Detour

But are they really bad to the bone? Jeff Fahey, James Russo and Darnell Williams play a gang of thieving thugs in black leather jackets and old blue jeans. Gary Busey is the accomplice with a thing for silk pyjamas. The real badguys are mobsters in suits. Michael Madsen, disappointingly, only gets to play the alcoholic cop who looks like Elvis in decline. Throw in a mob of good-hearted farmers, and there's your cast.

I thought I'd worked out the ending half way through, but I was wrong.

Being a giant fan of Fahey and Busey I found this impossible not to miss.

The film itself has many bad qualities. The sound is all over the place. The levels peak mid shot and the mics pick up annoying chunks so sound, like Fahey leather jacket making that leather-jacket-sort-of-noise. The amount of footaged re-used is amazing. I can think of a least 5 glaring examples.

However, then there is the cast and plot. Fahey (who supports the film perfectly) is great is a role that he can play in his sleep. Busey limited usage shows and his pyjamas are exceptional. Russo really only shines in the action sequences. Madsen give a good as he wants (which I don't believe is very much) as the charater has very little to do and didn't require someone like Madsen to play it.

If you can manage to endure the technical problems this turns out to be a fairly enjoyable waste of time.

Raymond Martino hasn't got bad movies. I like "Skyscraper", "Da Vince's war" and "To the limit". He wrote a script to "Detour" and this one directed Joey Travolta who acted in "Da Vince's war" and "To the limit". The plot of "Detour" is very simple. Two bandits - Danny (Jeff Fahey) and Ziggi (James Russo) decided to rob a famous mobster Grasso. But they're didn't know that the man who suggested them this business,Mo (Gary Busey), has already robbed Grasso. But Grasso think that Danny and Ziggi made this. And he started to hunt for them. There aren't too much shots in this movie as in "Skyscraper" and "To the limit" but the plot here much better then in "Skyscraper"

I found my way into the an audition with the Producer, whom was very nice but as the conversation got to "my part" I had to interrupt and inform him I had never acted and I didn't have a SAG card, so he put me in straight and center with more screen time than most. It's hard for me to give an unbiased rating as Gary Bussey was a amazing so I can say we filmed in rough conditions, before they blew the structure we were filming in. That's when I learned how hard actors work. If you can find the movie, I highly recommend

When Danny and his gang attempt to rob the warehouse of a mob boss, they find themselves on the run. Danny goes back to his hometown to find his mother has recently died leaving him the farm on the condition that he must open the dairy and run it for two years. However the gang is double crossed by Mo and the mob begin to hunt them down, meanwhile Danny and his gang consider robbing the mill in his town.

This is a very low rent film! It's a thriller that is very slow and dull, with no tension or action to write home about. The story is mostly about Danny going home and learning to be a nice guy again and starting to farm - the plot about the mob and the temptation of the "one-last-job" is almost a sideplot. That makes it feel so boring and slow. The action itself is uninspired - a house blows up, big deal.

The characters are stereotypes - the mob guys are a joke - and the performances match the material. I like Jeff Fahey, however this type of stuff is part of the reason he never gets big roles, he is poor in a poor film. And what is it with Gary Busey in Fahey films? In Lethal Tender he appeared to be in a different film and the same is true here. His character Mo only has a few scenes and all of them in his flat - to Busey this must have represented an easy week on set at most. Michael Madsen shows why he hasn't build on his cult success in Reservoir Dogs in a very, very lazy role.

Overall a very dull film that is bookended by action to try and make it interesting. This is bad even by Jeff Fahey's dubious standards.