooks, led by ex-con Ray Winkler (Allen), sets up a cookie store as a `front' so they can drill a tunnel into a bank a mere two or three shops down the road. Then the plot of the film suddenly shifts gears when that plan falls apart and the gang hits pay dirt with the surprising success of the cookies that Ray's uncultured but well meaning wife, the former topless dancer Frenchy (Tracey Ullman), is assiduously baking and selling. The highlight of the film comes in the form of a brilliantly satiric pseudo-60 Minutes report in which Steve Kroft himself chronicles the meteoric rise that this ragtag collection of accidental entrepreneurs takes from obscure small business owners to multi-million dollar corporate giants a report that pokes affectionate fun at the clichéd rags-to-riches theme so essential to our concept of the beloved American Dream.
With this plot switch, we leave Madonna Street and head into `Unsinkable Molly Brown/Pygmalion/Educating Rita' territory as the vulgar, uncouth Frenchy realizes that, even with all her suddenly acquired wealth, she cannot possibly gain true acceptance from the elite cultural snobs she so desperately wants to impress without a little assistance from her own personal Henry Higgins, who arrives in the form of an art dealer named David played by the suave Hugh Grant. Thus, as Frenchy branches out and begins to open herself up to new cultural experiences, the couple begins to drift apart as Ray comes to crave the return to the simpler life of spaghetti and meatball dinners he knows they have left far behind.
Had Allen been able to sustain the cleverness and bite that inform that `60 Minutes' segment throughout the length of the entire film, `Small Time Crooks' might have emerged as more than just the mere piece of entertaining puffery it ultimately is. Indeed, we find ourselves laughing only occasionally and often at jokes or sight gags that would barely register a chuckle in one of Allen's more sophisticated, more edgy and more character-driven works. Special note must, however, be made of some of the actors, prime among them Ullman and the always brilliant Elaine May who, as Frenchy's adenoidal, utterly befuddled and endearingly obtuse cousin, returns to her `A New Leaf' roots and provides some of the sweetest comic moments in the film. Unfortunately, Michael Rapaport, Tony Darrow and Jon Lovitz, as members of Ray's gang, though they all three give outstanding performances, aren't given enough screen time to really let their talents for comic characterization take flight. Hugh Grant is essentially Hugh Grant which is to say that he fulfills the requirements of his part without having to stretch his thespian muscles too much.
The success or failure of a comedy is ultimately determined by how often it is able to elicit laughs from the person watching it. Given that criterion, `Small Time Crooks' rates no better than a mild recommendation (though there is one very funny scene involving safecracking near the end of the film). Yet, if for no other reason than to relish a number of its dazzling performances, `Small Time Crooks' certainly earns at least a casual once-over from any Allen devotee. Guess we have no choice but to mark time right along with him!
For example, the first half hour of the movie plays like a stateside version of the 1950's Italian comedy `Big Deal on Madonna Street' as a team of bumbling, far-from-intelligent small time crooks, led by ex-con Ray Winkler (Allen), sets up a cookie store as a `front' so they can drill a tunnel into a bank a mere two or three shops down the road. Then the plot of the film suddenly shifts gears when that plan falls apart and the gang hits pay dirt with the surprising success of the cookies that Ray's uncultured but well meaning wife, the former topless dancer Frenchy (Tracey Ullman), is assiduously baking and selling. The highlight of the film comes in the form of a brilliantly satiric pseudo-60 Minutes report in which Steve Kroft himself chronicles the meteoric rise that this ragtag collection of accidental entrepreneurs takes from obscure small business owners to multi-million dollar corporate giants a report that pokes affectionate fun at the clichéd rags-to-riches theme so essential to our concept of the beloved American Dream.
With this plot switch, we leave Madonna Street and head into `Unsinkable Molly Brown/Pygmalion/Educating Rita' territory as the vulgar, uncouth Frenchy realizes that, even with all her suddenly acquired wealth, she cannot possibly gain true acceptance from the elite cultural snobs she so desperately wants to impress without a little assistance from her own personal Henry Higgins, who arrives in the form of an art dealer named David played by the suave Hugh Grant. Thus, as Frenchy branches out and begins to open herself up to new cultural experiences, the couple begins to drift apart as Ray comes to crave the return to the simpler life of spaghetti and meatball dinners he knows they have left far behind.
Had Allen been able to sustain the cleverness and bite that inform that `60 Minutes' segment throughout the length of the entire film, `Small Time Crooks' might have emerged as more than just the mere piece of entertaining puffery it ultimately is. Indeed, we find ourselves laughing only occasionally and often at jokes or sight gags that would barely register a chuckle in one of Allen's more sophisticated, more edgy and more character-driven works. Special note must, however, be made of some of the actors, prime among them Ullman and the always brilliant Elaine May who, as Frenchy's adenoidal, utterly befuddled and endearingly obtuse cousin, returns to her `A New Leaf' roots and provides some of the sweetest comic moments in the film. Unfortunately, Michael Rapaport, Tony Darrow and Jon Lovitz, as members of Ray's gang, though they all three give outstanding performances, aren't given enough screen time to really let their talents for comic characterization take flight. Hugh Grant is essentially Hugh Grant which is to say that he fulfills the requirements of his part without having to stretch his thespian muscles too much.
The success or failure of a comedy is ultimately determined by how often it is able to elicit laughs from the person watching it. Given that criterion, `Small Time Crooks' rates no better than a mild recommendation (though there is one very funny scene involving safecracking near the end of the film). Yet, if for no other reason than to relish a number of its dazzling performances, `Small Time Crooks' certainly earns at least a casual once-over from any Allen devotee. Guess we have no choice but to mark time right along with him!
"Small Time Crooks" is the latest movie from Woody Allen, and it will likely be seen by the same people who go see all of his other movie (myself included) but will likely not branch out far from there. It's funny, and Allen fans will enjoy it, but it's certainly not an outstanding comedy.
Allen plays Ray, a schlub living in New York who concocts a crazy scene to rob a bank. It involves a cookie store, a tunnel, and lots of drilling. It also stirs up one of the two out-and-out hilarious sequences in the movie.
After the digging sequence, the film takes an unexpected turn (which I will let you discover for yourself), and the section immediately following the "One Year Later" card is the best of the film. Sadly, the brilliant media satire and perfect lines are not repeated again in the film. for the remaining hour.
A lot of people have commented how this is Woody getting back to his roots. Certainly the film starts off like a lot of his early works, and the premise certainly shares a good deal with Take the Money and Run, but I would not put Small Time Crooks on the same level as that film, one of my favorite comedies. While it's certainly a lighter film than his later works, Allen just doesn't have the same bizarre gags and total disregard for reality that the early works had. That insane-genius-laughing-at-us-all energy is missing.
Still, the film looks great and the cast is especially good. I'm sorry we didn't get to see more of Michael Rappaport and John Lovitz, who sadly only appear in the first portion of the film.
Again, the movie isn't bad, it's just no Take the Money and Run. Recommended for Woody fans, but I wouldn't say expect the old master here, rather expect an older master doing his best to relive those early greats.
Allen plays Ray, a schlub living in New York who concocts a crazy scene to rob a bank. It involves a cookie store, a tunnel, and lots of drilling. It also stirs up one of the two out-and-out hilarious sequences in the movie.
After the digging sequence, the film takes an unexpected turn (which I will let you discover for yourself), and the section immediately following the "One Year Later" card is the best of the film. Sadly, the brilliant media satire and perfect lines are not repeated again in the film. for the remaining hour.
A lot of people have commented how this is Woody getting back to his roots. Certainly the film starts off like a lot of his early works, and the premise certainly shares a good deal with Take the Money and Run, but I would not put Small Time Crooks on the same level as that film, one of my favorite comedies. While it's certainly a lighter film than his later works, Allen just doesn't have the same bizarre gags and total disregard for reality that the early works had. That insane-genius-laughing-at-us-all energy is missing.
Still, the film looks great and the cast is especially good. I'm sorry we didn't get to see more of Michael Rappaport and John Lovitz, who sadly only appear in the first portion of the film.
Again, the movie isn't bad, it's just no Take the Money and Run. Recommended for Woody fans, but I wouldn't say expect the old master here, rather expect an older master doing his best to relive those early greats.
I'll say this right upfront, I'm not really a Woody Allen fan. I like his earlier movies where he was simply funny and not trying to figure out the meaning of life or display the ennui of rich Manhattanites. I find those films incredibly ponderous and self-indulgent. But stuff like 'Play it Again Sam' (even though it has the equally whiny Diane Keaton), or 'Take the Money and Run' were his best films.
This film is a return to simple funny. One thing that happened while watching this movie: about 20 minutes into the movie I felt something about this movie was strange, but I couldn't figure out what. Then it hit me: no swearing. I can't remember the last time I saw a movie directed at adults that didn't have swearing. I'm not against swearing in movies by any means, but I have to say, I found it really refreshing. The script was forced to find the funny for real, rather on shock value. Needless to say, it also thankfully doesn't have any of the gross-out humour that passes for comedy in most films these days either. In the hands of most writers, it's not about pushing boundaries, but simply revealing the lack of genuine talent.
Although Ullman does a very good job, and Allen is at his comedic best, Elaine May really shines through in her role and is the one that makes me smile the most. It's a shame that she doesn't get, or take, more roles.
This film is a return to simple funny. One thing that happened while watching this movie: about 20 minutes into the movie I felt something about this movie was strange, but I couldn't figure out what. Then it hit me: no swearing. I can't remember the last time I saw a movie directed at adults that didn't have swearing. I'm not against swearing in movies by any means, but I have to say, I found it really refreshing. The script was forced to find the funny for real, rather on shock value. Needless to say, it also thankfully doesn't have any of the gross-out humour that passes for comedy in most films these days either. In the hands of most writers, it's not about pushing boundaries, but simply revealing the lack of genuine talent.
Although Ullman does a very good job, and Allen is at his comedic best, Elaine May really shines through in her role and is the one that makes me smile the most. It's a shame that she doesn't get, or take, more roles.
I would have never expected a movie like "Small Time Crooks", but one would have to imagine that it could only come from Woody Allen. He plays loser Ray Winkler, who plans to pull off a big heist. But of course, he needs a cover. So, his wife Frenchy (Tracey Ullman) opens a cookie shop above the tunnel that Ray is digging, and lo and behold, the cookie shop is a smash hit, and they never pull off the heist! A year later, Ray and Frenchy are fabulously wealthy, to the point where "60 Minutes" reporter Steve Krofft interviews them. But this all starts exposing the problems in their lives. Maybe crime would have paid after all! Above all, this movie shows that Woody Allen does best when just going for straight comedy. I would say that this was his funniest movie since "Mighty Aphrodite". Also starring are Elaine May, Jon Lovitz and Hugh Grant. You're sure to like it.
SMALL TIME CROOKS (2000) * * * Extremely amusing comedy about a classless, aging ex-con (Woody Allen) with a long-suffering smart-mouthed wife (Tracey Ulman in a great performance) and how his plan to rob a bank with his idiot friends (including Jon Lovitz wearing black socks, shorts, and sandals) takes them into territory they're totally unprepared for. To say more would ruin the fun. If your a fan of Woody's lighter stuff, this one ranks up there with Manhattan Murder Mystery and is maybe a notch below Everyone Says I Love You. Elaine May is hilarious as Ullman's empty-headed cousin. Also stars Hugh Grant and Michael Rappaport.
Wusstest du schon
- WissenswertesThe film contains several references to Sir Arthur Conan Doyle's short story 'The Red-Headed League,' including the plot to break into a bank through the basement of an adjacent storefront and Frenchy's attempt memorize the contents of the dictionary.
- PatzerWhen Denny, Ray, Tommy and Benny first begin digging the tunnel, while discussing who can use the drill, Denny appears to call Ray (played by Woody Allen) Woody. However, after Ray has just said to Denny "Whaddya mean?", Denny starts to repeat Ray's question, saying "Whaddy... I don't know how to work a drill like that."
- SoundtracksWith Plenty of Money and You
Music by Harry Warren
Lyrics by Al Dubin
Performed by Hal Kemp
Courtesy of Columbia Records by arrangement with Sony Music Licensing
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- Small Time Crooks
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- Budget
- 25.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 17.266.359 $
- Eröffnungswochenende in den USA und in Kanada
- 3.880.723 $
- 21. Mai 2000
- Weltweiter Bruttoertrag
- 29.934.477 $
- Laufzeit1 Stunde 34 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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By what name was Schmalspurganoven (2000) officially released in India in English?
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