Füge eine Handlung in deiner Sprache hinzuAs he copes with the death of his fiancée, a young man befriends her parents and must figure out what he wants out of life.As he copes with the death of his fiancée, a young man befriends her parents and must figure out what he wants out of life.As he copes with the death of his fiancée, a young man befriends her parents and must figure out what he wants out of life.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 6 Nominierungen insgesamt
- Server #1
- (as Robert Clendenin)
- Photographer
- (as Ed Lachman)
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Dustin Hoffman is completely believable as the dad whose hopes and dreams have vanished with his daughter and he struggles to hold on to them in a state of denial. Susan Sarandon's character has accepted the fact and turns away from friends' sympathy. And as the fiancée in a slight state of paralysis from numbness, Jake Gyllenhaal proves he can play more than disturbed teen. The girl's parents try to hold onto him as their last hope of clinging to their daughter. Joe (Gyllenhaal) doesn't want to hurt them by leaving, but has to find his own path now.
The actors keep the movie going for longer than expected. Even though by the end you're glad it's over, it'll stick in your mind. It's the kind of movie you only see once, or else you'll get sick of it. But the one time will be enough for you to appreciate its quiet despair and hope.
Brad Silberling has created an amazing piece of film. The story starts out quite shakily, but manages to quickly find its feet and, thus, saves itself from being another overly-indulgent, kitchy movie. Some might battle with "Moonlight Mile"'s pace, as the film takes its time in developing its characters. However, the film is character-driven and these developments are fundamental to the film's progression.
Holly Hunter's performance is Oscar worthy, even though her role is quite small. Judi Dench won an Oscar for her 8 minute performance in "Shakespeare in love" and I see no reason why Hunter should not have been nominated. Amongst a cast of film legends, Jake Gyllenhaal holds his ground. It is obvious that he has had less experience in the acting field, but his performance is still great. Gyllenhaal's climatic monologue near the end of the film will give you goosebumps. It is the best part of the film and in my opinion one of the best scenes in cinema history.
In a film about one of the most life-changing, traumatic experiences one can endure, subtlety rules. Little things drive the film and the characters in the film begin to appreciate the smaller things in life. And that's what makes the film so beautiful and so real. The subtlety of the comedy and romance is what makes the drama that much more bearable - which brings us back to the films central theme: coming to terms with loss and trying to move on from it. These beautiful little moments are what make the film.
One might have mistaken "Moonlight Mile" for a Cameron Crowe film as music plays a vital part. The film's music is as evocative as the action on screen and the film's epic moments are emphasised by the films perfectly fitted music.
This film has been overlooked and underrated, and should have received more credit. Silberling has crafted an outstanding piece of cinema, which is rich with emotion and evocatively inspiring. Some cynics may find the film too sentimental and will claim they predicted the entire movie, but if one is able to ignore the odd mushy moment (there's one or two), "Moonlight Mile" is a cinematic triumph. Treat yourself to this amazing film!
Like I said the subject is handled in a very good way. May be the movie makes some easy choices, especially near the end, but the acting is so good and real here that the movie is easily forgiven. Gyllenhaal plays the same kind of part as he did in 'Donnie Darko' and 'The Good Girl', not the most happy one. He has the best single scene, although overall veterans Hoffman and Sarandon are as good as he is. The best thing though is Ellen Pompeo. Her character has a certain sweetness and nice way of dealing with things and Pompeo finds the perfect note for playing this part. See it for the acting and you will find a lot more.
This film is truly beautiful and shows deep emotion that isn't in any way corny.A film that I think is very underrated.To be honest I saw it for Jake Gyllenhaal but after seeing it it is now one of my favourite Jake films.
I loved it!
It's a movie about a lot of suffering but mostly done quietly. Everybody is getting crushed but nobody is particularly interested to admit it. It has the air of truth. However it isn't able to squeeze emotions out of the audience. We get to witness their suffering without really feeling it. Most of the performances are great. Gyllenhaal does a terrific job bringing life to the emotional dialog which could have gone another way.
Wusstest du schon
- WissenswertesLoosely inspired by writer and director Brad Silberling's own experience. He was dating Rebecca Schaeffer at the time she was killed by an obsessed fan in 1989.
- PatzerMassachusetts did not have the death penalty in the early '70s.
- Zitate
Joe Nast: I'm sorry, I can't, I can't do this. It didn't happen. We loved each other, we broke it off. If I don't-Jesus, if I don't say this now, it'll never-she'll never be a part of this. What are we-what are we doing here? I don't even-I don't even know this guy. She-she didn't even know this guy. What's he got to do with her? I don't-look, you asked me to bring her in the room, and she's not here-she's not. And whatever happens here, whatever happens to this guy, she's not here. And the only way that you're gonna bring her in here is with the truth. I don't know-I don't know what else to say. You just tell me what to say, and I swear, I'll try, but if you want her, you got to keep it honest. You have to understand that Diana had this thing, this way of bringing out the real in people, not just the best, you know-their honesty. And I guess she's doing it again now cause there's no way I'd be sitting here saying these things I can't believe are coming out of my mouth. It was Diana who finally had the courage. *She* was the one who told *me* that I didn't want to go through with it. And I guess she's-she's doing it again, cause all of this-all of this is everything that she wouldn't want. She wasn't a bride-to-be. She wasn't a victim. She was strong and real and messed up and wickedly honest, just like her mother. And if I sit here trying to paint it any other way, I... Oh, I'm sorry, I'm sorry. I just-I thought-I thought that if I could just... paint the pictures that you needed, you know, that... that somehow... that somehow you'd bring these people some peace, finally, and they'd have their daughter back, or... But, uh... that's not how she'd wanna be. The truth is hard. Sometimes it looks so wrong, you know-the color's off, the style's wrong, but I guess it-I guess it's where the good one's live.
- Crazy CreditsThe credits end with "For all our loves...departed, or yet to arrive..."
- VerbindungenFeatured in Moonlight Mile: A Journey to Screen (2002)
- SoundtracksI Want to Take You Higher
Written by Sly Stone (as Sylvester Stewart)
Published by Warner-Tamerlane Publishing Corp. o/b/o Mijac Music (BMI)
Performed by Sly and the Family Stone
Courtesy of Epic Records
By Arrangement with Sony Music Licensing
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- La vida continúa
- Drehorte
- Produktionsfirmen
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Box Office
- Budget
- 21.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 6.835.856 $
- Eröffnungswochenende in den USA und in Kanada
- 329.771 $
- 29. Sept. 2002
- Weltweiter Bruttoertrag
- 10.011.050 $
- Laufzeit1 Stunde 57 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1