Geschichte des Kampfes eines Lehrers um den Geigenunterricht für die Kinder aus Harlem in der Innenstadt.Geschichte des Kampfes eines Lehrers um den Geigenunterricht für die Kinder aus Harlem in der Innenstadt.Geschichte des Kampfes eines Lehrers um den Geigenunterricht für die Kinder aus Harlem in der Innenstadt.
- Für 2 Oscars nominiert
- 5 Gewinne & 11 Nominierungen insgesamt
- DeSean at 11
- (as Jade Yorker)
- Lucy at 10
- (as Victoria Gomez)
- Naeem at 9
- (as Justin Spaulding)
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In plot, `Music of the Heart' doesn't deviate much from the standard formula common to such films. We have, first, the neophyte white middle class schoolteacher, plunged into the heart of a problem-ridden inner city Harlem school, filled with burnt-out teachers who have learned to expect little (and thereby garner little) from the youngsters placed in their charge and children themselves whose troubled home lives provide little in the way of a nurturing environment for academic achievement. We encounter the predictable first-day stumbles of this headstrong, idealistic newcomer as the students challenge her authority and the relevance of her violin class in no uncertain terms; we see how, through discipline and the sheer force of her own determination, she eventually connects them to the music they are learning to play, building their self-confidence and slowly winning the respect of their often skeptical, and, occasionally, downright hostile parents in the process. Then comes the great challenge, as the school board, after ten successful years in which the program has earned a sizable reputation and even been featured in magazine articles, pulls the plug on the funding. Thanks to the sheer determination of Gaspari, the parents whose children's lives have been forever altered, a magazine writer and the voluntary participation of a number of the world's premiere violinists (a large number of whom appear as themselves in the film), the group stages an amazing fundraising concert at Carnegie Hall, the proceeds from which save the program and help ensure its survival for the next several years.
One of the chief reasons that `Music of the Heart' does not dissolve (as it so easily might have) into a puddle of goopy tears lies in the matter-of-fact interpretation of the main character that both writer, Pamela Gray, and actress, Meryl Streep, bring to bear on the role. At no time is Roberta ever portrayed as a saintly figure. In fact, she is a woman filled with all sorts of insecurities and vulnerabilities, exacerbated by the devastating sense of bewilderment and loss caused by the unexpected termination of her marriage and her seeming need to be dependent on a man for comfort, support and a sense of purpose. She is often overbearing, pushy and pigheaded and not just in the classroom where it counts, but also in her personal life where it often alienates her from the ones she loves most. Yet, somehow out of this mass of self-doubts and personal missteps, she finds the inner strength and emotional wherewithal to work miracles. Streep throws herself so completely into the role that we cannot take our eyes off her for a single one of the film's 120 enthralling minutes (and I doubt that she is ever off screen for more than a few seconds in the entire film). It is a truly glowing performance.
Equally impressive, director Wes Craven is to be highly commended for drawing such an impressive array of credible, down-to-earth performances from a large cast of outstanding preteen actors. Thanks to them and an air of naturalism in the dialogue, the scenes between the youngsters and their teacher always ring true and believable.
I defy anyone - even the most tone deaf, musically disinterested member of the audience - not to be deeply touched by the final scenes of this film. Craven, from all his years doing those slasher films I suppose, really knows how to generate a sense of suspense as we follow the pre-show behind-the-scenes preparations of the nail-biting participants. The recreated concert itself, with a number of the real life participants brought back to play for the occasion, is utterly engrossing and leaves the audience both rheumy-eyed and covered with goose bumps. Well, maybe "Music of the Heart" is, after all, filled with the `inspirational life messages' and `feel-good sentimentality' I so dreaded at the outset of the film. That being the case, I guess that isn't such a bad thing after all!
It surprises me to no end that a horror film maestro could create what is probably one of the best feel-good movies I have ever seen. I can pick a passion project when I see it, and I am positive that Craven was passionate about this story and to telling it right. When I was growing up, music lessons were everything to me. You could escape into a whole other world when you practised, and the instrument became a friend when none other might be. This film captured that more than any other I've seen.
For a character who looks and sounds like Meryl Streep, it is amazing how much Meryl Streep vanishes into Roberta. She captures with full conviction the passion she has for her music, whilst also layering her character with personality quirks that inform us why her marriage has broken down. Streep layers that with bursts of anger, sadness and even humour that never feel out of place because they feel like Roberta's real emotions. She could have walked into my high school's music department and wouldn't have felt even a little bit out of place. This is probably my favourite ever Meryl Streep performance. From an unknown supporting cast, Angela Basset is stunningly effective as Janet, a Harlem principal holding a school together with her bare hands.
The film essentially splits into two halves, with a ten year break in between. The first is Roberta's struggle to deal with the breakdown of her marriage and her desire to make the program work not to help the kids, but to make ends meet. But as the first act goes on, interactions with the kids show her how much the program means to them - even the troublemakers who give her flack but show up week after week in spite of everything. In the second half, ten years later than the first, Roberta's program is in jeopardy and she must fight to maintain it, because she has seen now how much good it can do.
The relationship between Roberta and the kids - especially Jade Yorker's DeSean and Victoria Gomez's Lucy - is beautiful and believable, even as she occasionally hits stumbling blocks associated with kids in Harlem - incidental murders, domestic violence and hostility from black parents. Screenwriter Pamela Gray does a terrific job avoiding the trappings of White Saviour but focusing more on how music helps children, regardless of who their teacher is.
Sometimes I felt that there were a few unnecessary subplots, such as Roberta's love life - both of her love interests fizzle out without much impact on the story. Other times, serious moments are swept over quickly, like when a father and daughter turn up to the concert announcing "they took the car and violin", which is quickly ignored. But I watched this film with a smile on my face the whole way through - just as the proud parents beamed at their underprivileged children performing beautiful music on stage. I would never have though to find such a feel-good movie in the filmography of a great horror director, but it just goes to show that just like music in the hearts of Harlem, you should never judge a book by its cover.
Meryl Streep, in the lead role, is nothing short of fantastic. She studied violin virtually every day, for 2 to 4 hours a day, for 3 months because she insisted on doing all her on-screen playing. She was so good that duing warm-up for the Carnegie Hall scene, famous violinists Issac Stern and Itzhak Perlman stood/sat in amazement at how good she was. Watching the movie, I honestly became unaware that she was an "actress" in a movie, and that seldom happens with me.
The most enjoyable scenes were those showing young children make music. I am a musician, and the Carnegie Hall performance, kids sharing music stands with all those real-world virtuoso violinists, is one of the most moving scenes imaginable, when you consider what had transpired leading up to it.
This movie is based on the real story of a real music teacher in Harlem. It is a wonderful story of how one person through love and persistence can affect so many in such a positive way. This movie, unlike most, will stay with me for a long, long time.
Meryl Streep is exceptional in the role of the true life violin teacher who deserves most of the credit for this superbly performed film. The way that Along with Angela Bassett, Gloria Estefan and Aidan Quinn, "Music Of The Heart" is a success.
I particularly enjoyed the scene in which her former students came into the classroom to inspire her current students to doing their best in their concert. However, the best part of the whole film was at Carnegie Hall when the children performed in front of their parents and alongside world renownd violinists such as Itzhak Perlman.
Finally, Hollywood has recognized an excellent true story and brought it to the silver screen. I cannot begin to tell everyone what a movie this was to watch. I can't begin to tell everyone that the performances brought out every positive emotion.
Along the same lines as "Mr Holland's Opus," "Music Of The Heart" follows the life of violin teacher, Roberta Gaspiaurdi from the inception of the music program she created.
"Music Of The Heart" is a film that touched my heart and inspired me into really looking inside myself and want to do charity for others. I highly recommend this movie to everyone because it will move, touch, and inspire.
Wusstest du schon
- WissenswertesImmediately following a phenomenally successful preview screening of the original Scream - Schrei! (1996), Bob and Harvey Weinstein offered Wes Craven a three picture deal, two of which were to be horror films, the last of which was to be "a petticoat film" (i.e. a costume drama for which the Weinsteins were known at the time) which Craven, a fan of classical music, chose to be this film.
- PatzerAt the end of Roberta's first week of teaching, Brian visits her apartment to celebrate. When he enters the room, Roberta has just finished putting three large curlers in her hair on the left side. They disappear after the two of them kiss.
- Zitate
Isabel Vasquez: [approaching Roberta who is sitting on a bench by herself at lunch after being shunned by other teachers] What's the matter? You got cooties or somethin'?
Roberta Guaspari: Oh, apparently.
Isabel Vasquez: Well, I'll take my chances. Isabel Vasquez, second grade.
Roberta Guaspari: Roberta Guaspari, I'm ...
Isabel Vasquez: The violin teacher. I know.
Roberta Guaspari: So is it my imagination, or does *everybody* here hate me?
Isabel Vasquez: Look, it's hard to fit in when you're doing a special program. People figure you're not gonna be here very long, so they don't make the effort. It may take a while for folks to warm up to you, but they don't hate you.
Roberta Guaspari: What about Alice?
Isabel Vasquez: A - She thinks the violin is a waste of time. B - She's a bitch!
Roberta Guaspari: [laughs] So, why are you being so nice to me?
Isabel Vasquez: Ulterior motives. I want my daughter in your class next year!
Roberta Guaspari: If I'm here next year...
Isabel Vasquez: You will be.
- Crazy CreditsPlease support arts and music education.
- SoundtracksTurn the Page
Performed by Aaliyah
Written by Guy Roche and Shelly Peiken
Produced and arranged by Guy Roche
Mixed by Mick Guzauski
Arranged, orchestrated & conducted by David Campbell (uncredited)
Aaliyah appears courtesy of Blackground Entertainment, Inc.
By arrangement with Sony Music Licensing
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- 50 Violins
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 27.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 14.859.394 $
- Eröffnungswochenende in den USA und in Kanada
- 3.653.281 $
- 31. Okt. 1999
- Weltweiter Bruttoertrag
- 14.936.407 $
- Laufzeit2 Stunden 4 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1