Füge eine Handlung in deiner Sprache hinzuA chance encounter alters a teenage girl's perception of herself and her outlook on life.A chance encounter alters a teenage girl's perception of herself and her outlook on life.A chance encounter alters a teenage girl's perception of herself and her outlook on life.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 3 Nominierungen insgesamt
Richard Alliger
- Blackjack Skeptic
- (as Rich T. Alliger)
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10JP-43
One of the smartest adaptations of previously published material, "Getting to Know You" is a powerful look at family dysfunction, and perserverence in the face of abject personal adversity. Director Lisanne Skyler and sister Tristine (who also appears in the film) not only get the essence of Joyce Carol Oates' stories, but in fact improve upon their emotional resonance. Beautifully shot, beautifully acted (Michael Weston is a revelation in his film)... just a gorgeous and stirring film.
Martarazzo, Weston, and Braff are amazing in the three lead roles of this independently made slice-of-life film. Bebe Neuwirth plays the mother with her customary excellence. Terrific support is supplied by Bo Hopkins, Celia Weston, Mary McCormack, and Tristine Skyler as people hanging around the bus station. The intermingling of Joyce Carol Oates short stories as apocryphal tales told by Weston is brilliant. However, the film bogs down significantly when it comes time to reveal Martarazzo and Braff's family secrets. Nevertheless, a nice touch at the end brings is helpful in restoring the magic. Altogether, this is a nice independent effort for the promising Lisanne Skyler, but it could have been a tad tighter.
I was totally involved in this movie. It was so intimate--frighteningly intimate. I loved the way that the characters stories slowly evolved. I also loved the settings in the down-and-out areas of New Jersey: neighborhoods on the verge of falling into complete collapse, but not there yet.
All the actors were remarkable, particularly Heather Matarazzo and the actor who played Jimmy. My only criticism is that everything is tied up so neatly: people resolve problems by remembering and admitting the awful things that happened in their lives. It's not so easy in real life. Oh well, that's the movies, and this is a very good movie.
All the actors were remarkable, particularly Heather Matarazzo and the actor who played Jimmy. My only criticism is that everything is tied up so neatly: people resolve problems by remembering and admitting the awful things that happened in their lives. It's not so easy in real life. Oh well, that's the movies, and this is a very good movie.
this is now one of my favorite films of all time. the way everything played out was amazing. not to mention, the movie kept my interest the entire time. this was, without a doubt, heather matarozzo's best work.
10a.v. boy
This is a film drawn from the literature of Joyce Carol Oates, a synthesis of several short stories written into a powerful script which really highlights the talents and abilities of this cast. Well-acted, well-directed, and technically excellent, this film has superior production values in every way.
Heather Matarazzo is brilliantly believable in her role as Judith, an apparently quiet and vulnerable young woman, who we find is strong and resilient once we get to know her better. She, Zach Braff as her brother, Wesley, and Michael Weston as Jimmy, the denizen of the bus station, form the core of this powerful ensemble piece. The characters are played with real personality and a lack of stereotype.
Judith and Wesley are the above-average children of Trix and Darrell, two initially likable, but dysfunctional, parents outstandingly depicted by Bebe Neuwirth and Mark Blum. In its way, this is the antithesis of many "teen" movies, and refreshingly so. Part of the strength of the movie is that nothing is obvious, nothing gift-wrapped, the complex characters never fully explained.
The supporting cast is uniformly excellent, a tribute not only to the actors themselves, but undoubtedly to the fine directing as well.
A brilliant piece of writing, the story is both simple and complex. It is slowly revealed, rather than simply told, and at every point along the way, you are engaged in its unfolding. Vignettes carry the story along, some told from the point of view of Jimmy, the mysterious kid in the bus station, others through the recollections of Wesley and Judith. Slowly, the characters, and we, come to understand their own reality.
Heather Matarazzo is brilliantly believable in her role as Judith, an apparently quiet and vulnerable young woman, who we find is strong and resilient once we get to know her better. She, Zach Braff as her brother, Wesley, and Michael Weston as Jimmy, the denizen of the bus station, form the core of this powerful ensemble piece. The characters are played with real personality and a lack of stereotype.
Judith and Wesley are the above-average children of Trix and Darrell, two initially likable, but dysfunctional, parents outstandingly depicted by Bebe Neuwirth and Mark Blum. In its way, this is the antithesis of many "teen" movies, and refreshingly so. Part of the strength of the movie is that nothing is obvious, nothing gift-wrapped, the complex characters never fully explained.
The supporting cast is uniformly excellent, a tribute not only to the actors themselves, but undoubtedly to the fine directing as well.
A brilliant piece of writing, the story is both simple and complex. It is slowly revealed, rather than simply told, and at every point along the way, you are engaged in its unfolding. Vignettes carry the story along, some told from the point of view of Jimmy, the mysterious kid in the bus station, others through the recollections of Wesley and Judith. Slowly, the characters, and we, come to understand their own reality.
Wusstest du schon
- WissenswertesThe movie Dreamland, also directed by Lisanne Skyler, appears on a cinema marquee.
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By what name was Getting to Know You (1999) officially released in Canada in English?
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