Ein sexuell frustrierter Vorstadtpapa stürzt in eine Midlife Crisis, als er sich in die beste Freundin seiner Tochter verknallt.Ein sexuell frustrierter Vorstadtpapa stürzt in eine Midlife Crisis, als er sich in die beste Freundin seiner Tochter verknallt.Ein sexuell frustrierter Vorstadtpapa stürzt in eine Midlife Crisis, als er sich in die beste Freundin seiner Tochter verknallt.
- 5 Oscars gewonnen
- 112 Gewinne & 102 Nominierungen insgesamt
Zusammenfassung
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Kevin Spacey plays Lester Burnham, a man on the brink of a mid-life crisis, who suddenly becomes obsessed with one of his teenage daughters friends played by Mena Suvari. His daughter (Thora Birch) is, as Lester tells us; "a typical teenager. Angry, insecure, confused...". And his wife Caroline (Annette Bening) has an obsession of her own, her public appearance.
Life starts off on a downer for the Burnhams and their new neighbours the Fitts despite their lives looking good from the outside.
As life begins to improve (with most of the main characters finding what they think is love or new relationships) it soon all comes crashing down in the climactic final day.
The writing is nothing short of brilliant and made even more amazing by knowing that it comes from a first time feature film screen writer Alan Ball (who had had years of prior experience writing TV sitcoms - not that you'd be able to guess from the tone of this film).
The directing is on a par with the writing and Sam Mendes manages to get some brilliant performances from the great cast, who are all faultless. No doubt Mendes' theatre directing past played a huge part in directing the actors so well.
Another person worthy of a mention is the late director of photography Conrad L. Hall, another one of the five oscar recipients for this film.
All the elements in this film gel perfectly together to make one superb masterpiece. Not one person, either cast or crew, steals this film or does anymore than anyone else to make this film what it is. Truly an ensemble effort. 10/10.
A few notable elements stand out. The direction is superb; this is visually a superior film, for the director understands the subtle changes in tone. The writing is equally compelling; the story effortlessly interweaves multiple stories to create one amazing movie. The haunting music is also notable. Lastly is the acting. Kevin Spacey has done excellent films before, and he can add this one to the list. He may be a little to witty to suggest the overshadowed character he portrays, but he simply disappears into the role. Annette Bening is also fine; a less strong role, but she is magnificent none the less. As the teenagers, Thora Birch is able to mesmerize us with one intense look; her "typical teenager" role is fleshed out completely. I enjoyed Mena Suvari's character equally. It seemed that she did not receive as much acclaim, but her performance evokes both innocence and experience, and her scenes toward the end give her a depth unlike any other character. And Wes Bentley, as the video-taping boy next door, is easily the most original character. At first he seems a little tense, but, like Spacey, he sinks into the role. His "purpose" in the film, unlike anyone else's, is a mystery, thus making him the most enigmatic person.
Most films are able to make a lasting impression on its audience, but never has a movie been known to "move" its viewers as much as this movie. It truly says something about life, no matter how predictable or tacky it appears, this film disturbingly shows us how to appreciate our individual lives, so therefore, when they are over, we each have something to remember.
Kevin Spacey plays Lester Burnam, a middle aged married man who has lost some hope in life. He has a job that is degrading, a wife who refuses to show any type of loving emotion towards him, a daughter who practically hates herself, and is judged constantly as a looser. But all of a sudden, he sees his daughter's friend, Angela, and something snaps in him to do something with his life. He quits his job and takes, the dreaded by most Americans, a fast food cook job. He starts working out and doing some illegal substances. Even though this sounds like he is ruining his life, it actually helps him and makes him realize how much he loves "the precious moments in his stupid little life." You have no idea what he is talking about I'm sure, but don't worry, you will some day. Kevin Spacey was by far the best actor in 1999 and deserved this Oscar 100%.
Annete Benning plays Carol Burnam, Lester's wife. She is a very fake and unsuccessful real estate agent who cannot get a sale. Her image in life is "in order to be successful, one most project an image of success at all times". You can tell, she is not happy with her marriage and starts to have an affair with the big boss of the real estate company. Again, seems horrible, but it helps her in the end. Annete was unfortunately robbed of an Oscar for this film.
The supporting cast: Thora Birtch who plays Janie, Lester and Carol's daughter, is extremely depressed and hates her body and herself. But when she notices a strange boy next door and develops a relationship with him, she realizes how precious life is and starts communicating with her family. Mena Suvari plays Angela, Janie's best friend, Lester's crush, and a girl who is clearly insecure despite her attempts at showing her sexy side to every guy in town. Wes Bentley plays Ricky, the next door neighbor boy who looks at something as simple as a bag being tossed in the wind as something beautiful. Some say that this was a very stupid scene, but I disagree. His dialog was perfect and made us look twice at something so simple. He won most of our hearts despite having somewhat of an arrogant attitude. Wes without a doubt got robbed of a nomination for this movie. Chris Cooper plays Ricky's father, Col. Frank Fits. He is a military Sergent who is very abusive to his wife and son and is an obvious homophobic that turns into an ironic situation in the end. Chris also should've been nominated.
The most stunning character actually to me was Allison Janney who played Barbara Fits, Ricky's mom, and Frank's wife. She was so beautiful and perfect. Her scene in the front room with Frank and Ricky, everything is so quite, and she says "I'm sorry, what?". Ricky says "Mom, no one said anything". When Ricky gets kicked out by Frank after a horrible accusation, Ricky says "Mom, I'm leaving". Instead of being like the average mom and trying to stop him or say things will get better, she knows this is best and says "OK. Wear a raincoat". Allison was just amazing and didn't get enough credit for her role.
If there could have been nominations for every role in this movie, they were well deserved. This is a terrific movie that should be watched by every adult. It'll make you look again at your life and think. What a great movie.
10/10
Kevin Spacey plays this part to a "T". He is strong when it requires and meek when it is needed. His emotional rollercoaster ride is a trip to partake in. Annette Bening is marvelous as well. I think they both should be nominated.
The support cast is also spectacular. Thora Birch, Wes Bentley, and Mena Suvari all give great performances as the troubled "Teenagers" in the film. Of particular mention is Wes Bentley's performance, worthy of a supporting nomination as well.
This is a dramatic and funny tale of a man and his life in a state of turmoil and transition. When he happens to see a beautiful friend of his daughter's at a cheerleading exhibition, he is completely infatuated with her beauty. Using this as his inspiration, he attempts to change all aspects of his life. He confronts his marriage, his job, his ego, and his libido.
The music in this film is also very well chosen. There are moments when the music fits so perfectly with the scene that they meld together as one to present a perfect emotion.
The plot can get rather involved, but you will follow it endlessly to see where you go. I was simply involved, hook, line and sinker.
See this movie more than once, and skip some of the other movies out now that are dare I say, trash.
This should be on the top of many critic's lists this year and it is certainly on top of mine.
My Rating (1 - 10): 10
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
Wusstest du schon
- WissenswertesDirector Sam Mendes designed the two girls' look to change over the course of the film, with Thora Birch gradually using less makeup and Mena Suvari gradually using more, to emphasize his view of their shifting perceptions of themselves.
- PatzerWhen Jane and Angela are outside talking to Ricky at school, Angela's cigarette keeps growing and shrinking throughout the conversation.
- Zitate
[last lines]
Lester Burnham: [narrating] I had always heard your entire life flashes in front of your eyes the second before you die. First of all, that one second isn't a second at all, it stretches on forever, like an ocean of time... For me, it was lying on my back at Boy Scout camp, watching falling stars... And yellow leaves, from the maple trees, that lined our street... Or my grandmother's hands, and the way her skin seemed like paper... And the first time I saw my cousin Tony's brand new Firebird... And Janie... And Janie... And... Carolyn. I guess I could be pretty pissed off about what happened to me... but it's hard to stay mad, when there's so much beauty in the world. Sometimes I feel like I'm seeing it all at once, and it's too much, my heart fills up like a balloon that's about to burst... And then I remember to relax, and stop trying to hold on to it, and then it flows through me like rain and I can't feel anything but gratitude for every single moment of my stupid little life... You have no idea what I'm talking about, I'm sure. But don't worry... you will someday.
- Crazy CreditsThe end credits gives thanks to the Donmar Warehouse in London and Dr. Bill and Alice. This is a reference by Sam Mendes to the characters played by Tom Cruise and Nicole Kidman in Eyes Wide Shut (1999). Mendes directed Kidman in The Blue Room, which is a play performed at the Donmar Warehouse.
- Alternative VersionenSome TV versions deleted most language and explicit content to maintain a clean TV-14 rating.
- VerbindungenEdited into Sex at 24 Frames Per Second (2003)
- SoundtracksBecause
Written by John Lennon and Paul McCartney
Performed by Elliott Smith
Elliott Smith appears courtesy of DreamWorks Records
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Belleza americana
- Drehorte
- Sacramento, Kalifornien, USA(aerial shots)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 130.096.601 $
- Eröffnungswochenende in den USA und in Kanada
- 861.531 $
- 19. Sept. 1999
- Weltweiter Bruttoertrag
- 356.296.601 $
- Laufzeit2 Stunden 2 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1