Polka Dot Door

I remember watching this show every day when I was a kid. My favorite part in every episode was the little fuzzy mouse that lived in the clock. Of course, I forget its name, but it came out whenever the hosts would tell the time on the giant clock. Polkaroo was another of my favorites. I'd get all excited when he'd stop by for a visit, but never could figure out why the male hosts always seemed to miss him. Another of my favorites was the doll named Marigold. I used to ask my mom if she could get me a Marigold doll, but we never did find one. I really hope they bring this series out on DVD someday, so my two children can share in the joy and excitement I experienced as a small child.

I loved this show when I was little. It was on Ontario TV, and I think it had a spin-off or two in the '90s. The hosts changed sometimes, but it was really fun to watch, and talked a lot about stories and toytime. The hosts always did a little dance to the tune of "Frere Jacques" that they would sing in both English and French, and there was a big dinosaur thing named Polkaru that one host never got to see! It was a good, quiet, peaceful show for kids.

Dudes, Polkaroo rocks. Who are the losers who gave it a 4? For shame! Polkaroo is a cultural icon for an entire generation of Canadians, some Americans, and even some Irish! Why, my brother once used Polkaroo as his ICQ nickname for crying out loud. Man, I can't believe that The Polkadot Door got canceled. Polkaroo, Goldilocks, Bear... Man, those were the days. The Polkadot door is what made me the man I am today. Without those cherished memories of Polkaroo's innocent, happy, naïve voice happily chanting his name, I think my scarred childhood would have been unbearable. I can honestly say without the least bit of exaggeration that THE POLKAROO SAVED MY LIFE. He is a celebrity... an icon... nay, dare I say, a NATIONAL HERO.

ALL HAIL POLKAROO! LONG LIVE POLKAROO!! In the immortal words of the master himself: "POLKAROO! POLKAROO!"

Regards, David

I see a number of commentors over the year have felt the need to lambaste this perfectly innocent program. The central themes were about playing fair and making believe, and if it seems to be a simple premise, I'd like to hear where a sophisticated premise was used for a children's show that succeeded. The age group this show was created for was essentially preschool to kindergarten, and managed to coexist with the likes of Mr. Rogers and Sesame Street for decades, so it couldn't have been that gawdawful.

I seem to remember the show was a sweetly naive little half hour of kindergarten teacher types directing 'children' who were really toys how to behave together. This may regarded as insidious socialization, but it was created and ran through the very liberal 70s, so that claim is paranoid anti-government nonsense.

As for this show having no child actors, the toys made perfect surrogates, both because they were portrayed as childlike and because they reinforced the notion of abstraction necessary to allow children to see themselves in the same position. That level of abstraction was a necessary ingredient to instructing children to use their imagination.

As well, shows that primarily feature children often ran afoul of one of two problems with child stars: amateurs and professionals. The amateurs couldn't be relied upon to react properly to the puppets and toys, and the professionals come off so rehearsed and plastic as to be offensively unbelievable.

In the end, it's an argument over which philosophy for child education yields the best results. Personally, I don't think children's shows have been improved upon appreciably since the 70s, when at least diversity and imagination were openly encouraged, and the moral lessons were delivered a little more clearly without the obsequious and nauseating touchy feelie performances modern children's shows tend to use in lieu of actually explaining things to children. The assumption that children cannot or should not be told anything not relevant to playing in the schoolyard is utter nonsense.

With that in mind, I'd like to offer that The Polka Dot Door was actually a wonderful preschool children's show which hasn't been improved on by the likes of The Teletubbies.

Back in the days when budgets were spent on good writing and not special effects, Polka Dot Door was produced by TV Ontario and was a children's television series that aired 5 days a week in ½ hour episodes. It ran from 1971 – 1993. Polka Dot Door is a fun interactive kids show that features three main stuffed animals, Marigold, Humpty and Dumpty and Bear. The hosts would interact with these stuffies to teach children fun facts and even advocate for each stuffy by providing a voice to make them come alive. Another main attraction of Polka Dot Door is Polkaroo, an elusive kangaroo that would only appear to one of the two hosts of the episode and then the other host would be dismayed that he or she missed Polkaroo again. Children simply love Polkaroo with his colourful spots and he would always be so cute saying Polkaroo, Polkaroo, and would came out every so often so there was anticipation building up to see when Polkaroo would pop in.

There would be different themes for each day of the week for each episode. Monday would be Treasure Day, Tuesday was Dress-Up Day, Wednesday was Animal Day, Thursday was Imagination Day and Friday was Finding-Out Day. The series is fun and interactive, and encourages children's imaginations while including a social aspect by taking them through the Polka Dot Door and into the real world. Cast includes Cindy Cook (host), Jim Codrington (host), Gloria Reuben (host) and Alex Laurier (Host). This is a must-see children's series and inspires creativity and imagination.