Battlefield Earth - Kampf um die Erde

This movie makes you wonder why on IMDb we are forced to give a movie as dreadful as this a minimum of 1/10 when it quite rightly deserves a vote of 0/10.

In all my life I have never seen such rubbish!

The alleged "acting" unbelievable.

What was John Travolta thinking when he made this pile of ......... ?

All involved with this deserve to never be involved in the movie industry ever again.

The "story" is unfathomable (is that a word?) , made not the slightest sense from beginning to end. Have not had to sit through something so silly and boring in all my life. Even if you are offered to see this at no cost , just run for the exit!!!

Has to be the worst film ever made, nothing makes actually sense, the filming, framing, style, tone filters, audio, editing, just about everything in this film is horrendous. 2.5 is too high for this film, this is the moment you wished a negative would pop up magically so you could push it further down.

It is the year 3000. Many years have passed since the world was conquered by an evil race called the Psychlos in order that they would strip it of its resources just as they had countless other planets. Man has been forced back to the Stone Age, slowly dying out in small, ineffective pockets of resistance around the world. Sent out from his community, Jonnie Goodboy Tyler stumbles across two other survivors who tell him of a place of the gods – a place that turns out to be a former city. While resting overnight the group is come across by the Psychlos and both Jonnie and Carlo are captured. A plot by one of the Psychlos to outsmart his bosses (who have deserted him on earth by turning down his bid for a transfer) opens the door for Jonnie to learn a great deal about his new masters and gradually he becomes the last real hope for mankind.

Being a film critic must be a hard job to do at times. Many of the films you watch will not be brilliant, nor will they be terrible – most will be OK and nothing more. Therefore when reviewers get a chance to gush, they generally take it. Likewise, when a bad film does come to the big screen and reviewers get to see it, they often will take great pleasure in putting the boot it – we see it with at least one big budget film each year (2004 was Catwoman). So I usually will try and view a really panned film because I am aware that sometimes the critics are just being unfair – however, most of the time I'll wait until it comes to TV to make that decision. With Battlefield Earth, I must concede that it is a pretty bad film – but maybe not as bad as the many critics all said, although it would be easy to just keep kicking it in the same way as everyone else does.

The film does have some very basic ideas that offer potential but these are squandered with a script that bulks out with bad dialogue, poor story development and an overall poor delivery that makes it a film that is certainly a mess, if not 'the worst film of all time™'. The story quickly goes wrong by making massive plot jumps with its two threads (Jonnie and Terl) that it quickly becomes tiresome. It is not just that major parts of it make little sense (even if you are trying to get into it) it is also that the film makes it harder for itself by taking itself so seriously. If the film had been exciting and entertaining then I could have forgiven these jumps but the way it holds itself in such high regard means we have to meet it on its own terms – something that I found nigh on impossible to do with this. Whenever we are asked to accept that planes would have survived intact over 1000 years, or that anyone could learn to fly them in a matter of days then it is really asking too much if it also expects me to take it 100% seriously at the same time.

The film has clearly had money spent on it, and it isn't that the effects look bad, it is more that they feel over-designed. The Psychlos (cr*p name) look like nobody knew when to stop adding bits and they do look a bit absurd – like a Klingon but with more bits! Similarly the transport craft and alien sets all feel like somebody has just ripped off other films and then tried to combine them; the end result is the look of a cheap sci-fi that looks like it is a sci-fi film as opposed to a 'real' futuristic world. It is hard to describe and maybe I'm doing it badly but to me the film looked like the alien future's of a thousand sci-fi movies, not an alien future that exists outside of late night TV and, as such, it was even less engaging. Of course it didn't help that the direction was so ham fisted that Christian should be asked to return his Oscar out of good will. The opening action scene is delivered in a terrible slow motion that sucked all the potential out of it – a technique that is sadly used for most of the action scenes. The stuff with the harriers near the end is so silly that even a good director couldn't have saved it; but Christian is not a good director here and he makes it worse and robs it of any excitement or pace it may have had.

With such a poor product to sell to us, even an all star cast would have struggled – so imagine the trouble that one fading star and a collection of minor support actors have with it. Travolta tries hard but he can find nothing of value. He looks terrible and his performance is just so…obvious and easy – there is nothing to watch here, partly due to him but also to the wider failings of the film. Pepper was a very strange choice for such a big role and, try as he might, he cannot get past the absurdity of the whole thing and he comes across as part of the silliness, taking his character way too seriously for the material – but I suppose he was only matching the mood of the film. Whitaker has nothing to do and even an appearance from the likable, low-rent baddie Kim Coates brought nothing to the film. I don't even know the rest of the cast by name but suffice to say that none of them can do anything worth seeing.

Overall this is a very poor film and, although I don't wish to join the mob by just kicking it, I didn't find any reason not to. The direction is awful but is at its worst in the action scenes. The effects are not awful, they just feel like generic, overdone sci-fi fare with little or no imagination – a big surprise when you consider that the director was nominated for an Oscar for Alien and won one for Star Wars for the very discipline of art direction! The script is clunky and the story full of moments that are, at best, illogical and, at worst, silly, stupid and laughable. The end result is a product that is a real mess with almost nothing of value in it. It is relentlessly shoddy and I almost wish the 'worst film ever' hype would drop off just so that this film could slowly fade from our memory and be lost in time.

My spouse and I went to see this on opening night. We were expecting to see an extremely bad and costly film, and we were not really disappointed. It is a testament to John Travolta's genius that his career survived this disaster at all.

As they say, garbage-in, garbage out. Start with an L Ron Hubbard novel (your first mistake) featuring a completely plagiarized dark-skinned, war-like and hairy alien culture with wrinkly foreheads (if this sounds like Klingons to you, I thought so too!), and add unfortunate Barry "can't get a break" (or maybe it should be 'cant pick a script') Pepper and all you need is Travolta himself - playing the arrogant, merciless, slightly effeminate and quite under-sized leader of the alien colonists. Remove any hint of character development from the script and use the worst of the worst black box technobabble explanations for plot devices. Finally, stay true to the idiotic gibberish you based the film on in the first place, and you've got the makings of a rolling-on-the-floor comedy.

In fact, opening night, in a packed theater, people started laughing out loud about 20 minutes into the film and never really stopped. We had a great time that night. Halfway through the film more than half the crowd was actually interacting with the film, asking "Mr Worf, where's Commander Riker?" and asking troublesome questions about how many hundreds of years gas would remain viable in the gas-tank of a Harrier.

If you need to know about the plot - it's this simple - Earth has been conquered by an amazingly stupid group of Klingon-like aliens, and the remaining humans live in a large domed slave labor camp where they are taught that their sole purpose is servitude because they are stupid, weak, etc. Barry Pepper somehow becomes convinced that he's not born to be a slave, and learns to fly a harrier, etc. It's really not worth the effort of typing. There are a few not-so-subtle and not very original but good messages about ethnocentrism to be found here, but not much else. Some day when you need a good laugh, rent this or borrow it from your local bad film collector.

This monster flop has an interesting story outline filled with garbage. The aliens have weaknesses that make even the non-rocket scientist in the audience wonder "how did these guys survive long enough to conquer anyone?" The next question I found myself asking is this, "How long would certain things (books, computer-dependent machinery, combustion engines) last and still be of any use to anyone?" Too many things you see in the movie are simply beyond belief. But this is science fiction you say? Of course. The point is that the basic story could have been told without any of these ridiculous questions bugging the viewer if the people making it had just thought things out for an hour or two. I understand that suspension of belief is a requirement of sci-fi fans but you have to limit it to just what is necessary to tell the story you are trying to tell.