Der Betreiber eines Freizeitparks bietet jedem 1 Million Dollar, der die Nacht in einem Geisterhaus mit einer schrecklichen Vergangenheit verbringt.Der Betreiber eines Freizeitparks bietet jedem 1 Million Dollar, der die Nacht in einem Geisterhaus mit einer schrecklichen Vergangenheit verbringt.Der Betreiber eines Freizeitparks bietet jedem 1 Million Dollar, der die Nacht in einem Geisterhaus mit einer schrecklichen Vergangenheit verbringt.
- Auszeichnungen
- 1 Gewinn & 4 Nominierungen insgesamt
Bridgette Wilson-Sampras
- Melissa Marr
- (as Bridgette Wilson)
Bruno Angelico
- Patient
- (Nicht genannt)
Carrie Lauren
- Theme Park Guest
- (Nicht genannt)
Empfohlene Bewertungen
i really dig castle, and of corse, vincent price. you just can't go wrong with vincent price for sheer menace... and camp!
the remake has changed a few things. it's set in an insaine assylum instead of a house. (i am sure this is to utilize f/x and freak-scares as much as possible.) the opening credits had this we-really-want-to-be-a-Seven-kind-of-movie feel to it, but when you get in to the actual film about 5 minutes the freaky feeling is gone and it's just another new-hollywood horror film.
there is an association between the guests and the house to tighten the story up more, and the f/x are really groovey.
don't get me wrong, i LIKED the film. it just didn't keep up on the creepyness it promised to have in the opening credits and only hinted at throughout the film. if you want to see a good scary film-see this,if you want to get the creeps-see the original in w/s in a dark room...
the remake has changed a few things. it's set in an insaine assylum instead of a house. (i am sure this is to utilize f/x and freak-scares as much as possible.) the opening credits had this we-really-want-to-be-a-Seven-kind-of-movie feel to it, but when you get in to the actual film about 5 minutes the freaky feeling is gone and it's just another new-hollywood horror film.
there is an association between the guests and the house to tighten the story up more, and the f/x are really groovey.
don't get me wrong, i LIKED the film. it just didn't keep up on the creepyness it promised to have in the opening credits and only hinted at throughout the film. if you want to see a good scary film-see this,if you want to get the creeps-see the original in w/s in a dark room...
... in that pieces of the plot are borrowed, but there is quite a bit of original material added including background information , and I'd say this version is much scarier than the 1959 William Castle film. The only thing the original had that this one lacks is the irreplaceable Vincent Price, and this 1999 version does a bit of homage to him by naming the wealthy man Stephen Price who hosts a birthday party for his wife in a supposedly haunted house.
As in the original ,the Prices are hostile to each other, but Mrs. Price is staying because she gets no money in a divorce but gets it all if Mr. Price dies. Also, as in the original, there are five guests who get - in this case - one million dollars each if they stay the entire night. Anybody who leaves forfeits their money to the others. What's different? Well the road the plot takes from there is different, and the beginning of the film details the origins of the haunted house. It was originally the Vannacutt Psychiatric Institute for the Criminally Insane run by the sadistic Dr. Vannacutt. In 1931 the inmates manage to free themselves from their cells and start a fire that kills all of the patients and all but five of the staff. The house has meant death or tragedy to anybody who lived in it since.
So the five guests who arrive are not who Price invited. His wife doesn't know them either. And after everybody is inside it turns out that turning chicken and wanting to leave would be futile because the house shuts itself down, sealing every window and door. It was a feature when the place was an insane asylum in case of escape.
So at this point wouldn't it be wise just to sit in the civilized renovated upstairs portion of the house, all in one little group, and wait out the night? But no. This group goes down the fateful but familiar path of "Some malevolent force is out to get us so let's split up and explore the basement", which is the original insane asylum part of the house. Downstairs interesting frights and discoveries about exactly who the guests are await them, and I'll just let you watch and find out what happens. It does rely quite a bit more on suspense and less on gore than most modern horror films. I'll just say this thing scared me to death when I saw it in the theater years ago, and the William Castle/Vincent Price version was eerie and psychologically interesting, but I have never found it all that frightening.
As in the original ,the Prices are hostile to each other, but Mrs. Price is staying because she gets no money in a divorce but gets it all if Mr. Price dies. Also, as in the original, there are five guests who get - in this case - one million dollars each if they stay the entire night. Anybody who leaves forfeits their money to the others. What's different? Well the road the plot takes from there is different, and the beginning of the film details the origins of the haunted house. It was originally the Vannacutt Psychiatric Institute for the Criminally Insane run by the sadistic Dr. Vannacutt. In 1931 the inmates manage to free themselves from their cells and start a fire that kills all of the patients and all but five of the staff. The house has meant death or tragedy to anybody who lived in it since.
So the five guests who arrive are not who Price invited. His wife doesn't know them either. And after everybody is inside it turns out that turning chicken and wanting to leave would be futile because the house shuts itself down, sealing every window and door. It was a feature when the place was an insane asylum in case of escape.
So at this point wouldn't it be wise just to sit in the civilized renovated upstairs portion of the house, all in one little group, and wait out the night? But no. This group goes down the fateful but familiar path of "Some malevolent force is out to get us so let's split up and explore the basement", which is the original insane asylum part of the house. Downstairs interesting frights and discoveries about exactly who the guests are await them, and I'll just let you watch and find out what happens. It does rely quite a bit more on suspense and less on gore than most modern horror films. I'll just say this thing scared me to death when I saw it in the theater years ago, and the William Castle/Vincent Price version was eerie and psychologically interesting, but I have never found it all that frightening.
Rich but eccentric millionaire Steven Price is looking for the ultimate scares. He invites a group of people to spend the night in the former Vannacutt Psychiatric Institute for the Criminally Insane where the inmates revolved in a orgy of violence against the cruel regime of Dr Vannacutt. The one who does spend the night will get $1million dollars. However it soon becomes evident that not all the scares are set up by Price himself.
This remake of the old 1958 movie sees the plot expanded and made a lot more creepy and enjoyable. In fact the end point of the original is only the halfway mark of this one. The plot may not be imaginative but the delivery is very good for this type of film. I'm not a big fan of horror or this type of Hollywood slasher movie as I find them too obvious and not scary. However here the gore is well used and the general creepy mood wins the film. The movement of the deceased Dr Vannacutt is very creepy and is much better than some of the gore.
Sadly the final 20 minutes feels it needs to reveal a bigger evil and the secrets of the house are brought to life in boom of CGI beasties. At this point it reverts to form and because just another Hollywood creature feature and it is a bit of a let down. However up to this point it works very well and it's real creepy.
The cast are all pretty good and do `camp' when necessary but don't take away from the terror that's coming later. Rush plays nicely to the camp in his homage to Price's role in the original. Jensen, Diggs, Gallagher and Kattan all do well and the cast do better than the scream queens that usual inhabit these films.
Overall the film starts like any other Hollywood horror but the clever direction, creepy music and imaginative visuals of Dr Vannacutt all create a creepy feel to the film that is better than the gore that also comes. The final section slides back into standard fare with the old CGI evil coming to get us but up till then it's surprisingly good stuff.
This remake of the old 1958 movie sees the plot expanded and made a lot more creepy and enjoyable. In fact the end point of the original is only the halfway mark of this one. The plot may not be imaginative but the delivery is very good for this type of film. I'm not a big fan of horror or this type of Hollywood slasher movie as I find them too obvious and not scary. However here the gore is well used and the general creepy mood wins the film. The movement of the deceased Dr Vannacutt is very creepy and is much better than some of the gore.
Sadly the final 20 minutes feels it needs to reveal a bigger evil and the secrets of the house are brought to life in boom of CGI beasties. At this point it reverts to form and because just another Hollywood creature feature and it is a bit of a let down. However up to this point it works very well and it's real creepy.
The cast are all pretty good and do `camp' when necessary but don't take away from the terror that's coming later. Rush plays nicely to the camp in his homage to Price's role in the original. Jensen, Diggs, Gallagher and Kattan all do well and the cast do better than the scream queens that usual inhabit these films.
Overall the film starts like any other Hollywood horror but the clever direction, creepy music and imaginative visuals of Dr Vannacutt all create a creepy feel to the film that is better than the gore that also comes. The final section slides back into standard fare with the old CGI evil coming to get us but up till then it's surprisingly good stuff.
I was expecting the worst--a remake of a lousy 1950s Vincent Price flick (I HATE the original--talk about boring!) and there were no previews--never a good sign. I was surprised to find an intelligent, scary movie. There was gore and violence, but they didn't overdo it (except for the part when someone was given shock treatment--talk about harrowing!). The script was intelligent--all the characters talk and, sometimes, act like real people. And, thankfully, no stupid in-jokes or character to provide "comic" relief. Everything is dealt with seriously which just adds to the tension. The setting is scary--the "house" (actually an abandoned asylum) LOOKS evil, and inside it's all darkness and cobwebs. The acting...well...Rush is having a GREAT time in his role, and it rubbed off on me. Every time he was on screen I enjoyed it. The rest of the cast is OK, but anyone could have played these roles...they were just mostly reacting to special effects. The only real disappointment here was Taye Diggs. He showed that he had charisma, could act and has a GREAT body in previous flicks ("How Stella Got Her Groove Back"; "GO"; "The Wood"). So why does he give such a so-so performance here--he's even worse in "The Best Man". Hopefully he'll start acting again...soon.
I also heard about lousy CGI effects in this movie. When the CGI effects go barreling out of control at the end though, I was scared! I'm a veteran of hundreds (literally) of horror films so I don't scare easy. The only weak part was a real stupid "surprise" at the end that comes out of nowhere. Other than that it worked.
So, this is a good, scary horror film. Worth shelling out full price at a cinema--DON'T wait for the video. This works great in a dark theatre with excellent stereo sound--it won't work on a TV.
I also heard about lousy CGI effects in this movie. When the CGI effects go barreling out of control at the end though, I was scared! I'm a veteran of hundreds (literally) of horror films so I don't scare easy. The only weak part was a real stupid "surprise" at the end that comes out of nowhere. Other than that it worked.
So, this is a good, scary horror film. Worth shelling out full price at a cinema--DON'T wait for the video. This works great in a dark theatre with excellent stereo sound--it won't work on a TV.
Asylums. Crazy people. Insanity. Mental therapy, mental hospitals, mental patients have been used time and time again in horror fiction and horror films. Why? I'm not sure; maybe, it is the normality of being like those that are insane which brings a more genuine horror to us. Whatever it is, House on Haunted Hill certainly uses all the mental derangement cliches to full effect. I could easily pan this film by saying(and rightly so) that its predecessor, the original House on Haunted Hill directed by William Castle, is a far superior film. That Castle's film was filled with better acting, better timing, and easily a better script. But I liked this film, which is not really a remake entirely. It has many elements that are not in the first film; most of them centering around the mental aspect aforementioned. The house in this film was once an asylum where people...thousands perhaps..were brutally butchered in the name of mental good health. The house is scary. Empty corridors, large, vast rooms, incredible special effects all add to the frightening aspects of the film. The biggest problem with the film is that much of it just doesn't add up in terms of making sense of the plot. The film fortunately is more special effects driven than plot driven, and at least is able to deliver the goods in that arena. The acting is pretty good with all the leads really doing quite a good job. Geoffrey Rush gives his best Vincent Price impression(pencil-thin mustache and all) delivering lines with bravura gusto. The other exceptional standout is Chris Kattan as Watson Pritchard. Kattan is just wonderful in the role showcasing his obvious talent. As far as great horror films go...this film is adequate, yet very thrilling, exciting, and entertaining. If you are like me and love the old one...just look at this film as a totally different entity. It is. One thing is for sure...it is one heck of a rollercoaster ride!
Wusstest du schon
- WissenswertesGeoffrey Rush was never meant to look like Vincent Price (star of the original film Das Haus auf dem Geisterhügel (1959)). The original screenplay described Stephen Price as a regular looking businessman. Rush didn't care for this, so he suggested that his character look like the film director John Waters. The director agreed to test this look out. After his transformation, he ended up looking so much like Vincent Price the director decided to keep the look.
- PatzerSome of the warnings in the basement are in very bad German - it seems somebody just used a dictionary and translated the English lines word-for-word. For example, one sign has the phrase "Steh zurück!" which means something like "Stay back!". A correct translation would be "Zurückbleiben" or in this context "Eintritt verboten" ("No admittance").
- Crazy CreditsAfter the final credits, there is an additional scene that features Steven and Evelyn strapped down on Vannacut's vivisection table. The scene ends with Vannacut watching as one hears Steven and Evelyn's screams.
- Alternative VersionenDue to numerous circumstances (i.e. running time constraints and what not) a great deal of footage was excised from this motion picture. Three of the most important scenes were returned for the DVD release. They are:
- two different versions of the same scene involving the real Jennifer Jenzen (Debi Mazar), a haughty, foul mouthed, arrogant movie producer and her assistant Sara (Ali Larter), who are on the set of a cheap drama Jennifer is producing. In one version, the set is in the courtyard of a regular house where a woman is telling a man, who is suffering from a seemingly terminal illness, to embrace life in spite of his condition. In the other version, a young couple, who seem to be medieval peasants, are frolicking on a meadow, falling to the ground and making out. In both versions, unhappy with the lack of sex and nudity in the film that could bring in the teen male audience, Jennifer curses the director out. Sara then arrives with a strange Art Deco music puzzle box that came in the mail for Jennifer. Despite Sara's advice and a warning label on the box, Jennifer arrogantly opens it the wrong way just because she was told not to, and cuts her finger on it. Sara laughs at this so vengeful Jennifer fires her on the spot and gives her the box to get rid of it. Sara however, finds the invite for the party on Haunted Hill in the box, and, although shocked by Jennifer's impromptu decision to fire her, she still tries to tell Jennifer about it, but when Jennifer refuses to hear her out, Sara just takes the invitation for herself and leaves, smiling.
- a scene towards the climax when Eddie Baker (Taye Diggs) and Sara are running from the shadow demon exploding the floorboards, they are led into a dead end. Eddie jumps onto a hanging light fixture, holding onto Sara as the floor beneath them explodes. He loses his grip on Sara and she falls through the hole into a subterranean cavern beneath the house where the remains of Doctor Vannicut's victims lie. The shadow creeps into the cavern and reanimates the dead bodies causing this huge zombie attack. Eddie drops down and saves Sara and the chase continues from where it left off in the finished cut of the film (however, if you notice, in the finished cut of the film during the chase scene there is a continuity error when Sara's running. In one shot she's wearing her jacket and in the other it's mysteriously vanished, it's vanished because during the cut portion of this climactic chase, Sara loses her jacket when she falls into the cavern. Her jacket is then used by Eddie to pull her up and out to safety).
- an epilogue was also cut from the film involving the real Jennifer Jenzen (Debbie Mazar) inheriting the house on haunted hill. When she goes to check it out with real estate agent Dick (played by Jeffrey Combs (who is also Dr. Vannicut!) we see her enter the house and then a horrifying scream follows. The scene was cut because director William Malone felt the scene was a bit too humorous for the film and that it did not fit what was filmed at all).
- SoundtracksSweet Dreams (Are Made of This)
Written by Annie Lennox and David A. Stewart
Performed by Marilyn Manson
Courtesy of Nothing/Interscope Records
Under License from Universal Music Special Markets
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- La residencia del mal
- Drehorte
- Griffith Observatory - 2800 E Observatory Rd, Los Angeles, Kalifornien, USA(House on Haunted Hill entrance)
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 37.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 40.846.082 $
- Eröffnungswochenende in den USA und in Kanada
- 15.946.032 $
- 31. Okt. 1999
- Weltweiter Bruttoertrag
- 42.593.455 $
- Laufzeit1 Stunde 33 Minuten
- Sound-Mix
- Seitenverhältnis
- 1.33 : 1(original ratio, open matte)
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