War Comes to America

This is the final installment of the "Why We Fight" series--a group of seven films made by Frank Capra in order to bolster the war effort. Some of these films have held up well, though I think "War Comes to America" hasn't--and is a weak entry to the series. Most of this is because the narration is very heavy-handed. Subtle, its message isn't and it came out just before the war in the Pacific ended.

The film begins with a brief history of the United States. Then, what follows is a long litany of reasons the US is the bestest place to live on the planet. While much of this is true, it's message goes on way too long and is like a long and boring civics lesson. Even back in 1945, I am pretty sure a lot of folks in the audience felt similarly. Then, tons of documentary footage follows about the war and our reasons for becoming involved in it.

The film probably did a lot to help the war effort but, frankly, there are much better documentaries about the same subjects. The film lacks subtlety and comes across like a pep rally as opposed to a documentary. This one just hasn't held up very well.

This is the 7th and final film in Frank Capra's series "Why We Fight." It sums up the historical and ideological information that was presented in greater detail during the other six films. It is also a rousing summation of what democracy means to Americans and why they must fight to save it, not only for themselves but also for the whole world.

Walter Huston's grandfatherly voice is used effectively to narrate most of the film with a deftly written script. In the hands of a lesser film maker, the materials presented here would be nothing but propaganda on the level used by Hitler. But Capra stirs the spirit at the same time that he is making his point -- namely, freedom is not something that can be taken for granted. Capra skillfully makes his point that if free people don't stand up for themselves, they will likely be crushed by all the darker elements in human nature -- greed, lust for power, and tyranny.

The imagery, the music, and the narration are completely effective and have stood the test of time. Even though the events which this film and the whole series cover have passed, Capra's point about the American Dream and how fragile it is remains relevant and powerful.

War Comes to America (1945)

*** (out of 4)

Seventh and final entry in Capra's "Why We Fight" series centers in on America, their reasons for wanting to stay out of the way and their eventual slide to knowing that the war was the only way out. As usual Capra, or how much he actually had to do with it, fills the screen with all sorts of stock footage of various battles and even more shots of Hitler and his various rants. This time out there's even more polls showing how Americans were viewing the stuff overseas and it's no shock that the majority wanted nothing to do with what was going on in Europe. Looking at the various poll numbers was one of the most fascinating things about this film and especially how the numbers changed over the years. Also worth mentioning are the various turning points that the government finally realized that they were going to have to power up the various military forces here. Again, as with many of the entries in this series, there's a lot of stuff that would probably be called incorrect today but we must remember when this thing was made. One could also roll their eyes when the film talks about freedom of people here yet we know that wasn't really the case in this era. With that said, there's enough here to make it worth watching and the overall feel of patriotism is quite high and works very well. The movie doesn't pull many punches as we get some rather graphic photos of injured children and it certainly hammer home its point of why America should enter the war.

In this final segment of the Why We Fight documentary series, War Comes to America, director Frank Capra puts the focus on America and how it got into World War II. It's no less well-directed than the various other films, or providing in some choice historical goodies. But what makes it stand-out, surprisingly, is how much historical value it has for today, as a document of its time and for people who may have not paid attention to every second in their school history class. At first the film tells us things that we basically already know, what America's good for, our liberties (you may see a bell from time to time saying this), and there's the token image of children practicing the Pledge of Alegiance (and pre "Under God" inclusion!)

Then we get the real meat of the run-time of this relatively short documentary, which is about America's reactions in the 1930's and up to 1940 and 1941 all the way until December 7th at Pearl Harbor. This footage is riveting stuff, even if it is meant, at the time (albeit already by 1945 near the end of things) propaganda for the US Army. It becomes a truly interesting capsule as to the statistical information of how Americans felt about getting involved with the affairs of the Europeans, which side to take or how much with the Nazis, and then how much sympathy to have for the Chinese during their assault from Japan. I'm reminded of today in news when getting all of these polls on various topics, and Capra builds up a staggering time-line. For anyone who thought that America only got involved in World War Two simply for Pearl Harbor need to see this movie.

As usual the footage from various politician speeches, of course FDR, and finally some of the footage of how we got involved in 1941 (even before Pearl Harbor America was preparing their alliance with England and other nations to give them weapons), is excellent and well edited and shot. It's emotional uprising is at just a fine pitch for its time and place, and Capra knows how to get someone, anyone, wanting defeat for the Nazis and Japanese riled up for the just cause. Whether it may leave some things out is arguable, albeit in a 70 minute running time there is only so much they can show. But for what it's worth, it's a superb conclusion to this series, bringing it back around from the Prelude to War segment to remind soldiers (or anyone else watching) Why We Fight.

This is the seventh and last entry in the celebrated documentary series WHY WE FIGHT, dealing with the main events of WWII while it was still raging; ironically, it was the only one I had not watched until now since, when the cycle was broadcast on Italian TV (around 23:00) back in the early 1990s, this episode was never proposed! In retrospect, I wonder whether the station thought it was a two-part film and aborted the screening after they failed to track down its alleged continuation – because, as a matter of fact, the copy I now watched myself actually bore the tell-tale "Part One" on the opening title-card and "End Of Part One" on the concluding one!; the thing is that no source that I know of ever mentions a follow-up to it and, indeed, there exist on "You Tube" prints which omit this bit of misinformation entirely!

Anyway, back then, I recall enjoying this incredibly informative yet highly entertaining franchise and, having caught up with its final segment, I can safely consider this – collectively – as perhaps the greatest documentary ever made. Many efforts of its ilk and era date because they tend to treat the authentic footage with extra reverence and a certain amount of detachment – so that you feel no different than if you had read about it in a history book! Here, however, all the resources of the medium (including animation) are put at the disposal of the film-makers to provide a comprehensive look at the birth of America all the way up to the infamous attack on Pearl Harbor – taking care to explain what it was really up to during its curious period of neutrality – yet one is never bothered by its being a lecture, because the images and the commentary (spoken by Walter Huston and Lloyd Nolan) balance the necessary gravity with an infectious wryness, not to mention an evident passion.

The latter would seem misplaced, i.e. an attempt to sell the idea of America as the greatest nation on Earth, if it were not acknowledged early on that, after all, the country was basically composed of virtually every ethnic group imaginable! Ultimately, one has to admit that Frank Capra – forever the champion in his films of the little guy facing apparently insurmountable odds – was the ideal director to tackle this documentary series and make an enduring classic of it.