Füge eine Handlung in deiner Sprache hinzuA chance encounter alters a teenage girl's perception of herself and her outlook on life.A chance encounter alters a teenage girl's perception of herself and her outlook on life.A chance encounter alters a teenage girl's perception of herself and her outlook on life.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 3 Nominierungen insgesamt
Richard Alliger
- Blackjack Skeptic
- (as Rich T. Alliger)
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It is obvious that director Lisanne Skyler has tremendous respect for the writings of Joyce Carol Oates. She weaves several stories together in this intriguingly conceived film about lost souls meeting in a bus station. Heather Matarazzo follows up her amazing performance in Welcome To The Doll House with a more measured, but nonetheless brilliant, essay of a displaced teen trying to make sense of what is left from her life.
Zach Braff is phenomenal in the confined role of her brainy and equally depressed brother. Bebe Neuwirth also shines as their mother, Trixie. Only Mark Blum as the father seems badly miscast.
Bo Hopkins does a wonderful supporting turn as a security guard, and Chris Noth and Celia Weston also bring great panache to their supporting characters. Skyler does a masterful job weaving the different stories and diverse characters into her quilt in the first 60% of the film. However, the pacing slows down considerably and her directorial rhythm falters when she focuses solely on the narrative explaining the siblings' predicament which quickly decays into a study of repetition.
However, viewers who persevere will be rewarded. Upon returning to the bus terminal, the characterizations are bestowed dimension in quite skillful and unexpected manners.
Zach Braff is phenomenal in the confined role of her brainy and equally depressed brother. Bebe Neuwirth also shines as their mother, Trixie. Only Mark Blum as the father seems badly miscast.
Bo Hopkins does a wonderful supporting turn as a security guard, and Chris Noth and Celia Weston also bring great panache to their supporting characters. Skyler does a masterful job weaving the different stories and diverse characters into her quilt in the first 60% of the film. However, the pacing slows down considerably and her directorial rhythm falters when she focuses solely on the narrative explaining the siblings' predicament which quickly decays into a study of repetition.
However, viewers who persevere will be rewarded. Upon returning to the bus terminal, the characterizations are bestowed dimension in quite skillful and unexpected manners.
Martarazzo, Weston, and Braff are amazing in the three lead roles of this independently made slice-of-life film. Bebe Neuwirth plays the mother with her customary excellence. Terrific support is supplied by Bo Hopkins, Celia Weston, Mary McCormack, and Tristine Skyler as people hanging around the bus station. The intermingling of Joyce Carol Oates short stories as apocryphal tales told by Weston is brilliant. However, the film bogs down significantly when it comes time to reveal Martarazzo and Braff's family secrets. Nevertheless, a nice touch at the end brings is helpful in restoring the magic. Altogether, this is a nice independent effort for the promising Lisanne Skyler, but it could have been a tad tighter.
An unlikely concept to link together three short stories with the theme that all are waiting at the same bus depot sounds rather a cliche but the remarkable writing pulls everything together flawlessly. Almost all the acting is very strong. I think there are some future stars here. I think most Americans will be able to identify with what happens to these characters, even if their own lives are actually a little more calm. The best and the worst of the human spirit are both realistically intertwined.
10a.v. boy
This is a film drawn from the literature of Joyce Carol Oates, a synthesis of several short stories written into a powerful script which really highlights the talents and abilities of this cast. Well-acted, well-directed, and technically excellent, this film has superior production values in every way.
Heather Matarazzo is brilliantly believable in her role as Judith, an apparently quiet and vulnerable young woman, who we find is strong and resilient once we get to know her better. She, Zach Braff as her brother, Wesley, and Michael Weston as Jimmy, the denizen of the bus station, form the core of this powerful ensemble piece. The characters are played with real personality and a lack of stereotype.
Judith and Wesley are the above-average children of Trix and Darrell, two initially likable, but dysfunctional, parents outstandingly depicted by Bebe Neuwirth and Mark Blum. In its way, this is the antithesis of many "teen" movies, and refreshingly so. Part of the strength of the movie is that nothing is obvious, nothing gift-wrapped, the complex characters never fully explained.
The supporting cast is uniformly excellent, a tribute not only to the actors themselves, but undoubtedly to the fine directing as well.
A brilliant piece of writing, the story is both simple and complex. It is slowly revealed, rather than simply told, and at every point along the way, you are engaged in its unfolding. Vignettes carry the story along, some told from the point of view of Jimmy, the mysterious kid in the bus station, others through the recollections of Wesley and Judith. Slowly, the characters, and we, come to understand their own reality.
Heather Matarazzo is brilliantly believable in her role as Judith, an apparently quiet and vulnerable young woman, who we find is strong and resilient once we get to know her better. She, Zach Braff as her brother, Wesley, and Michael Weston as Jimmy, the denizen of the bus station, form the core of this powerful ensemble piece. The characters are played with real personality and a lack of stereotype.
Judith and Wesley are the above-average children of Trix and Darrell, two initially likable, but dysfunctional, parents outstandingly depicted by Bebe Neuwirth and Mark Blum. In its way, this is the antithesis of many "teen" movies, and refreshingly so. Part of the strength of the movie is that nothing is obvious, nothing gift-wrapped, the complex characters never fully explained.
The supporting cast is uniformly excellent, a tribute not only to the actors themselves, but undoubtedly to the fine directing as well.
A brilliant piece of writing, the story is both simple and complex. It is slowly revealed, rather than simply told, and at every point along the way, you are engaged in its unfolding. Vignettes carry the story along, some told from the point of view of Jimmy, the mysterious kid in the bus station, others through the recollections of Wesley and Judith. Slowly, the characters, and we, come to understand their own reality.
I was totally involved in this movie. It was so intimate--frighteningly intimate. I loved the way that the characters stories slowly evolved. I also loved the settings in the down-and-out areas of New Jersey: neighborhoods on the verge of falling into complete collapse, but not there yet.
All the actors were remarkable, particularly Heather Matarazzo and the actor who played Jimmy. My only criticism is that everything is tied up so neatly: people resolve problems by remembering and admitting the awful things that happened in their lives. It's not so easy in real life. Oh well, that's the movies, and this is a very good movie.
All the actors were remarkable, particularly Heather Matarazzo and the actor who played Jimmy. My only criticism is that everything is tied up so neatly: people resolve problems by remembering and admitting the awful things that happened in their lives. It's not so easy in real life. Oh well, that's the movies, and this is a very good movie.
Wusstest du schon
- WissenswertesThe movie Dreamland, also directed by Lisanne Skyler, appears on a cinema marquee.
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By what name was Getting to Know You (1999) officially released in Canada in English?
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