The League of Gentlemen

'The League of Gentlemen' is a work of genius. Not only is it completely original, but it manages to combine horror with laughs, resulting to perhaps, a new breed of black comedy. Deterring from the reality-based storylines of the common modern comedy shows, the LoG goes on another direction, twisting the boundaries of the trite 'real' world, so as that it becomes a whole new freakishly morbid and surrealistic dimension. Don't get me wrong, it really isn't THAT twisted... or maybe it is... Anyway, its up for you to decide...

'The League of Gentlemen' is also strongly addictive. Yes, the tagline is correct... Welcome to Royston Vasey. You'll never leave!

What a great great series. You know, there has never been anything like this and I don't think there ever will.

If I were to have been told about the project, I don't think I would have known what to expect. Imagine what the original script must have been like. With the finished product like this, imagine the creative process!!

But seriously, this is a unique product. I am not sure what these guys are on but it sure works.

The base of this series is that we all have our version of Royston Valley. The fact that it is a horrible place and the perfect setting for a horror story. To make it a comedy is a work of genius. It is one of the few programs that I can watch again and again.

This series premiered on the cable TV station "Comedy Central" in the United States. It was chopped to death, and shown out of sequence. This was sad for the audience it should have attracted, it didn't and fell by the wayside. Luckily, at the same time my cable company went digital and I got the BBC. Thank goodness because I got to see "The League of Gentlemen" in order, complete and uncut.

"The League of Gentlemen" troupe is right up there with England's "Monty Python's Flying Circus" and Canada's "The Kids in the Hall". But..a warning.

"The League of Gentlemen" though are one step beyond. It's not only about dressing in drag and lampooning the cultural ills, it goes deeper and much, much, darker. I can tell many of you now -- it will offend certain groups of people, it will enrage others. But remember, its only comedy..dark, dark comedy. If that is not your thing, don't watch. If you think you KNOW dark comedy, watch this -- if you get angry and upset, then you don't quite know DARK COMEDY.

These guys got it right, and right on the button. They are brilliant, they are excellent and I enjoyed each and every character creation. There's a COMPLETE story that is told here from episode one to the end. You cannot watch this one episode at a time, willy nilly, that is one of the charms of this series. Watch it in order. See how creative and stylish and deeply disturbed these guys are. No one and nothing is out of bounds. That, my dears, is "dark humor". Bravo!

90% of British sitcoms bore me to tears but when they're good, they are very, very good. This is one of the very best. L.O.G. has to be the most inventive and original comedy series I've seen since the heyday of 'The Young Ones'/'Comic Strip Presents', and personally I find it much more consistently funny.

Set in the bizarre, isolated Northern town of Royston Vasey, L.O.G. mixes classic surreal Brit humour fans of Python and 'The Goodies' grew up on with dark and disturbing touches closer to David Lynch. There are nods to 'The Wicker Man', 'Dr Who', Quatermass, 'Tales Of The Unexpected' and the like, so fans of weird 1970s TV and movies will get more out of this than those unfamiliar with the territory. A very strange mixture that works brilliantly. Black, eccentric and extremely funny. I'm hooked!

If you haven't encountered the League of gentlemen before *whats wrong with you*?? In short, its like what would happen if Kids in the Hall performed Twin Peaks playing all the characters (Mark as Log Lady or Bruce as Nadine the eye patch lady). And all this set in the moorland backwaters of Northern England much beloved by previous writers like James Herriot or The Brontes. The show has also been described as Twin Peaks-Mervyn Peake-Peak Practise which is also apt. You don't have to come from Northern England (like me) to 'get it' - most jokes are universal to those with similar senses of humour.

Anyway - the story is as follows. the League are Mark Gatiss, Steve Pemberton, Reece Shearsmith and Jeremy Dyson (writer who does not perform). The show started out at Edinburgh fringe (where it won the Perrier award), then BBC Radio 4 and then on to BBC TV. The 3 series so far follow the lives of various residents of Royston Vasey, the town you will never leave. All characters (male and female) are performed by Gatiss/Shearsmith/Pemberton.

this is an amazing feat and shows the versatility and talent of each performer.

Characters include a homicidal snub-nosed couple who run a local shop, a bigoted vicar, a lesbian ex-con once proud restart officer and an inept vet with strong shades of that Herriot creation Tristan Farnham amongst others. Papa Lazarou is one of the most enduring creations - he is like a bizarre hybrid of a black & white minstrel, Jerry Sadowitz, Pennywise from IT and a white-slave-trader. The show is also a must for any fan of horror and cult movies as the references to classics like "The Wicker Man", "Don't Look Now", "the Jungle Book", "The Railway Children" and more humble fare like 80s kids show "Pipkins" will keep film fans eager and happy for a long time. Above all its very funny and very clever - from visual jokes (animal face painting and draining the swede being favourites) to subtle in-depth homage (the portmanteau style of Xmas special echoes Amicus classics like "Asylum")

Series one and two followed a similar pattern whilst the Gents departed with form and took a brave step with series 3 making some dramatic changes. The Xmas special was perhaps key in this change also. Gone were some old favourite characters and new ones were introduced. Episode formula was less sketch driven and story lines were longer. And also a new theme tune was introduced with shades of "Scheulmadchen report" with it grooviness. But some 'fans' hated the changes (dullards) because they broke with the norm and indicated a bold change in direction. I personally **love** the new changes(like a lot of fans) and think that Series 3 contains some of the best work done so far. Thank god they got rid of the laughter track!!!!! Kudos to the guys for not being formulaic and always challenging expectations and actually *thinking* about what to bring along next. The work is thus fresh, complex and keeps you on your toes. Hooray to that as there is nowt as bad as stale comedy.

NOW BRING ON THE FILM!!!!!